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Fate in literature
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"Bless Me, Ultima" by Rudolfo Anaya
Children believe what their parents tell them but as they get older they start to question that which used to be unquestionable. Bless Me, Ultima is a novel by Rudolfo Anaya about a young Chicano boy, Antonio Juan Marez y Luna, who is growing up and seeing the world for how cruel it really is. A wise old curandera, or faith healer, Ultima, arrives just before Tony receives his first glimpse into the world of men. Ultima gives Tony spiritual healing throughout the book, as well as advice to keep him in harmony with nature and his spirit. The more Tony sees of death in the little town of Guadalupe, New Mexico, the more he questions the Christian God and turns towards the golden carp, a pagan god of the river. Rudolfo Anaya is indicating that each man must choose his own religion and destiny, by depicting the changes Tony feels after the deaths of Lupito, Narciso and Florence. Beforehand, Tony never questioned his faith but as each person died Tony turned farther and farther away from Catholicism and eventually even away from the pagan religion. Tony questioned his destiny and effectiveness as a priest, had doubts of the Catholic God and eventually of everything he had ever believed in, as Anaya shows that one strict religion isn?t always the right way or the only way.
The first step in Tony?s spiritual journey is when he questions his family?s long-standing belief in the Catholic religion and his own destiny to follow their dreams of him becoming a priest. Tony doubts his abilities as a priest, even though he is not one, because his mother dreams for him to become a priest. Subsequently, he believes that he should have been able to save Lupito?s soul from wandering the river, because he will one day be required to. Whereas, ?A priest could have saved Lupito.'; (23), Tony feels guilty that he wasn?t able to fulfill his duty even though it wasn?t his. This shows that the destiny at first laid out by Catholicism may not be the one that is best suited to Tony. By not saving Lupito or his soul, the town Tony lives in is no longer pure in his eyes. The river is the lifeline of the town and once it is stained then the town will also be tainted with the murder of Lupito. Tony asks, ?How would I ever wash away the stain of blood from the sweet waters of my river!'; (23), and in doing so also questions why God puts such obstac...
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...l and harsh, or that the golden carp could not have saved Florence even though the river was its home, in spite of the fact that his parents and friends believed deeply in these powers and still put all their faith in them. Ultima, it seems, is all that is left to believe in, because she has always been truthful, and protective. The vengeance that Tony wants on Tenorio is God?s alone; however, with a new religion following in Ultima?s practices Tony could punish Tenorio if he was still alive, and have vengeance for the deaths of his friends and not be punished for it because Tony would only be killing a witch. All humans must change and because they must, the world they live in, including their religions, must change with them or be lost in time. The Catholic religion failed to change into what Tony needed, and so did the pagan religion, so he stopped belieiving in them; however he saw Ultima?s religion as a new unchartered way that he could create himself. At the end of Tony?s spiritual journey he finds himself lost in a world that is prophesied to end and without a true belief in anything.
Works Cited:
Anaya, Rudolfo. Bless Me, Ultima, New York: Warner Books, Inc., 1972.
In Bless Me, Ultima, Rudolfo Anaya defends the assertion, “for in much wisdom there is much grief, and increase of knowledge is increase of sorrow,” from Ecclesiastes. Tony endures many trials throughout the novel, therefore increasing his knowledge of life but also increasing his grief and sorrow. After witnessing Lupito’s death, Tony realizes that people are not always what they appear to be. Tony also begins to question his religion because of trials in the novel, some of which include Lucas’ cure and the sighting of the golden carp. In his trek during the blizzard, Tony learns of his brother’s sinful doings and he witnesses the death of a good man. Tony gains much knowledge in these scenes, but, unfortunately, with this knowledge comes grief.
Maria had no authority over her restless family. The source of the conflict between Antonio and Maria originates from her oldest sons taking to going where they please and not caring about their parent’s wishes. The burden of pleasing their parents passes from the eldest sons to the youngest one. With the sole duty of pleasing his parents, Tony internally rebels against their wishes instead seeking to set to rest his churning mind by seeking his own beliefs. His brothers console themselves about abandoning their family by saying that “Tony will be her priest” (Anaya 36) and not knowing that the “dreams of their father and mother [haunt] them” (Anaya 36) also haunted Antonio. Having the responsibilities of his brothers and his family shape the way he grows and thinks. He isn’t just thinking about himself he also has the problems of redeeming his family on his head. Through the story and through Ultima Tony realizes that he is not bound by obligations and can instead shape his own
In Rudolfo Anaya’s Bless Me, Ultima, the author uses Tony’s dreams as a way of displaying various symbols. Three symbols that are used often are weather, water, and the Golden Carp. Weather is used to represent conflict. Water represents cleansing, and rejuvenation. The Golden Carp symbolizes religion and Tony’s beliefs. Because dreams are not an exact mirror of reality, they become the perfect tool for introducing symbolism. The author uses the dream as a way to access the recurring themes of the book.
“Look! He pointed to the church where the priest desecrated the altar by pouring the blood of dead pigeons into the holy chalice…When the golden carp appeared Cico struck with his spear and the water ran blood red. What is left? I asked in horror… The magic of Ultima! I insisted. Look! He pointed to the hills where Tenorio captured the night-spirit of Ultima and murdered it, and Ultima died in agony”(244).The passage is one of Tony’s dreams, where all the things he believed in were crushed. This loss makes him feel lost, not knowing what to believe in anymore. Tony also shares his feelings with the reader through the questions he asks Florence in his
In his dream after the death of Lupito, he is met by his three brothers. Tony tells his brothers that they have to be with their father, because he is planning on moving westward. Tony’s brothers say that he is to be a farmer-priest, because he is a Luna, so he cannot go with their father. Tony says that he must bless the river where his father will be moving to, and when he says that, he hears Lupito’s soul crying for help. Then, the novel states, “I swung the dark robe of the priest over my shoulders then lifted my hands in the air. The mist swirled around me and sparks flew when I spoke. It is the presence of the river!” (28). One of the possible fates for Tony is to become a priest, and he is leaning towards God for help in this lifelike situation. Though the presence of the river is guiding him, if he takes the position of a priest, he is choosing God over other things, such as the golden carp. Tony also does this in another dream. In this dream, Tony’s brothers try to convince him to enter Rosie’s house, which is a sinful place. As his brothers try to persuade him to enter, Tony says, “No!... I cannot enter, I cannot think those thoughts. I am to be a priest” (73). Even after his objections, Tony’s brothers still try to get him to enter, saying that he is a Márez and that he will eventually enter, so why not do it now. In this case,
In Bless Me Ultima, Tony embarks on a rocky journey to discover who he is and what he believes. Tony must make the transition from a naïve six year old boy to a mature man. His experiences continually call his basic beliefs into question, and chip away at his innocence. For example, when he witnesses the brutal death of Lupito, he starts to question many ideas; sin, good and evil, punishment, and his faith. He begins to see the world of man as violent and sometimes ruthless, not the friendly, loving world where he had previously resided. He even becomes concerned about his own father's salvation because of Gabrielle's involvement in Lupito's death and begins to see his father as less than perfect. Death continues to haunt him when Narciso, a good man, is killed defending Ultima, while Tenorio, an apparently evil man, is spared. These outcomes are not what he believes should have occurred and yet again, a piece of his innocence is stripped away as he sees life is not always fair. He is beginning to realize that he must define his own beliefs.
Another example of the evolution of Tony's sense of good and evil through the utilisation of setting is Tony's own home. To him, his home provided him with warmth and safety. This was due to the people who lived in the house. Antonio's father creates a sense of protection in the home. When Tenorio and his men come to he house to take Ultima away, Tony's father "would let no man invade his home" (pg 123). This gave Tony faith that as long as his father was around, he would be protected. Antonio's mother made home a loving and caring place to be. She would always baby Antonio and give him the affection he needed whenever he needed it. The morning after Tony had seen Lupito killed, Ultima tells Tony's mother not to be too hard on Antonio; he had a hard night last night. His mother puts her arms around Tony and holds him saying he "is only a boy, a baby yet" (Pg.28). The Virgin also makes the atmosphere of Antonio's home peaceful and protected. Tony loves the Virgin Mary because "she always forgave" (Pg. 42). Tony thought she was "full of a quiet, peaceful love" (Pg.42) which she filled the home with. The most important person who contributed to the goodness of Antonio's home was Ultima. She made Antonio feel as though her presence filled the home with safety, love, and a sense of security. When Tony saw Lupito get killed, it was Ultima who calmed him. Whenever he had a nightmare, Ultima was there to comfort Antonio and "[he] could sleep again" (Pg.
Robert Laurence Moore has written a delightful, enlightening, and provocative survey of American church history centered around the theme of "mixing" the "sacred" with the "secular" and vice versa. The major points of conversation covered include the polarization caused by the public display of religious symbols, the important contribution that women and Africans have made to the American religious mosaic, the harmony and friction that has existed between science and religion, the impact of immigration on religious pluralism, and the twin push toward the union and separation of religion and politics.
After reading the book, Bless Me Ultima, I realized the integral importance of religion and need for religion and answers to life’s questions. At first, while reading this book, I thought it was just about relationships and the meaning in them but as the plot progressed I realized the book, is more than that, it questions the structures that decide the rules, morals and values that society is composed of. There were three types of religion that I identified in the book that young Anthony chose to pursue. The first was the paganistic rituals of Ultima. Ultima came into the life of Tony at a very young age and had great influence n the child. Ultima saved the life of Lucas through Tony’s strength. Physical pain was brought unto Anthony because of Ultima's ritual, showing actual validity of the rituals themselves, that they were had tangibility. She brought torment on the Tenorio’s family (he was the antagonist in the book-the bad guy) saving Lucas though using ritualistic dolls and chants. This showed her magic was not only good but bad as well. Ultima guided Anthony through all of the mental and social torment during his early years of grade school. So in away Ultima was a guide for Tony through his early years to make sense of all of the storms in his early life, but also was an instrument of religion to base his life on. But in the end of the book Ultima ultimately dies and the strength he once found in her is destroyed. She is ...
Rudolfo Anaya’s, Bless Me, Ultima and Guillermo del Toro’s, Pan’s Labyrinth are two coming-of-age stories. Both the novel and the movie are full of events that contribute to the disillusionment of the main character’s childhood idealism and the realization of the real world they live in. Both protagonists absorb themselves in a mythical world full of fantasy and each receives exposure to religious theology and trauma by the violence of men. Despite the fact that Antonio and Ofelia have different familial role models and travel along different paths, their childlike innocence, disillusionment, and initiation into adulthood comes about through similar themes: myth, religion, and violence. Bless Me, Ultima is about Antonio, the protagonist, who struggles with questions concerning religion and the local pagan myths.
In the novel, Bless Me Ultima, written by Rudolfo Anaya, two different religions are introduced. The religion of Catholicism is the religion originally practiced by the novel’s main character, Antonio. Throughout the novel, the religion of the Golden Carp is introduced and causes a crisis of faith for Antonio. Antonio must learn to choose between the conventional values of the Church and the modern beliefs of the Golden Carp by comparing and contrasting the two religions.
Duong Thu Huong’s novel, ‘Paradise of the Blind’ creates a reflective, often bittersweet atmosphere through the narrator Hang’s expressive descriptions of the landscapes she remembers through her life. Huong’s protagonist emphasises the emotional effects these landscapes have on her, acknowledging, “many landscapes have left their mark on me.”
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
In America, many have come to recognize Iran as a terrorist nation, but in reality, many Americans stereotype Iranians because they misunderstand the country and how it got to that point. In Marjane Satrapi’s graphic novel Persepolis, she gives her readers an inside look of Iran by writing about her childhood during the Iranian Revolution and the changes in her life during that time. The frames in Satrapi’s graphic novel draw similarities and differences between advertisements and the Iranian culture. After analyzing the Satrapi’s graphic novel to advertisements we will look at the similarities and differences of how graphic novels and advertisements use words and images to establish the visual rhetoric.
The novel Tsotsi, by Athol Fugard, is a story of redemption and reconciliation, facing the past, and confronts the core elements of human nature. The character going through this journey, who the novel is named after, is a young man who is part of the lowest level of society in a poor shanty town in South Africa. Tsotsi is a thug, someone who kills for money and suffers no remorse. But he starts changing when circumstance finds him in possession of a baby, which acts as a catalyst in his life. A chain of events leads him to regain memories of his childhood and discover why he is the way he is. The novel sets parameters of being “human” and brings these to the consideration of the reader. The reader’s limits of redemption are challenged as Tsotsi comes from a life lacking what the novel suggests are base human emotions.