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Impact of culture on identity
How culture influences identity
How culture influences identity
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The choices that we make everyday greatly define the type of person we are. Everyone has their own opportunity costs, but what is someone willing to give up to achieve more of something else? This is exactly what Maxine Kingston does in her essay “No Name Woman.” She openly defies her traditional Chinese culture in order to write about her aunt, which would normally be extremely taboo in her family. She wishes to achieve a greater understanding of her aunt and the struggles she had to face being a defamation to her entire family. The opportunity cost Kingston faces with this is going against her family’s word and betraying their rule. Furthermore, Kingston uses a plethora of language and diction to convey her tone and show to us how she felt towards her aunt. From paragraphs 24 and 25 Kingston uses vivid imagery to really allow us to picture her aunt and how much care she put into herself. Since Kingston put so much detail into her aunt’s description, we can see she actually admires her aunt’s beauty and is apathetic to the suffering she went through. To continue, there are other sections where Kingston actually feels sorry for her aunt. For example, at the end of paragraph 25 Kingston says how her aunt is going through so much work to make herself look presentable, that she hoped the man she loved appreciated her and was not just a tits-and-ass man. Another example where Kingston feels sorry for her aunt is in paragraph 22. Kingston explains how she does not see herself like her aunt in anyway. Her aunt had two sides to her, a calm woman and a wild woman free with sex. Kingston was actually shocked by this and says, “Unless I see her life branching into mine, she gives me no ancestral help.” Despite the fact that Kingston ... ... middle of paper ... ...er ancestral culture in order to adapt to American values which still remain here in America. While at school she was practicing this “American- Feminine”, she was shaped as a child to respect honor, family and Chinese culture itself. Consequently, Kingston still started to steer off of her family beliefs. Even writing this book is ironic because even though she was told by her family not to tell anyone about her aunt, here she is writing a book about it. Throughout the book Kingston has this “love hate” relationship between her and her aunt. Kingston is either criticizing what her aunt has done or praising her for her efforts. However, this is only part of the real moral question of should she follow her Chinese beliefs or go towards American culture? In the end Kingston does an amazing job with her language to clearly express her feelings all throughout the essay.
She has never had to experience the idea of fitting in with her own culture. Being American is simply natural and a way of life for her. Traveling to another country, especially to one that was nothing like she expected it to be, helped to her stumble upon some important insights. She states being away from her own culture did not change her but made her able to realize what values and habits were the most important to her. In the other story, author Patricia was of Korean descent, but was born and raised here in America. Due to her Korean descent Patricia never really knew for sure where she belonged. She used a name to describe it, “hyphenated Americans,” because she looks like she is from another country but was born and raised here. People right on the streets of New York will ask her where she is from and compliment her on her good English skills. This makes it difficult to truly identify as an American. To really know what values and habits are her own. Traveling to Korea, visiting what they have called her homeland, taught Patricia some important insights of her own.
In the beginning of the story, the author describes the Chin Yuen's as American in appearance yet Chinese in customs. Throughout the story she continues to describe the deterioration of the Chinese customs by American ideal. This is pinpointed when Mr. Chin Yuen decides to let his daughter marry the boy that she loves. The conversation that Mr. Spring Fragrance has with Young Carman explains that only in American culture is it customary to find love before marriage; in the Chinese tradition, all marriages are arranged. This clearly exemplifies the manner in which the Chinese characters are more and more disregarding their Chinese culture and taking on this new American standard of living. Ironically, Sui Sin Far conveys the notion that the American tradition is not necessarily better than the Chinese tradition. More so she demonstrates the struggle of identity between two worlds that both make sense. Though Laura and Kai Tzu have found their happiness in the American tradition of marriage, the reader discovers that Mr. and Mrs. Spring Fragrance are equally as happy even through the Chinese tradition of marriage.
The narrator said “Sophie is a three year years American age, but already I see her nice Chinese side swallowed up by her wild Shea side.” Sophie’s “wild side” which can be interpreted as her Irish side. Whenever Sophie misbehaves which include: taking off her clothes or attack/kick her mom, the Grandmother blames it on her “wide side” and she also believes that the only way to discipline Sophie is by spanking her. Of course Natalie will not allow her mother to spank Sophie because that clashes with American traditional way to discipline a kid which was to “talk” to Sophie. Again, the reader can see that the Grandmother was struggling to become accustomed to the way American family works. Because of this cultural conflict, the reader will conclude that Americans are selfish and we can see that in the story. Natalie wants her mother to help her in the house, babysit her daughter and do as much for her as she can, but doesn’t expect her mother to interfere with her way of discipline. This means that either Natalie has completely forgotten about her culture or that she simply moved on with the new identity second and third generation Chinese Americans were developing and also wants her daughter to follow the same
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
The “prodigal” aunt in Maxine Hong Kingston’s essay No Name Woman, was shunned from her family and ultimately ended up taking her life and her bastard child’s, as a result of public shaming. Instead of being heralded as a heroine and champion of women’s rights, the aunt’s legacy is one of shame and embarrassment that has been passed down through generations. While this story’s roots are Chinese, the issue at hand is multi-cultural. Women suffer from gender inequality worldwide.
Kingston’s mother takes many different approaches to reach out to her daughter and explain how important it is to remain abstinent. First, she tells the story of the “No Name Woman”, who is Maxine’s forgotten aunt, “’ Now that you have started to menstruate, what happened to her can happen to you. Don’t humiliate us. You wouldn’t like to be forgotten as if you had never been born”’ (5), said Maxine’s mother. Kingston’s aunt was murdered for being involved in this situation. The shame of what Kingston’s aunt brought to the family led them to forget about her. This particular talk-story is a cautionary tale to deter Kingston from having premarital sex and to instill in her fear of death and humiliation if she violates the lesson her mother explained to her. Kingston is able to get pregnant but with the lecture her mother advises her with keeps her obedient. Brave Orchid tells her this story to open her eyes to the ways of Chinese culture. The entire family is affected by one’s actions. She says, “‘Don’t humiliate us’” (5) because the whole village knew about the pregnant aunt and ravaged the family’s land and home because of it. Maxine tries asking her mother in-depth questions about this situation, but her m...
In China if you were a "different kind of girl" your family would completely disown you. That 's what happened in Maxine Hong Kingston 's essay "No name Woman". Her aunt, whose name shall never be named violated the norm for women. The aunt 's husband was gone and when he was gone the aunt winded up pregnant and everyone in the village knew it wasn 't her husband 's child. The author believes that her aunt was forced to commit adultery because she writes, "My aunt could not have been the lone romantic who gave up everything for sex.Women in the old China did not choose. Some man had commanded her to lie with him and be his secret evil. I wonder whether he masked himself when he joined the raid on her family"(386). Women can be forced to have sex with a man but the women are still at fault. The women get the worse treatment in situations like this while men 's treatment subsides. Maxine Kingston quotes her mother, " Don 't let your father know that I told you. He denies her, Now that you have started to menstruate, what happened to her could happen to you. Don 't humiliate us. You wouldn 't like to be forgotten as if you had never been born. The villagers are watchful"(385). It sees as that the women are the only ones who have to carry this stress of "don’t humiliate the father by going against the standards for women" while men are free to do what they so choose and if they do anything wrong they are soon
Similarly, Wong also grew up in America with a traditional Chinese mother. In contrast, Wong’s upbringing involves her mother forcing her into attending two different schools. After her American school day, Wong continues on with Chinese school to learn both cultures. Her mother felt it was her duty to “[. . .] learn the language of [her] heritage” (Wong 144). This puts a burden on Wong as she starts to despise the Chinese culture.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
Cultures can shape the identities of individuals. Kingston identity was shape by Chinese and Chinese American culture. "No Name Woman," begins with a talk-story, about Kingston’ aunt she never knew. The aunt had brought disgrace upon her family by having an illegitimate child. In paragraph three, “she could not have been pregnant, you see, because her husband had been gone for years” (621). This shows that Kingston’s aunt had an affair with someone and the result was her pregnancy. She ended up killing herself and her baby by jumping into the family well in China. After hearing the story, Kingston is not allowed to mention her aunt again. The ideas of gender role-play an important role in both cultures. Kingston in her story “No Name Woman” describes some of the gender roles and expectations both women and men had to abide. Some of the gender roles in Kingston story have a semblance with the contemporary American culture.
The patriarchal repression of Chinese women is illustrated by Kingston's story of No Name Woman, whose adulterous pregnancy is punished when the villagers raid the family home. Cast out by her humiliated family, she births the baby and then drowns herself and her child. Her family exile her from memory by acting as if "she had never been born" (3) -- indeed, when the narrator's mother tells the story, she prefaces it with a strict injunction to secrecy so as not to upset the narrator's father, who "denies her" (3). By denying No Name Woman a name and place in history, leaving her "forever hungry," (16) the patriarchy exerts the ultimate repression in its attempt to banish the transgressor from history. Yet her ghost continues to exist in a liminal space, remaining on the fringes of memory as a cautionary tale passed down by women, but is denied full existence by the men who "do not want to hear her name" (15).