In “Nayla,” Youmna Chlala talks about the power of memory and nostalgia as Nayla, the protagonist, reflects on her past experiences and grapples with the impact of displacement. In her story, Chlala provides accounts of the narrator’s experiences with her new friend, Nayla, and how instrumental the friendship has been towards self-discovery and voicing out. Throughout the account, Chlala includes various symbols emphasizing the importance of resilience, especially during hardships; through symbolic representations, Chlala utilizes the voices of the characters to convey their personal tragedies, illuminating the complexities of human experience and the universal quest for overcoming personal losses and showing empathy. (change thesis) The presence …show more content…
Deeply rooted in Lebanese culture, cedarwood symbolizes resilience, strength, and continuity. The powerful scent of cedarwood infusing the belongings provides the narrator and her mother with a tangible connection to their lost sister and offers a possibility to move forward and overcome their difficulties. Moreover, the mother’s reluctance to “rarely mention her name” after “she ran away” indicates the family’s inability to face their adversity, indicating the profound impact of loss on their lives (Chlala 66). Through the symbolism of the cedarwood-infused belongings and the mother's actions, Chlala captures the complexity of grief and the family's journey towards healing and resilience amidst their longing for the lost sister. The presence of the untouched records near the record player in Nayla’s room symbolizes her efforts to overcome her grief following her husband’s death. Across the story, Chlala characterizes Nayla as a desolate woman trying to assimilate into her new life after
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The emotive language used throughout her memories, show direct contrast to her present situation, as well as her reasons for leaving home. The use of personification, in text such as ‘ the sea roared like an angry beast’, provide emphasis of emotive language, used in describing the estrangement felt. The language is so eloquent, conjuring such engagingly vivid images, of Ziba’s emotions, particularly as she feels the ups and downs of the unforgiving ocean. Through figurative and evaluative language, Ziba is able to depict her past and present feelings and memories. The strong connection between sensory experiences and memory is sophisticated and crisp, making the text straightforward and resonant. The author uses simile’s such as, ‘thoughts of home washed over Ziba like the surge of sea washing over the deck’, linking past and present, creating feelings of loneliness, whilst reflecting on her once peaceful home. The effective use of noun groups - laughter of children, cool mountain air, rich spices of the evening meal - alongside side a number of sensory verbs - thought, felt and smelled - assist and connect the reader to Ziba’s thoughts. Furthermore, the use of repetition in the first and last page of the text, places emphasis on the unstable state of their emotions, the uncertainty of what’s to
The novel, Wanting Mor, by Rukhsana Khan is an enthralling tale of life lessons. The story unfolds through the eyes of a traumatised Afghan female named, Jameela. Jameela begins to discover and comprehend themes and morals of life after witnessing the death of her loving mother, Mor. As the novel progresses, numerous themes arise throughout the course of the novel. This powerful novel depicts themes of confidence, tranquility, and righteousness in the cruel cold-hearted world in which Jameela inhabits.
Naomi Nye was born to a German-American mother and a Palestinian-American father. However, she normally writes from her Palestinian-Arab perspective. In several of her poems within The Heath Anthology—“Ducks,” “My Father and the Figtree,” and “Where the Soft Air Lives”—Naomi Nye reminisces about her Muslim heritage and childhood as it correlates to her present identity. In addition, she incorporates the effect of the Palestinian-Israeli conflict on herself and on Arab culture in her work. Ultimately, Naomi Nye’s poetic work should remain in The Heath Anthology as her style demonstrates how historical events and a deep-rooted heritage can enrich a sense of identity and culture.
Initially, Elisabeth is the matriarch of the four generations of women talked about in the story. Elisabeth works in the house, but she’s married to a field slave and has three daughters. Not much insight is given on Elisabeth and her feelings, yet through the narration it is as if she lived vicariously through her youngest daughter, Suzette: “It was as if her mother were the one who had just had her first communion not Suzette” (20) Even though Elisabeth too worked in the house, Suzette had more privileges than her mother and the other slaves. Elisabeth represented the strength and the pride of her people: “You have a mother and a father both, and they don’t live up to the [plantation] house” (25). She would constantly remind Suzette of her real family, which signifies the remembrance of a history of people and their roots. It is up to Suzette to keep the heritage even through the latter miscegenation of the generations to come.
Children believe what their parents tell them but as they get older they start to question that which used to be unquestionable. Bless Me, Ultima is a novel by Rudolfo Anaya about a young Chicano boy, Antonio Juan Marez y Luna, who is growing up and seeing the world for how cruel it really is. A wise old curandera, or faith healer, Ultima, arrives just before Tony receives his first glimpse into the world of men. Ultima gives Tony spiritual healing throughout the book, as well as advice to keep him in harmony with nature and his spirit. The more Tony sees of death in the little town of Guadalupe, New Mexico, the more he questions the Christian God and turns towards the golden carp, a pagan god of the river. Rudolfo Anaya is indicating that each man must choose his own religion and destiny, by depicting the changes Tony feels after the deaths of Lupito, Narciso and Florence. Beforehand, Tony never questioned his faith but as each person died Tony turned farther and farther away from Catholicism and eventually even away from the pagan religion. Tony questioned his destiny and effectiveness as a priest, had doubts of the Catholic God and eventually of everything he had ever believed in, as Anaya shows that one strict religion isn?t always the right way or the only way.
The girl's mother is associated with comfort and nurturing, embodied in a "honeyed edge of light." As she puts her daughter to bed, she doesn't shut the door, she "close[s] the door to." There are no harsh sounds, compared to the "buzz-saw whine" of the father, as the mother is portrayed in a gentle, positive figure in whom the girl finds solace. However, this "honeyed edge of li...
The memories of an individual will give shape to their own identity and how they are able to perceive the world around them; memories allow an individual to look back at where they were and where they are now and to see the contrast of their current life. In the text “Ru”, Kim Thúy, the narrator, finds herself looking back at her memories of her life and dreaming for more. When she arrives at Mirabel airport in Quebec, she is awestruck by the peace and beauty of it compared to her past in in the refugee camps of Malaysia and war torn Vietnam. Throughout her visit, she is able to dream of her future outside of her bleak memories of her past, and imagine a future without the constant strife of living in a post war life. Kim is able to use her memories to shape who she wants to be and allows her to truly admire where she is and where she wants to go, setting a path for her to follow throughout life. In the text, “Ru”, Kim Thúy uses her own past and memories to demonstrate the idea that an individual's memories will shape who they are and show them a life they want to live, whether it is a memory they want to revisit or a memory in which they wish to leave behind. Kim’s present is influenced greatly by her past and allows her to appreciate the little things all that much
Were Dash’s audience to return to the South Sea islands eighty years after “Daughters of the Dust” they might find the Gullah people and their lives similar to those of the Willow Springs of Naylor’s novel. Although nearly a century spans between them, these two people nevertheless share many traits. Many of the residents of Willow Springs answer to a nickname given them as a child; similarly, Viola Peazant reminisces about the nicknames given to children in Ibo Landing. Members of both communities, generations from Africa and steeped in “modernity,” still come to the traditional herbalist for help in matters of the body and spirit: Eula uses Nana’s medicine to contact the soul of her deceased mother; Bernice and Ambush come to Mama Day to heal Bernice when she becomes ill, and later for help in conceiving a child. Both Nana Peazant and Mama Day draw their knowledge from a life lived on their respective islands and their strength from their ancestors, whom they visit and tend at the village graveyards. And like Nana Peazant, Mama Day struggles to maintain a tie with her family members who have left the island and immersed themselves in the mainstream culture.
The poem, “Remember”, by Joy Harjo illuminates the significance of different aspects in one’s life towards creating one’s own identity. Harjo, explains how everything in the world is connected in some way. She conveys how every person is different and has their own identities. However, she also portrays the similarities among people and how common characteristics of the world impact humans and their identities. Harjo describes the interconnectedness of different aspects of nature and one’s life in order to convey their significance in creating one’s identity.
The autobiography I am Malala by Malala Yousafzai begins with the scene of young pakistani education and women’s rights activist Malala being shot in the head. Her school bus had been stopped by the Taliban who, after asking which of the girls was Malala, put a bullet into her head. Malala ends the powerful prologue with the words “Who is Malala? I am Malala and this is my story” (9). Malala then rewinds to the story of her birth and how in Pakistan, no one congratulated her parents when she was born because she was a girl. Pakistani culture pushes for the birth of a boy as an islamic majority country. However, her father saw the potential in his daughter as a great leaser and named her after one of the great female leaders in Pakistan- Malalai of Maiwand who inspired the Afghan people, who were losing hope, to spur the army to victory against the British/Indian forces. Malala describes life in Mingora, Swat Valley, Pakistan. She outlines the Indian- Pakistan revolution and the shift of the Pashtun people into the Swat Valley. Malala’s father grew up in Shahpur but struggled to get his education in the town where he met Malala’s mother. They married and his dream of building a school, Khushal Public School, became reality when they moved into Mingora.
The imagery of an aspen tree that Celan employs in this poem makes it clear to the reader that his mother was killed and that she was killed before she was able to grow old. This ties into the theme of loss of generation. Paul Celan’s mother did not ever get the chance to become an elder, and she was unable to see younger generations of Jewish people develop as many of them were also killed with her.
Eva Hoffman’s memoir, Lost in Translation, is a timeline of events from her life in Cracow, Poland – Paradise – to her immigration to Vancouver, Canada – Exile – and into her college and literary life – The New World. Eva breaks up her journey into these three sections and gives her personal observations of her assimilation into a new world. The story is based on memory – Eva Hoffman gives us her first-hand perspective through flashbacks with introspective analysis of her life “lost in translation”. It is her memory that permeates through her writing and furthermore through her experiences. As the reader we are presented many examples of Eva’s memory as they appear through her interactions. All of these interactions evoke memory, ultimately through the quest of finding reality equal to that of her life in Poland. The comparison of Eva’s exile can never live up to her Paradise and therefore her memories of her past can never be replaced but instead only can be supplemented.
Throughout the history of storytelling, there have always been storybook characters that inspire and motivate young readers to become more engaged and knowledgeable about the struggles that some people go through. Reading has always been a pastime of mine; while reading I collect new friends in wonderful places that otherwise I could only dream of. Each of these characters that I have befriended and connected with over the years, has shaped my personality in some way or another, and choosing just one seems an impossible task. Although women’s rights have skyrocketed in the past century, overall the world is still predominately male-orientated, but the world of books has no bounds for inspirational women. Countless authors have written books with strong female leads, most of them fiction, but nonetheless inspirational. When choosing the most influential to me, I could start by writing about the character that first allowed me to immerse myself in the world of the written language, Nancy Drew. Or I could write about the character that allowed me to feel comfortable with being unique and intelligent, Hermione Granger. But I won’t go into those clichés, the book character that has inspired me more than the heroines starring in the hundreds of books that I’ve read is real life Super Girl, Malala Yousafzai.
• AW’s work is deeply rooted in oral tradition; in the passing on of stories from generation to generation in the language of the people. To AW the language had a great importance. She uses the “Slave language”, which by others is seen as “not correct language”, but this is because of the effect she wants the reader to understand.