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How does american history impact american literature
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There may be a thread or fundamental truth that runs through the entirety of American literature. From the earliest American writings to present day publications, American writers are almost always concerned with individual identities in relation to the larger national identity. Even before America won its independence from Britain, Americans struggled with this concept. Look at Jonathan Edwards’s Personal Narrative, written in 1739, or The Autobiography by Benjamin Franklin, written in 1791. Edwards is looking at his relationship to God, other Americans, and the land itself, wondering what is the best way to serve all three oft these entities. Franklin is attempting to create an identity for himself through his, almost assuredly exaggerated, life stories, while cultivating a new American identity for other to follow through his philosophies of success. Struggling with one’s identity within a larger national identity may be as American as apple pie.
This pattern continues today and is prevalent in more modern American writings as well. John Okada’s No-No Boy and Jack Kerouac’s “The Vanishing American Hobo,” two seemingly very different portraits of America, published within three years of each other in 1957 and 1960 respectively, both contain a thread of a confusion of self-identity as it relates to a larger American identity. These two works not only view the relationship between self-identity and country, but also delve into what happens when a country does not accept the identity that an individual has chosen for himself or herself. In No-No Boy, Ichiro and many other Japanese-American characters in the novel must create new American identities for themselves in the aftermath of Japan’s defeat in World War II. In...
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...of all Americans. This freedom is what will help America to grow and evolve. The focuses of these two works by Okada and Kerouac, in which they are “Many, but One,” speak to this potential of America.
Works Cited
Kerouac, Jack. “The Vanishing American Hobo.” The Heath Anthology of American Literature.
Ed. Paul Lauter. Boston: Houghton Mifflin, 2004. 2360-2366. Print.
Okada, John. No-No Boy. Seattle: University of Washington Press, 2001. Print.
Sakai, Naoki. “Two Negations: Fear of Being Excluded and the Logic of Self-Esteem.” Novel: A
Forum on Fiction 37.3 (2004): 229-257. Academic Search Premier. EBSCO. Web. 10
Dec. 2010.
Thoburn, Nicholas. “The Hobo Anomalous: class, minorities and political invention in the
Industrial Workers of the World.” Social Movement Studies 2.1 (2003): 61-84. Academic
Search Premier. EBSCO. Web. 10 Dec. 2010.
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Many immigrating to the United States develop ideas of themselves and their own identity in order to fit the form of America they have been coaxed into believing. In “A Thousand Years of Good Prayers”, Mr.Shi displays these expectations and false prophecies of character when he naively concludes, “America is worth taking a look at; more than that, America makes him a new person, a rocket scientist, a good conversationalist, a loving father, a happy man”(189). Mr.Shi not only perceives America as a place of pure prosperity and freedom, but also anticipates a society where he can recreate himself. Arguably, these limited ideas of America can foster one 's desire to improve as an individual, however this often results in a further loss of identity because they are unwilling to accept their true self. He longs to exist within the form of American society he fantasizes because he envisions himself as a more developed and well rounded person that he feels communist China has kept him from
James Baldwin’s “Notes for A Hypothetical Novel” is part of a collection of essays entitled, Nobody Knows My Name. James Baldwin opens “Notes for a Hypothetical Novel” by stating that he wishes to write a novel about where and with whom he grew up (Baldwin 222). James Baldwin believes a novel should contain two important components. First, a novel should note that the events occurring locally reflect events occurring nationally or globally. For example, James Baldwin witnessed the transition from championing African Americans in the arts during the Harlem Renaissance to condemning them following the Great Depression (Baldwin 223). James Baldwin believes the evolution of the African American image in the 1920s is a micro event that was influenced by macro events that were occurring nationally (Baldwin 223). In addition to the connection of micro and macro events, James Baldwin believes that a novel should describe reality, not a romanticized situation. Both of these components are difficult to attain in a novel, because of the innate ability of Americans to avoid certain truths, resulting in an incoherent American identity. There is a discrepancy between the true American identity and what American perceives.
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Stephanie Coontz’s, David Brook’s, and Margaret Atwood all discuss American cultural myths in their respective essays “The Way We Wish We Were,” “One Nation, Slightly Divisible,” and “A Letter to America.” All three authors elaborate on specific cultural myths, whether it is about an ideal family, an ideal lifestyle, or an ideal country as a whole. As a result of analyzing the three texts, it is clear that the authors critique Americas image in their own was. As well as elaborate on why the realistic view of the United States is being squelched by major cultural myths.
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Throughout America’s history, the convoluted concept of American national belonging has often depicted ethnic pride and American nationalism as mutually exclusive feelings, complicating the concept of self-identity for many citizens. The division between heritage and nationality became more pronounced during and after World War II, skewing Japanese Americans’ sense of national belonging by suggesting that the only alternative to being fiercely pro-American is being anti-American. This essay contends that the characters in John Okada’s No-No Boy lack the agency to find American national belonging, since Okada frames militant nationalism as a false signifier of belonging; the characters’ struggles consequently represent the elusiveness of national
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