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Shakespeare's ideas of love
Shakespeare's ideas of love
Shakespeare's ideas of love
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Antonio’s Love William Shakespeare created strong characters in the “Merchant of Venice”. A man named Antonio is homosexual; he is in love with another man name Bassanio. Shakespeare’s play presents Antonio’s depressing, yearning, and self-sacrificing personal feelings towards Bassanio. “Homosexuality became a fairly accepted part of the general culture” (Modes). During the Renaissance, the phrase “masculine love” was the “language for a male homosexual orientation” (Modes). Antonio’s friend Salarino never did mind that he is deeply in love with Bassanio. In the beginning of the play, Antonio is depressed because he knows that Bassanio does not return his affections and he is interested in a girl. For example, Antonio asked Bassanio “to …show more content…
When Solanio said that Antonio is in love, Antonio immediately denies. “Fie, Fie!” (I.i.47), he gave Solanio an exaggerating reply. He does not want anyone to know that he secretly likes Bassanio. It is the human nature. “You may downplay your emotions or act like you don’t care, because you don’t want to feel or look like a fool” (Firestone). After getting the financial help from Antonio, Bassanio leaves to go win Portia’s marriage. When Bassanio and Antonio said their farewells, Salarino saw Antonio’s reactions, “his eye being big with tears, turning his face, he put his hand behind him, and with affection wondrous sensible” (II.viii.47-48). He longs for Bassanio; “pray God Bassanio come to see me pay his debt, and then I care not” (III.iii.36) he wants to see Bassanio once again before his punishment. Once Antonio escaped his punishment, he encouraged Bassanio to give his marriage ring to the male law clerk. Even though Bassanio said no, the clerk left and Antonio still insists to give it away. He wanted Bassanio to himself. Although Antonio and Bassanio are not together, Antonio misses Bassanio. His friend Solanio even said, “I think he only loves the world for him” (II.viii.50). The only reason behind Antonio happiness is Bassanio. “The reason is because fulfillment doesn’t come from receiving love; the feeling of happiness and completion …show more content…
Although he failed to express his love to Bassanio, his sacrificing will never fail. For example, “my purse, my person, my extremest means lie all unlocked to your occasions” (I.i.140-141) Bassanio does not recognize that Antonio has fallen for him. This led Antonio sacrificing everything he has for Bassanio. “The greater personal sacrifice, the higher raking on the hierarchy of ‘true love’” (Ben-Zeév). For instance, Antonio made a risky decision. He is willing to put all his fortune depending on one cargo. If his cargo wreck, he is doomed. Besides, he agreed to negotiate with Shylock for Bassanio’s state, even though he hated Shylock with a passionate. “Self-sacrifice takes on a number of meaning, from giving everything and dedicating oneself solely to the relationship, through risking one’s life, to actual death” (Ben-Zeév). At the end, Antonio’s ship wrecked. He now must pay his life for the loans taken from Shylock. Love is strong; it makes one’s self willing to die for another. “Ture love doesn’t want anything in return, because there is nothing it needs” (Elkrief). For example, Antonio said “I’ll pay it presently with all my heart” (IV.i.272). His will is beyond what Bassanio can ask for because “if you love enough you are happy to make personal sacrifices” (Ben-Zeév). All Antonio’s sadness, longing, and sacrificing all conclude towards his love to Bassanio. Even though Bassanio does not like Antonio in that way, Antonio does not
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
Antonio sees Lupito being hunted like an animal, and how he was “hurled backwards by the bullets”(22). These acts of violence make him realize that people are capable of killing a possibly innocent person, and starts his painful journey towards manhood. Another quote that supports this statement, is when Ultima said, "You leave Antonio alone, please. Last night was hard for many men"(30).
While engendering the bond in the inciting force of the play, Antonio says to Shylock – the antagonist – “Content in faith. I’ll seal to such a bond, / And say there is much kindness in the Jew” (1.3.149-150) which reveals how Antonio sees such positive terms in the deal. Although the terms may seem simples to follow, Antonio will still face the consequences of putting his life on the line for his dear friend, Bassanio. This bond portion of the play establishes relationships through the rivals and also gives background information about characters, which show the elements of dramatic significance. Subsequently, Shylock’s possessions are at stake during their trial after Antonio fails to pay him back because his argosies were abolished. Shylock’s punishment for attempting to
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
Antonio’s dream in Chapter 7, in which his brothers are three giants who ask for his “saving hand,” is open to many metaphorical interpretations, all of which address Antonio’s gradual entrance into adolescence. The dream could mean that Antonio is reluctant to give up his innocent, childish idea that his brothers are infallible and unchanging. It could also mean that they are dying because they have changed too much to settle seamlessly into their old lives. When they do arrive, they are restless and aimless. Finally, León and Eugene decide to build independent lives elsewhere. The dream also reveals Antonio’s awareness that the people he loves can sin despite his attempts to save them.
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
As explained in the last paragraph, love is one of the major emotions in Othello. In the play, the actions committed by characters consumed by love are greatly amplified. Two characters that exemplify this are Othello and Desdemona. Throughout the first two acts, some of their actions are unrealistic for a couple in love. Take this quote, for example: ?Brabantio: Raise all my kindred! Are they married, think you? / Roderigo: Truly I think they are. / Brabantio: O heaven! How got she out? O treason of the blood!? (I:i:166-168). Othello and Desdemona are so consumed by love that they elope with no intention of telling anyone else, as evidenced by Brabantio?s reaction in the quote. They just acted according to their love without thinking of the effects of their elopement. Roderigo is also a prime example of how an emotion like love has near complete control of the characters? actions in the play. Roderigo is in love with Desdemona, and it seems that his actions are almost solely dri...
This sets things up for the wedding scene at the end of the play. It also sets things up for Bassiano to make his choice later in the game. So in closing I would just like to remind you again that the soliloquies in any play or novel are really important because they explore the character more deeply than normal speeches, and they also reveal the character’s truest and deepest feelings. In other words, it reveals the true colors of the person. So just remember that you can’t judge a book by it’s cover, nor a character from what they say when there with other people.
Love, if he loves, must be to him the heaven where he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure and powerful in his goodness.... ... middle of paper ... ...
The relationship between Antonio and Bassanio exemplifies the business nature of friendship portrayed throughout The Merchant of Venice.
In this essay I intend to explore the ways that William Shakespeare has presented the relationships between the main characters within his play “The Tempest”. I shall investigate Ferdinand and Miranda’s relationship, the father/daughter bond between Miranda and Prospero and Caliban’s lust after Miranda.
Despite the fact that it would be incredibly dangerous for him to go there, he is willing to if it means he is able to be by the side of his friend: “I have many enemies in Orsino’s court, / Else would I very shortly see thee there. / But, come what may, I do adore thee so / That danger shall seem sport, and I will go.” (Act 2, Scene 1, 38-41). Sacrificing his safety for that of Sebastian reveals how strongly Antonio truly loves Sebastian. When loving someone, it is instinct to protect them when they are in danger. For example, Antonio comes to “Sebastian’s” rescue when he is being challenged by men of Illyrya. “Put up your sword. If this young gentleman / Have done offence, I take the fault on me. / If you offend him, I for him defy you.” (Act 3, Scene 4, Li 281-283). Despite the danger Antonio was putting himself into, he still came to his friends rescue. He is willing to take the blame for the crimes that “Sebastian” has committed if that means that his valued companion will be safe. As humans it is expected that one would want to protect him or herself over the people around them. But when one is in love all logic is thrown out the window and he is willing to do anything to be with and protect the people whom
His final works contain a certain resolve, despite a lack of reason. His inhuman nature persists and he fully intends to take a pound of Antonio’s flesh.