Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on tribal art
Elizabeth Johnson Mrs. Galaviz English 12 15 April 2015 Pacific Northwest Tribal Art Primitive art. When you hear this, what does it make you think? Do you think of stick figure paintings? Does your mind wander to simplistic designs? Placing northwest coastal art into this received idea is an atrocity. Northwest tribal artists create beautiful, bold, and timeless works that you can find all over the world. It is found anywhere, from somebody’s home to famous museums. Northwest coastal tribal art has many distinguishing characteristics which can be recognized by people of all kinds. “Northwest coast Indians have habitually decorated everything they possess, from their humblest housewares to their most sacred regalia, with stylized images of …show more content…
Button blankets vary from tribe to tribe in things like design and color (See appendix F). However, they are all used for the same purpose. These unique blankets are used for dancing. They are worn around the dancer’s shoulders so that the design of the blanket is on the dancer’s back. This design is typically used to show what clan or tribe the wearer is from. All of the blankets have an outline covering both sides and the top of the blanket that is a different color from the base. These blankets are typically made from wool and are overlaid with many buttons. These buttons are typically made from abalone shells found along the coastline. The inner shell is very shiny and appealing to look at. Today, some dancers still wear the blankets that were made hundreds of years ago, passed down through many generations (Johnson). While most coastal tribes have always used button blankets, some have not. These tribes have most likely now created a style of button blanket for their own dancers so they can wear them at popular gatherings …show more content…
Northwest Indian artists are best known for their abilities in basketry, wood-carving, and weavings (Northwest 1). They like to decorate all of their belongings with intricate black and red paintings, including their canoes and the plank houses in which they lived. Today, you can find tribal artists still using the original techniques and also using more innovative ways with today’s technology. The beauty of northwest tribal art is you can’t have one thing without the other. “If you have blankets, there has to be dancing. If you have dancing, there has to be music; and so on. It all ties together” (Johnson). There is nothing on this Earth quite like the beauty of Northwest coast tribal
The Muckleshoot are a Native American tribe are a part of the Coast Salish people. their territory can be found located in Washington. They are recognized as the Muckleshoot Tribe, they are composed of generations of different tribal groups who inherited Puget Sound areas and occupied river drainages from the rivers confluence in Auburn to their reservations in the Cascades.
The region of the northwest coast was blessed with an abundance of natural recourses for human existence and made it possible for the area to thrive. As a result of this unusual abundance, the area could sustain large populations and a complex social order for many Indian groups. Because of the level of sustainability, the cultures had more time for artistic and intellectual activities and endeavors and over time, art became very important and vital to the complex social structures of the groups of the northwest coast.
The mosh is an awesome place in Downtown Jacksonville; where everyone can learn some interesting facts about our city, how the body works , what animals are in the ocean and etc. I visited the Timucua Indian exhibit; I learned a lot of intriguing information that I didn’t know before. I learned how the Timucua Indians first came about, how the Indians lived and survived during this time period. This exhibit also showed me how the Indians looked and the way they did things. Being able to learn about the Timucua Indians is so fascinating to me.
Tulalip tribe is Indian tribe admitted by federal government, which is located on the Tulalip reservation in the mid-Puget Sound area bordered on the east by Interstate 5 and the city of Marysville. Tulalip tribe is a place where government allow the Snohomish, Snoqualmie, Skyimish, and other allied bands living in. the Tulalip tribe’s land cover 22,000 acres. The Tulalip tribe has abundant nature resources to supply their people’s normal life such as “marine waters, tidelands, fresh water creeks and lakes, wetlands, forests and developable land” ( who we are). Also, they have their unique language to communicate with their people which is Lushootseed –Coastal Salish. Because the traditional language should be extend, they have one master language
The Kwakiutl Indian tribe existed before the discovery of North America by the European culture and inhabited the coast of the Pacific Northwest of the United States and British Columbia in Canada. The tribe is rich in tradition and culture and has remained steadfast in their beliefs, history, teachings and artisan skills which have been passed down generation to generation. The artisans in the Kwakiutl tribe mastered the art of creating special ceremonial masks that are not only beautiful and aesthetically interesting to the eye, but also mechanically intriguing in which the masks serve a specific purpose to a theme during different ceremonies that are conducted by tribal specialists during certain times throughout the year.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
“Cross” or “sacred fire”, “arrow”, “zigzag”, “bird”, “wave”, “mountains” and “diamondback rattlesnake” all have something in common. What do all of these names have in common? They are all names of Seminole patchwork designs. What exactly is patchworking? It can be defined as the process of sewing pieces of solid colored cloth together to make long rows of designs, which are then joined horizontally to other bands of cloth to form a garment (Downs, 1995, 88). This Native American artwork is closely associated with the Florida Seminoles. The history of this tribe and how they came to make patchwork garments is rather interesting. In making patchwork garments, things to be considered include how it is done (process), what elements of design are used, whom the garment is to be made for and who actually makes it. Presently, there are less artists in this craft and the future of patchwork may be at risk. Seminole patchwork has been done for over a century, and it’s beauty and uniqueness needs to be revealed and recognized by Americans.
People have been living in America for countless years, even before Europeans had discovered and populated it. These people, named Native Americans or American Indians, have a unique and singular culture and lifestyle unlike any other. Native Americans were divided into several groups or tribes. Each one tribe developed an own language, housing, clothing, and other cultural aspects. As we take a look into their society’s customs we can learn additional information about the lives of these indigenous people of the United States.
Many tribes successfully preserved their art. For instance, local Indians of New Mexico still embroider beautiful blankets that have many geometric figures such as triangles and diamonds, similar to tessellations. See Figure 2 below (“Mathematics Used,” n.d.).
The nature in which we live is truly beautiful and something to preserve and treasure. When the Europeans first came to North America, they were immediately in love with the views they encountered. They were interested in wanting to know more about the land, the animals that peeked around, and the people who called it home. Artists such as, John White had heard the tales of what Christopher Columbus had described during his time in North America, which led to them wanting to make their own discoveries (Pohl 140). Everyone had their own opinions and views of the world, but artists were able to capture the natural images and the feeling they had through their paintings (Pohl 140).
In the Great Planes of America there was a tribe of Indians known as the Arapaho Indians. There is little documentation as to when or where they came from but it is known they were in many different places in the Midwest including Oklahoma, Wyoming, Kansas and Colorado. The Arapaho Indians were nomadic people who survived on hunting buffalo and gathering. This tribe was greatly changed when they were introduced to horses. The horses provided them a new way to hunt battle and travel. The horse became the symbol and center of Arapaho nomadic life: people traded for them, raided for them, defined wealth in terms of them and made life easier.
Throughout this unique class, we have explored many amazing facets of the Dine’ people. From stories, to pieces of art, to the language itself, the beauty of Navajo culture is easily seen by all who have the fortune to come into contact with them. Unlike Navajo culture, however, the Western world uses a very loose definition for “beauty” that typically revolves around physical traits: a beautiful girl usually looks a certain way, a beautiful voice usually sounds a certain way, and a beautiful painting usually looks a certain way. The Western world merely looks at physical beauty and from this vision has developed a formula for what is and what isn’t considered beautiful. To the Navajo People, beauty is a much deeper, more meaningful concept.
The Native American Indians are a vital piece of the society of the United States. While their kin have existed on this land for many years, today their numbers are reducing. Once, the Native Americans lived on this continent with little discourse and disturbance. They were overall nourished, content, and established. Truth be told, the men and women generally were set in regular parts. The men were seekers, warriors, and defenders, while the women watched out for the youngsters, their homes, and cultivated. It relied on upon the tribe when it came to craftsmanship. In a few tribes, the men would really weave baskets and blankets. Common nourishments were expended and chased. Deer, wild ox, fish, and different feathered birds were the wildlife of decision. Corn, beans, squash, berries, nuts, and melons were the leafy foods that were expended. Berries were additionally frequently utilized as a characteristic color for fabrics. While the late 1800’s into the 1900’s and past started to bring battle to the Native American Indians, they battled an intense...
For this research paper, I have chose to focus on the Northwest Coast Native American culture and the ceremonial raven rattle. First, it is important to examine the belief system of the Northwest Coast inhabitants and the raven which serves as a central figure in their mythologies. The story of the raven states that the sun was brought to mankind by raven through transforming himself into a boy (through the impregnation of the sun keeper's daughter) in order to enchant his Grandfather into giving him the sun which had otherwise been locked away. The raven, afer receiving this precious gift, was scorched and sacrificed his beauty for the benefit of others via the sun. The inhabitants of the Northwest Coast carried on the myth of raven through what is known as a Potlatch-a ceremony where the Chief must give away most of his wealth and possessions for the benefit of his tribe. In tribute of the raven's sacrifice, the raven rattle is used as a necessary tool for members of high rank to access the spiritual world. In the following paragraphs, I will discuss the intended use of the raven rattle, the belief system of the Northwest Coast Tribe, and what happens when a sacred object such the raven rattle is taken out of it's culture and into a public or private display.
Berkhofer, Robert F. The White Man's Indian: Images of the American Indian from Columbus to the Present. New York: Vintage Books, 1979.