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Essay on view of self
Dramatic monologue essays
Dramatic monologue essays
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The chirping of the blueish birds worry me, an indication that dawn is near, but I don’t dare to slow my pace. Midnight is fading away, taking what little humanity I have away from me.
Soon, a poor family will wake to see that their son has disappeared from his bedroom. They will be left to mourn alone, cursing the monster that stole him away as they will have every right to.
It is only during nights like this that I see myself for what I truly am, and I abhor it. A monster, first by blood, and then by choice, a vampire.
I shudder, picking up my pace.
I still remember the day I arrived here, disgusted—no, horrified—by the changes in myself. That night had been the worst, when I willed myself not to believe in any of it. I thought that it
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I was wrong, however. There was no end to the nightmare, no waking up. I am locked forever within mist, never sleeping, but never truly awake, hiding from the cruelty that is daytime.
Of course, it is not only the day that is cruel. The fault lies with me, a criminal hiding from justice.
I chuckle harshly at the thought. Even I imagine myself as a criminal.
It is the truth, is it not?
My gaze drifts to a raven perched on a branch, staring back slyly. Perhaps it is as much of an outcast as I am—as alone. My eyes drop in disgust as the raven takes flight, stretching out its shining black wings haughtily.
The bird is mocking me. Such a furtive creature, not unlike myself, but free. It has everything I so desperately want but can never have.
It’s ironic, so very ironic, how easily I wither in the light I dream about, how even the smallest ray will put an end to me. All the same, I find the day beautiful. It is the one thing that will coax me out of the safety of darkness and for a simple glimpse, at that.
I am not as unfeeling as the rest of my frozen kind, that care only for their bloodshed. It seems so very unfair that I cannot even be a proper monster. Then again, when has this world ever been
The "Raven" - "The Raven" The Norton Anthology of American Literature, Fifth Edition. Ed. Nina Baym. New York, N.Y.: Norton & Company, 1999. 701-704 Poe, Edgar Allan.
In the popular television show, “One Tree Hill”, Lucas Scott once stated, “Some people believe that ravens guide travelers to their destinations. Others believe that the sight of a solitary raven is considered good luck or more than one raven together predicts trouble ahead.” People have many different opinions about what ravens signify. In Poe’s “The Raven” it becomes clear that the raven symbolizes emotional suffering and also portrays a vivid understanding of reality.
There was no sleep in store for me that night. I was tormented by my own demons. I was agonized by the thought of blank Thursdays. Discomfort held hands with the black of night, and the black of night greeted me with a sour embrace.
“The raven himself is hoarse that croaks the fatal entrance of Duncan under my battlements. Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top full of direst cruelty! Make thick my blood; Stop up the access and passage to remorse, that no compunctious visitings of nature shake my fell purpose, nor keep peace between the effect and it! Come to my woman’s breasts, and take my milk for gall, you murdering ministers, wherever in your sightless substances you wait on
In this story, like the others, the rather ordinary narrator descends into madness and makes expectations break and fear form. The raven itself actually contributes to fear as well. The raven does not change at all as it only stands still and repeats, “Nevermore,” to the narrator.
This shows that the narrator sees the bird as a messenger from Hades or from hell. The bird is perched on a Pallas bust. A Pallas is the goddess of wisdom. Since the raven, a demonic presence, is perched on the goddess of wisdom it foreshadows that the messenger is bringing dark knowledge to the narrator. The raven not leaving its perch indicated two things.
Edgar Allen Poe wrote “The Raven” as a suspenseful poem that leaves you on your toes awaiting the next scene. The poem in itself was estranged in the moment of realizing the the line between reality and imaginary. Moreover, Poe is so captive in deconstructing the meaning of this bird to the point of obsession; wanting to come answer for all his problems. Furthermore, not sufficient with the one word answer he is receiving, he goes insane to the point of accepting his doom. The Raven in this case was not interpreted as a simple bird, but as something far more superior, but in reality it was just a bird.
Being alone on a late, dark, dreary night, the last thing you would want is an unexpected and uninvited visitor. In the poem by Edgar Allan Poe, titled “The Raven,” a man is surprised when he finds a raven in his home that only says the word “nevermore”. Since the man lost his lover, Lenore, he is filled with grief and sorrow. Consequently, he is deeply depressed and mentally ill. The raven in this poem symbolizes his imaginations turning into reality and taking over his life, making him insane.
The day started as it always did, with the rude interruption of the light enclosing the room to force the night away for another day. The one sun ray completely belligerent, escaping from the blinds I had up to block out the light washed over my face. This was a constant reminder every morning that I still had not replaced it. The simple tasks to make my life easier seemed to lack priority in my subconscious. Again I was disrupted from my comatose state. Bewildered by what I’ve been told on several occasions that I slept like a log it was just perplexing to me that a beam of luminous light could break the concentration one holds when dreaming. I wouldn’t exactly consider that a disconnection from the world. Little did people know I think too much and I value the time I can shut my mind off. The conjugated worlds I live in coincide with the one everyone else lives in. I have the world in my mind, the world my mind makes up and the world everyone resides in. The day’s troubles are of no equivalence to the battles I face day in and day out. But no one must know my struggles. I turn out of bed and make my way to the restroom as the silenced thoughts of the day before and the endless possibilities of today flood my mind as if they had never been silenced.
I cannot sleep. My body yearns for nothing but to stay still and drift off with you by my side. Unfortunately, it is only at night that my mind comes alive like a factory, fueled by my hatred for myself. You, my love, are the only one that has ever managed to quiet my hatred. My memories and thoughts clash, forever generating an endless abyss of sullen concepts.
Rose-hued eyes stared back with a glint of contemplation, lips, as thin as the reed swaying in the spring breeze and pale as the winter’s snow were set in a grim line. Slowly, with lean fingers shivering indefinitely, they grasped the small black tube upon the counter, twisted it open then produced a color of red as bright as the blood. Heaving a heavy sigh, she held the tube closer to her lips, drawing a fine color thus concealing its whiteness. For a moment, she stared at her, noting her pallid cheeks and hence, give several pats on them, which produced a slight shade of pink, consequently coloring them. Quite satisfied with herself, she offered a faint smile, her slender fingers pushing back a strand of loose hair behind her ear.
I used to stare at my ceiling in the dead of the night and trace the edge where the walls meet with my eyes, my only fear, that the line might blur, or worse, become too sharp. What do I think of in the dead of the night? I think of God. Because darkness is upon me and I have no other protection from the horrors that lurk in my mind. I have no other protection from the edge of my walls, the extremities of my reality, becoming blade-like sharp.
I sat still, petrified, in the darkness of my room, silently watching the hours tick by like seconds as it approach the early morning. It had been since 10 o’clock that night, to which I sat in my bed. I wished I could sleep, but I was too tired to sleep. Too tired to count the sheep, yet too awake to let my eyes close and grant me that which I longed for; for the time to pass. But there was no such relief.
I lay awake in my bed, thinking this over and over again, repeating these words in my head. Why am I so dark? Why is my soul drifting further and further to the void? Indeed, I did choose this but, does that not mean I can turn back? Does this mean that I am forever bound to the darkness that has encased itself into my heart?
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).