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Notes of human digestive system
Notes of human digestive system
Notes of human digestive system
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Hands reached out to snatch an appealing, ripe orange out of the ceramic bowl on the counter. I watched, alarmed, as I unwillingly stared as my brethren were deftly peeled. It seemed the pain wouldn't be plausible until I myself felt it, experienced the unfamiliar, less-than-pleasant sensation, nor did the thing show any signs of putting an end to its assault. I heard the cries and screams of my kind, begging for mercy from the being as they were peeled and thrown into a dark crevice on the thing’s face. I had a sense of terrible trepidation as I was picked up. The nails of the strange creature dug into my skin, peeling off the layer and pulling me apart. The pain could only be described as excruciating. That was it. Excruciating. I attempted to cry out to no avail. Before I knew what was happening, I had been thrown into a dark, damp cave (mouth). A …show more content…
The walls of the thing were covered in a slippery substance (mucus) that seemed to be protecting it from the acid. I quickly looked down and gawked. This is where my brethren who came before me had gone! I panicked as I fell into the acid and could feel the chemicals and contractions of the pear-shaped organ (stomach) turn me into something unworldly of about a milkshake-thick consistency (chyme). Encountering another unusual, circular muscle (pyloric sphincter), I traveled to a new destination. Going through the beginning of another seemingly endless tunnel (small intestine)m strange juices came out from a small, sac-shaped thing (gallbladder) attached to another large organ (liver) as well as a spongy, tube-shaped organ (pancreas). Continuing down the long path (jejunum and ileum), I could feel tiny, finger-shaped things (villi) absorbing something from me (nutrients). In fact, I felt quite empty without it there. I watched as another circular muscle (ileocecal valve) appeared. Not again, I thought
In Volume 1 and 3 of Frankenstein, Victor’s reason for creating the “monster” changes drastically; however, ultimately leading to the same consequence of suffering and depression. Through this change in Victor, Shelley argues that all humans have an instinctive notation of right from wrong and learn from their mistakes. Victor left his friends and family to go to college; when there, he had no friends and social life. His top and only priority was his schoolwork; he read all he can about the sciences, especially chemistry and anatomy. When finished with his studies, Victor is ready to start his creation when he confirms his proceedings aloud, “Winter, spring, and summer, passed away during my labours; but I did not watch the blossom or the expanding leaves-sights which before always yielded me supreme delight, so deeply was I engrossed in my occupation. The leaves of that year had withered before my work drew near to a close; and now every day shewed me more plainly how well I had succeeded.
The repercussions of treating sentient life as monsters or miscreation’s is disastrous. When non-human conscious life is created it is easier to treat these creations as outsiders rather than accepting them. There are two stories that show this clearly. The novel Frankenstein or, The Modern Prometheus by Mary Shelly and the film Ex Machina by Alex Garland. When self-conscious life is created it must be treated as such.
Critic Northrop Frye says, “Tragic heroes tower as the highest points in their human landscape that they seem the inevitable conductors of the power about them, the great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning”. Mary Shelley’s Frankenstein greatly exhibits the theme of the consequence of knowledge and irresponsibility among others through its tragic hero, Victor Frankenstein. Northrop Frye’s quote is certainly true when looking at Frankenstein’s situation. Victor is a victim of his divine lightning, and ultimately causes much trouble for himself; however, Victor also serves as the tragic hero in the lives of the monster, his family, and his friends.
One day as I was walking along through the tall blades of grass, I came upon a massive figure. I thought to myself, oh just another one of these uninteresting creatures, but this one, this one was different. This one was clad with long flowing hair, and other features that did not fit my ordinary image of these marvelous creatures. I quickly realized it was going to place itself on the ground, and I was in its way. I quickly sprung to safety as the massive creature collapsed where I was previously stationed. How rude, I thought, It ruined the perfect flow of the grass. But I did not ponder too much on it as it was commonplace for these large creatures to land here. By the tree. Next to the water.
Isolation is one of the major motifs that resonates throughout Frankenstein. Tying into the romantic style of the novel, Shelley uses this element all the way through the work to show a repetition of isolation, an aspect that is present in almost every character in the novel and expressed primarily in Victor and the monster. But even some other minor characters such as Justine, Caroline, and Walton deal with isolation in one way or another.
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
Misery, despair, and pain. These character traits are often associated with the thought of a tragic hero, though it may be true there is more than the amount of tragedy a hero has to endure before achieving the title of a tragic hero. Defined by the greek philosopher, Aristotle, a tragic hero is someone who has fallen from nobility to suffer a doomed fate given by the gods. He or she has to battle against this damned future brought on as a consequence of self flaws and wrong choices that then offers enlightenment not only to themselves but also to the audience. Literature has implicated this template to create many well known tragic heroes such as Romeo, Hamlet, or Victor Frankenstein, the creator of the nameless monster from the novel Frankenstein
The theme in a piece of literature is the main idea or insight on characters. Most pieces of literature do not limit itself to one but many other themes all collected into one. This is just like in Frankenstein by Mary Shelley. This horrifying story was produced in 1818 and has several themes that she portrays throughout. The theme of dangerous knowledge is unmistakably seen theme in Frankenstein. In Frankenstein we see this theme through three of the main characters, Victor Frankenstein, Robert Walton and the creature. We can see how their desire for knowledge can take them places and show them eventually what they are looking for. Sooner or later it will take them to dangerous and unwanted places. The desire for knowledge can eventually lead one to its grave. Victor Frankenstein’s scientific endeavor, Robert Walton’s search for the North Pole, and the creature’s kind heart but scary features creates this theme of dangerous knowledge.
In gothic novels tragic figures are symbols of pain to the characters. Victor Frankenstein brings misfortune to his loved ones, which concludes to his overall tragedy. Ironically the monster in this novel is Frankenstein the creator not the creature. He has seven victims including himself and his fall is due to his ambition to be superior.
...ve eaten, to break down the food into a liquid mixture and to slowly empty that liquid mixture into the small intestine. Once the bolus has entered your stomach it begins to be broken down with the help of the strong muscles and gastric juices which are located in the walls of your stomach. The gastric juices are made up of hydrochloric acid, water, and mucus- and the main enzyme inside of your stomach is what is known as pepsin, which needs to be surrounded in an acidic setting in order to do its job, that is to break down protein. Once the bolus has been inside of your stomach for long enough it begins to form into a liquid called chyme, and what keeps the chyme from flowing back into our esophagus are ring shaped muscles known as sphincters located at the beginnings and ends of the stomach and they have the task of controlling the flow of solids and liquids.
Furthermore, in the pig on the outside of the oesophagus it was lined with a moist pink tissue this is called the mucosa (WebMD, 2015). The oesophagus is known as a muscular tube which connects the pharynx to the stomach (WebMD, 2015). Diagrams show what was observed;
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).
I was quickly being violently thrashed about inside the fiberglass tube, working my way down the cascading waterfall of death. The water slide threw me like a rag doll in the air only to catch me again with the gentleness of Mr. Toad’s Wild Ride. This jolt sent my head swimming; ironically as my beaten and bruised body hit the pool below, I sank swiftly to the bottom. I thought, truly, that I was doomed.
My family is a group of proud pranksters and when it comes to each other, we're a ruthless bunch. But that was the day they took it too far. My family, minus myself, were out doing yard work, digging up weeds and pulling out strips of dead grass to replace. Being the notorious pranksters they are, they decided to send my brother in to bring my a surprise. Now, surprise does not always mean some awesome gift and this was one of those surprises. At this point I'm completely absorbed in my work because not an ounce of focus can be taken away while doing math. As I'm writing, I feel something cold, slimy, and wiggling plop onto my left shoulder. I know exactly what has landed on me. A worm. I disgusting, terrible, awful worm. On my bare skin. My pupils dilated and anxiety swelled through my whole body like a raging fire through the woods in a dry summer, instant and engulfing. Fear consumed me and I started screaming and crying all at once. I didn't move a single muscle, I was paralyzed with the knowledge of the creature claiming my shoulder as its own territory. My brother was scared by my