Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of women in movies
Women in classical hollywood essay
Portrayal of women in movies
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Princess films are beloved classics that range from the beloved Disney franchise, to live action films such as the Princess Diaries, to historical tales as those seen is polish films. No matter what the format or genre these films typically contain recurring scenes. The film The Princess Bride offers a new comedic approach to this classic genre. While scholars have explored how princess films are able to succeed through the use ideas such as historical nostalgia or nationalism, The Princess Bride succeeds by using nostalgia in a unique way. Through the use of comedic devices such as mistaken identity, absurdity, and good old-fashioned slapstick comedy, The Princess Bride is able to parody the traditional princess film. In doing so it is able …show more content…
to maintain the nostalgia of the traditional princess film and extended its popularity by mixing genres. Previous scholars have focused on how princess films have used nostalgia historically and nationalistically.
One recent study focused the mixing of types of historical nostalgia in the “timeless” Disney princess films. Rebecca Do Rozario argues that Disney bases their films on the nostalgia of “neatly order patriarchal realms”(Do Rozario 35), but Disney’s continuing success has stemmed from its ability to play on the nostalgia of other time periods. In the film, Snow White(1937), the princess is portrayed as a “1920/’30s starlet with a flappers haircut” who is helping the “working class dwarfs”(38). Similarly, In the film Sleeping Beauty(1959), Do Rozario describes Aurora as a “prototype Baby Boomer” who is “uninterested in the affairs of the king”(39). Her exploration of the role of nostalgia expands on the traditional studies of the princess and offers new insight into the mixing of nostalgia from different time …show more content…
periods. Another recent study done by Ewa Mazierska focused on the use of nostalgia and nationalism in successful polish princess films. She argues that the films such as In Desert and Wilderness(2001), rely on the nostalgia shown for the “revitalization of Polish history”(168). The films gain nostalgia because they are portray the polish as “courageous and deeply religious knights” who are “morally and intellectually superior” to those around them(169).This creates a sense of nationalism that boosts the film's success. Both these studies explore how films have used nostalgia to become successful. The different ways the nostalgia is used reflect the different audiences the films were made for. The Disney films create nostalgia for different time periods of american history to grab different generations of viewers. The polish films use nationalism to bring a strong national audience. Simliarly, The Princess Bride uses comedy to bring in viewers previously uninterested in the princess genre. The storming of the castle is an example of the use of parody and slapstick comedy.
In this scene the hero, Westley, has no control over his arms and legs. He has to be dragged around the castle by his companions Inigo and Fezzik. As the scene progresses, he gradually regains control over his limbs and at the end of the scene he manages to defeat Prince Humperdink by merely raising his arm and pointing a sword at him. The use of parody here is a play on the nostalgic scene of a princess movie in which the prince bravely fights a nearly unbeatable enemy to rescue the princess. However, in this rendition of the princess film, the prince isn’t the hero and this dissonance between the expected scene and the scene that is portrayed is what creates the humor. The near drops of the hero, as well as his slouched and limp posture, create a little bit of physical comedy that is ever prevalent in slapstick films. This comic nature of this scene has even inspired the creation of a board game based on the film titled “Storming the Castle.” The parody of a classic princess scene is essential to the success of the
movie. The scene where Westley reveals his identity to Buttercup parodies the traditional kiss scene through the use of mistaken identity and slapstick comedy. In this scene, the “Dread Pirate Roberts” has finally won the princess and is about to reveal his identity as our hero Westley but before he reveals his identity Princess buttercup slaps him and sends him rolling down a giant hill. After he calls out “as you wish” Buttercup realizes his identity and proceeds to throw herself down the hill. This scene is a parody of the classic scene in princess films in which the prince reveals himself to the princess and they share an embrace. In addition, it plays on slapstick comedy with the slap followed by the unnecessarily long tumbling down the hill of both characters. Also at play here is the device of mistaken identity with the princess mistaking her love for a villain and hurting him. These comedic devices are rooted in the classic scene but the use of these devices increases the success of the films. The use of comedic devices in the Princess Bride expands on the nostalgia of princess films and is able to bring in new audiences.
“As you wish,” said by the Farm boy,westley, a main character who ties the story of love,romance,and action together. The book The Princess Bride by William Goldman is a story of two lovers, Buttercup and Westley. After Westley dies on a boat by The Dread Pirate Roberts, the King of Florin, Prince Humperdinck, started searching for love. After a visit from the count and countess they decide that Buttercup is worthy of being the queen. Even though Buttercup says she will never love The Prince, she still agrees to the marriage. Soon after Buttercup is introduced to Florin she gets kidnapped by the Turk, the Sicilian, and the Spaniard. They all figure out that they are being followed by the man in black, which leads to the adventure part of the story. In The Princess Bride, William Goldman uses many different archetypes like the damsel in distress, the task, and the magic weapon which are archetypes that have been used for centuries and renders them new to make the story flow together and more interesting.
On the other hand, if the reader interprets it figuratively, the reader thinks of Prince Humperdink as being muscular on the outside and having a hollow personality on the inside, just like an empty barrel is tough on the outside and hollow on the inside. This causes the reader to visualize two completely different images in the reader’s head. Furthermore, satire in The Princess Bride matters because it can allow the reader to have a better understanding of a point in the novel. This is evident when Westley is brought back from the dead by Miracle Max. The author states, “ The man in black sat immobile, like a ventriloquist's dummy.” (329). If the reader did not view this part as though it is a satire, then the reader will think of Westley as being still and immobile, but if the reader viewed it as a satire, the reader will see it as Westley being lifeless on the inside but seem full of emerging life on the outside, as a ventriloquist's dummy is. This metaphor also causes the reader to imagine a corpse slowly merging with its past soul. All in all, this shows why whether The Princess Bride is a satire or not matters and how it can influence the reader’s decisions and
..." Post-Princess Models of Gender: The New Man in Disney/Pixar." Journal of Popular Film and Television 36: 2-8. Web.
Film analysis with a critical eye can give the viewer how animation giant Disney uses literary element to relay key messages to the audience. Walt Disney’s “The Princess and the Frog” is a perfect example how different literary theories like ‘the Marxist theory’ and ‘Archetypal theory’ can be embedded in the simplest of the fairy tales. The different literary elements in the movie, shows a person how characters like ‘the banker’ and the setting of the houses helps to portray the socio-economic differences in New Orleans at that time. Applying ‘the Marxist theory’ and ‘the Archetypal theory’ to the plot, characters and the setting, shows how movies can be a medium to confront social issues and to prove that all fairy tales are of the same base.
Since Disney’s Snow White appeared in 1937, Disney princesses have been a present in pop culture. With the release of new movies frequent and re-release of decades old movies inevitable, a continuous stream keeps Disney princesses in the foreground of adolescent society. It is with the value of entertainment they have been created and as entertainment they should be viewed.
Rosenstone, R.A, "The Historical Film: Looking at the Past in a Postliterate Age," in The Historical Film: History and Memory in Media, edited by Marcia Landy, (New Brunswick,New Jersey: Rutgers University Press, 2001): 50-66.
From a young age, princess culture has impacted the lives of numerous people. Some individuals may have spent their childhood parading around in the attire of their favorite Disney princess while they put on their best rendition of the character they admired most. Ohers may have only seen a few Disney princess movies here and there and went seemingly unfazed by the phenomenon. With Disney’s debut of Snow White and the Seven Dwarfs, princess movies would provide the defining factor of the Disney entertainment empire for years to come. From this, fairy tales embarked into a territory that would touch the lives of many individuals
Disney has made it his life 's goal to create home entertainment for both young and old. From the creation of Mickey to his work in films, Disney had made it clear that happiness is something that everyone should have. Disney had also know that animations is not just for the imagination of the children. Early movies such as Snow White and Pinocchio have clear messages for the younger views. “In Snow White- the main characters are victims of injustice who are eventually restored to their rightful place. In Pinocchio, the characters Pinocchio, Jiminy Cricket and Geppetto are faced with dilemmas, and their own actions result in them becoming victims of ev...
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
Disney Princess movies target children and are none other than a transfigured fairytale story in which innocence and moral virtue are questioned. In pursuit of romance and having the mindset of doing whatever it takes for love, Disney creates this magical world and targets the youth, especially young girls. Walt Disney was a creative and “radical filmmaker who changed [one’s] ...
Produced in 2009, The Frog Princess is a Disney animation inspired by the Grimm Brothers’ fairytale, The Frog Prince. Both The Frog Princess and The Frog Prince deal with a multiplicity of issues, all of which contribute to supporting positive messages and morals (Ceaser, 2009). However, though The Frog Princess is based on a classic fairytale, it is far from being the same. The writers at Disney have taken a classic fairytale and created a “Monster” (Prince, 2001). This essay will examine the evolution of the original Grimm Brothers’ fairytale, the messages both main characters represent, and how the adaptation to fit a modern child readership diminishes a classic fairytale. Through discussing these arguments, this paper will prove that Disney’s adaptation into The Princess and The Frog is counter-productive in representing the original story’s messages, morals, and values.
Smith, Caroline. “The Not So Wonderful Word of Disney.” University of Alabama Arts & Sciences Department. Retrieved 13 Dec. 2013 from < http://www.english.uga.ed u/fyc/barnett/smith2006-07.pdf>.
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
Considering that, by viewing a Walt Disney film, they will alter their perspective as a result of identifying themselves as being similar to a princess. The unrealistic tale of Walt Disney films motivates children to act in a different way. In these issues we tend to investigate the perception of children towards viewing the films. As well as identifying themselves with specific fictional characters shown in Walt Disney films. Furthermore, we can discern the different emotions of female children within viewing it.
Zipes, along with other scholars such as Eleanor Byrne and Martin McQuillan, authors of the book Deconstructing Disney, explore and catalogue the various ways in which Walt Disney-the man-and Disney-the corporation that is his legacy-perpetuate social figurations of race, gender and ethnocentrism through they films they produce. They furthermore critique Disney for reducing fairy tales to over-simplified, over-sanitized and over-sentimentalized banalities designed solely as a profit-generating products. Such analyses prove to be truly important work, as the socio-cultural ideas propagated by Disney, as well as the means by it executed such propagation prove key in unlocking the messages that are sent through seemingly harmless "entertainment". As Zipes keenly point out,