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Captivity narratives american literature
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The works that have been chosen for this project are Maxine Shore’s the Captive Princess and Danielle Steel’s, No Greater Love. The Captive Princess was written in 1952 and is a fictionalized account of Princess Gwladys Ruffyd, Daughter of King Caradoc during the first century, over the course of nearly two decades starting when she was only 7 years old. Danielle Steel’s No Greater Love depicts the story of a family torn apart by the tragic sinking of the Titanic, centralizing on the eldest daughter, Edwina Winfield. The novel begins in 1912 and follows the ups and downs of Ms. Winfield’s trials of raising her younger siblings over the next 11 years.
A Captive Princess has themes that are commonly found in many books written in that time,
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Edwina Winfield and her family come from a very affluent family, and after the death of her parents and fiancé it fell upon Edwina to continue the family traditions, standing, businesses, while still raising her younger siblings. She is forced to move within the constructs that society at that time demanded of someone of their family’s wealth and prestige. No Greater Love depicts how the family reacts to their tragedy, how their upper elite friends react to their tragedy and the relationship between the two. The second prominent convention in use in No Greater Love is the aspect of what Scott Forschler, author of Revenge, poetic justice, resentment, and the Golden Rule, defined as Poetic Justice. Poetic Justice, per Forshler, is when, “injury coming to a wrongdoer that is both roughly equivalent to and caused by his wrongdoing, but in a way, that is neither anticipated by him nor primarily inflicted on him by other persons as part of an intention to punish his wrongdoing” (Forschler 4). We see this convention being played out in the form Malcolm Stone. Stone is a smooth-talking actor that see his chance to elevate his notoriety in Hollywood by seducing Alexis Winfield. His impure and selfish reasons for running off with the young girl back fires when instead of having a rise in stardom he becomes blacklisted and loses the girl. It is a satisfying end to the character for the
In one, a specimen-creating brute robs a pelican child’s life and her guardian trying to bring her back to life. In the other, a prince learns the value of his frog-turned-princess and sets out on a quest to find her. Joy Williams’s Baba Iaga and the Pelican Child and Alexander Afanasev’s The Frog Princess are both critical facets of the fairy tale genre. While initially it may seem that Williams preserved no elements from Afanasev’s tale, upon a closer glance, it is evident that the two tales’ similarities outnumber their differences. By incorporating a generous portion of the original story into his, Williams’s version brings forth an innovative arrangement of classic and new. As a result, William’s tale introduces features to the tale that mirror everyday life lessons while simultaneously maintaining qualities that are reflective of the definitional aspects of the fairy tale genre.
“Terminal Avenue” versus “We So Seldom Look on Love” Eden Robinson’s “Terminal Avenue” was published in the anthology or collection of fictional short stories called “So Long Been Dreaming” in 2004. Bose “Terminal Avenue” is a futuristic dystopian short story about a young aboriginal man named Wil, who is torn between his aboriginal community whose traditions are being punished for by the police and or being punished by his family if he becomes a peace officer to survive the adjustment. Barbara Gowdy’s “We So Seldom Look at Love” is a collection of fictional short stories and was published in 1992. (Broadview Press) “We So Seldom Look on Love” collections include a short story about a young woman that lives the life of necrophilia who grew up in a moderately normal childhood until the age of thirteen. Where one day she finds a forceful energy she gets from when life turns into death, and continues to experiment with dead animals and cadavers.
Jacobs, Harriet. "Incidents in the Life of a Slave Girl." The Classic Slave Narratives. Ed. Henry Louis Gates, Jr. New York: Mentor, 1987.
Robert Nozick’s Love’s Bond is a clear summary of components, goals, challenges, and limitations of romantic love. Nozick gives a description of love as having your wellbeing linked with that of someone and something you love. I agree with ideas that Nozick has explained concerning the definition of love, but individuals have their meaning of love. Every individual has a remarkable thing that will bring happiness and contentment in their lives. While sometimes it is hard to practice unconditional love, couples should love unconditionally because it is a true love that is more than infatuation and overcomes minor character flaw.
In the book, Inequalities of Love by Averil Y. Clarke uses the personal narratives of college-educated black women in-order to describe the difficulties one faces when trying to date, marry, or have children. Clarke writes that all women, regardless of race, must give up romantic relationships and family in-order to obtain an advanced education and have professional careers. Clarke’s research reveals that educated black women have disadvantages in romance and starting a family because the system of racial inequality and discrimination. Throughout Clarke’s research, she notices that women of color return to their incompatible significant other as they lose hope of finding their ideal partner and reject the idea of having children before marriage because it seems to encourage a negative stereotype of black women’s sexuality.
Ingram, Heather, ed. Women’s Fiction Between the Wars. "Virginia Woolf: Retrieving the Mother." St. Martin's Press. New York, 1998.
Frankel, Valerie Estelle. From Girl to Goddess: The Heroine's Journey through Myth and Legend. Jefferson, NC: McFarland &, 2010. Print.
From the beginning, Beloved focuses on the import of memory and history. Sethe struggles daily with the haunting legacy of slavery, in the form of her threatening memories and also in the form of her daughter’s aggressive ghost. For Sethe, the present is mostly a struggle to beat back the past, because the memories of her daughter’s death and the experiences at Sweet Home are too painful for her to recall consciously. But Sethe’s repression is problematic, because the absence of history and memory inhibits the construction of a stable identity. Even Sethe’s hard-won freedom is threatened by her inability to confront her prior life. Paul D’s arrival gives Sethe the opportunity and the impetus to finally come to terms with her painful life history.
The article, “Measurement of Romantic Love” written by Zick Rubin, expresses the initial research aimed at presenting and validating the social-psychological construct of romantic love. The author assumed that love should be measured independently from liking. In this research, the romantic love was also conceptualized to three elements: affiliative and depend need, an orientation of exclusiveness and absorption, and finally a predisposition to help.
Finally, Danielle Steel has successfully captured the interlaced merger of historical events with fiction. The two flow so naturally in The Ring that it is as if the fictitious characters were real characters in real historical situations. So, the blending of history and fiction comes very much alive in this story, revealing Steel’s creativity that has placed her above most internationally renowned novelists.
Both Beloved by Toni Morrison and Things Fall Apart by Chinua Achebe are popular works of literature in African and African American culture. Both books are diverse and provide an inside look into the African and African American cultures. Beloved involves a group of characters that have dealt with slavery, losing family members, and being free and trying to learn how to live in society. Slavery induced negative effects on everyone who went through it and destroyed families. The main character Sethe deals with the past decisions see made, one major decision involves killing her baby and seeing her ghost years later. Past and present memories are explained in the book showing what the main characters went through. Things Fall Apart involves the people of Umuofia experiencing changes and challenges when Christian missionaries come into their land. The main character Okonkwo represents a fearless, tough leader with integrity for his tribe. He experiences death and mistakes and is banished from his tribe, but upon his return he finds his tribe has been invaded. His tribe experiences colonization by the missionaries and ends up falling in the end. Both novels involve black individuals having to overcome obstacles and finding ways to live in their own societies. Both novels deal with the issue of Parent-child relationships. In Beloved, Sethe with her children, Beloved and Denver. In Things Fall Apart Okonkwo deals with is son Nwoye. They also deal with inter-racial relations. Lastly, they both deal with gender relations. Both Beloved and Things Fall Apart demonstrate the circumstances individuals went through regarding, parent-child relations, inter-racial relations, and gender relations in there own manner.
In Act II, Scene 2 as Puck flew off in search of a flower, Demetrius and Helena passed through the forest. So Oberon could hear their conversation he made himself invisible. Walking through, Demetrius angrily lectured Helena on how he did not love her and how she should stop following him. Despite what he said Helena repeatedly told him of her love and adoration. When they exited Oberon made himself visible and declared that before night fall Demetrius would be the one chasing Helena. Puck returned carrying a flower, who's juice acted as a love potion. Oberon told Puck to look for an Athenian woman pursuing a man wearing Athenian clothing and place some of the juice into the man’s eyelids. So when he wakes he will fall in love with
William Shakespeare created strong characters in the “Merchant of Venice”. A man named Antonio is homosexual; he is in love with another man name Bassanio. Shakespeare’s play presents Antonio’s depressing, yearning, and self-sacrificing personal feelings towards Bassanio. “Homosexuality became a fairly accepted part of the general culture” (Modes). During the Renaissance, the phrase “masculine love” was the “language for a male homosexual orientation” (Modes). Antonio’s friend Salarino never did mind that he is deeply in love with Bassanio.
Every genre has authors that dominate their field so completely that it only takes a vague hint of genre generalities to prompt the author's name to mind. Danielle Steel is one of these authors. Erin Fry, editor of the Romance Writers of America Association publications, stated that “In a romance, the lovers who risk and struggle for each other and their relationship are rewarded with emotional justice and unconditional love” (RWA Web). This stereotype has been both embraced and rejected by Steel in her writings, however in her novel No Greater Love, this does not seem to be the format that she follows while staying true to the accepted literary conventions of her genre. This essay will communicate certain storytelling elements of Steel’s No
Hate, a passionate dislike for something or someone, has taken part of every war in the world, whether it is a political or civil one. Macklemore, the rapper of the song “Same Love”, uses powerful lyrics and imagery in many of his songs. It is in “Same Love” that he raps about a social issue that the world has been dealing with since, some could argue, the beginning of time. In the song “Same Love” he uses his rap to speak to everyone who can make a change in this world. “Same Love” by Macklemore & Ryan Lewis bring awareness to the unjust issue of homophobia by giving people the information they need to obtain a voice and stand up for humans who have had their rights stolen.