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The puritans of American literature
The puritans of American literature
Symbolism in the chronicles of narnia
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Morality is a driving force in many of the most successful literary works. Morality dictates human actions, and in a literary case, allows a reader to relate to a character. C.S. Lewis employs morality throughout the Chronicles of Narnia as a means to rally the reader behind a character. He is able to pull at the heartstrings of his audience and in doing so successfully entices them to celebrate in the children’s victories and scoff at the Witches cruelty.
Lewis did not intend for The Lion, The Witch and the Wardrobe to attempt to strike at moral standpoints. Lewis stated in an interview, “’I don’t like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question: ‘What do modern children need?’ will not lead you to a good moral”’ (Sadler). However, his use of the innocence of children evokes the essence of purity and good. This purity conflicts with the cruelty and scorn displayed through the White Witches actions, resulting in her becoming an evil figure. The archetype of good vs. evil that writers use throughout literature has proven to be a successful means of striking intrigue in an audience. This combined with the magical setting employed by the mysterious Narnia allows Lewis’ work to be so interesting to readers through decades and generations.
Using the concept of good vs. evil, the children are definitively the good in this tale. They seek to help the struggling Narnians and wish to help Aslan rid Narnia of the White Witches evil. “Then at last Peter realised that it was up to him. He drew his sword and raised it to the salute and hastily saying to the others "Come on. Pull yourselves together," he advanced to the
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...e matures through the story. Upon his arrival in Narnia, he was ill tempered and had a very devilish personality. “…but Edmund could be spiteful, and on this occasion he was spiteful. He sneered and jeered at Lucy and kept on asking her if she'd found any other new countries in other cupboards all over the house” (Lewis 14). He wanted to be a “realistic” thinker, resulting in him thinking adversely from his siblings. This fit him into an “evil” moralistic standpoint. However, after he witnesses the cruelty of the Witch, he realizes that he does not think along the same lines as her and begins to shift moralistic viewpoints. After being saved by Aslan, he realizes that he has acted in a negative way and reverses his decision-making, resulting in his shift to “good”. “Edmund shook hands with each of the others and said to each of them in turn, ‘I'm sorry’ (Lewis 76).
When a person reads a book, they should read it as to amuse them, but also look between the lines for the purpose of the book. Every author, whether they’re writing fiction of non-fiction, has a moral behind their story. Every book is like a picture, a piece of art. Yes, you admire it, but you would have to squint a little bit, twist your head in any angle, and try to find what message the author or painter was trying to send out with their piece of work.
As intended in the story Edmund is a static character and represents wit, deception, and the wicked. Yet with all these amazing traits comes the consequences of using the for evil and not good. Sadly and ironically him trying to kill Edgar eventually leads to Edgar killing him out of the rage he feels after their father dies. What goes around always comes around good or bad and Edmund just got the bad side
The youngest Pevensie brother, Edmund, is the mischievous child among his siblings in The Lion, the Witch and the Wardrobe. He is a representation of the possibility of what can go wrong when a child is not properly taught and does not follow set boundaries. Edmund’s subversion of set standards is the cause of a great deal of the troubles the Pevensies face in Narnia. For example, when he goes to the White Witch’s castle instead of listening to the others when they say Aslan is the true leader. In order to redeem himself, he must first be renewed and return to an earlier state. He is not allowed to stay indignant, but is reformed when he learns that Aslan is really the true ruler, and Jadis is not. He is allowed to do so because of his status as a child who is still developing. Edmund’s corruption and later redemption show that he is not really wicked, but has an innate goodness.
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
When an author begins to write a story, he/she does not simply write to write, every author has one major purpose in their writings, and that purpose is to have a moral. A lesson learned, so the world as the characters know it will be a better place; but how does an author express that moral? The answer is through literary devices. There is no such thing that one author moral in their writing is better than the other authors writing and vice versa when it comes to how they explain it. Everyone writing is unique, but in my opinion, there is only one piece of writing that had a great moral and used amazing literary devices to express it and that piece is The Thousands and One Nights.
Fiction has always been used as a way to relay different types of messages throughout time. In many cases authors use fiction to make political commentary, use stories to bring out the major flaws that society has, as well as a way to spread different types of beliefs or ideals. C.S. Lewis’s used his work, “The Chronicles of Narnia”, to reiterate the messages of the Bible to those who might have gotten lost during their lifetime. Though his whole series was full of connections the book that have the most prevalent connections are The Magician’s Nephew and The Lion, the Witch and the Wardrobe. In both there are places that are very similar to and very different books in the Bible. Taking into context when Lewis wrote this series is extremely important to see what some of his motivations might have been. These stories were started soon after World War II had ended. These stories were a way to teach the next generation some of the morals that the Bible was teaching. By creating these fantastical stories Lewis was able to make connections to help bridge the learning gap between the two generations. Also by using children as a target audience Lewis was able to remind adults as well, instead of being ignored because of the recent war. Lewis was able to address these lessons and morals in a way that both taught the children the way of the Bible, as well as to put a new spin on old tales so that adults were able to come back to religion, after losing some faith during the brutal war.
In life and in fairytales there are always those that try to harm others or put them down, and fairytales teach children that those who do that do not succeed in the long run. The story of the Pied Piper is a perfect example of this. The people in the city of Hamelin refused to pay the Pied Piper even though they had promised. Because of this the Pied Piper led the children of the village away with his magical music (Young). As one can see this story shows how those that do wrong will be punished for their wrong and cruel acti...
In the The Lord of the Rings, by J. Tolken, there are many things that make the story symbolic of a Christian influence. The constant emphasis of good vs. evil brings forth reason to suspect that this novel has a Christian basis. In this paper I will prove and backup my personal opinion through sighting specific examples of the influences from the book.
The land of Narnia is a place where something as simple as a wardrobe is the key to something as magical as Narnia. In C.S Lewis’s The Lion, the Witch and the Wardrobe, four children go on an adventure of a lifetime. The main characters are Peter, Susan, Edmund, and Lucy, are siblings that travel to Narnia as the Sons of Adam and the Daughters of Eve. There is controversy whether or not the book is well-suited for children. Lewis uses different literary techniques including character development, animal personification, and censorship to help make the book more appropriate for children.
It is easy for the reader who enters the enchanted realm of Tolkien's own work to be lost in the magic of the Middle-Earth and to forbear to ask questions. Surrounded by elves, hobbits, dragons and orcs, wandering the pristine fields and woods, described with such loving care they seem almost real, it is easy to forget there is another world outside, the world in which John Ronald Reuel Tolkien, an Oxford don, lived and wrote his monumental series of fantasy novels. It is, after all, natural to want to escape humdrum reality. Literature that offers a simple pleasure of a different time, a different place has nothing to be ashamed of. Tolkien in the same essay describes "escape and consolation" as one of the chief functions of the fairy-tale by which term he understands also what we would call "literary fantasy" today. "Escape and consolation" seem to be self-evident terms. What is there to discuss? Perhaps all that I have to do today is to praise Tolkien's fertile imagination and to step modestly aside.
It is likely for one to assume that a classic piece of literature set in a fantasy oriented stage will have no merits to the youths of today. The Hobbit by J. R. R. Tolkien, however, with its crafty of usage symbolism, displays its relevance to issues that often trouble teens. As the story progresses from a children’s tale to an epic, the main character Bilbo undergoes a series of development, his experiences often overlapping with ordinary people. Reading the Hobbit will provide teens with opportunities of exploring the importance of several common but serious topics. People may encounter many of the themes presented in the book elsewhere repeatedly, but it’s possible that they never appreciated the applications it might have on themselves. When teens read the Hobbit, they perceive it as a simple fiction of adventure. Under proper guiding, they will be able to recognize and utilize the lessons of the Hobbit, and improve their attitudes and ideas about life.
When a fairy tales begins the characters in an instant show who is good and who is bad and the child will figure the person identity. In the film, Ophelia just met her stepfather and is trying to see if he is a good person Vidal says, “That's the wrong hand”(Pan’s). When a story begins the good and bad characters are easily recognized like the big bad wolf or an evil witch or a scary goblin in the story. Most parents will tell the children don't believe in fairy tales and belittle them. The fairy tales are important to the children they understand the situation much clearly. The child connects to the hero not just because that person is good but on what victory they accomplished. It depends on the good characters that best resembles them in their own world. In fairy tales, its shows good and bad people and small children think the same way either this person is evil and the other is good, or one sister is beautiful and the other ugly. “The child makes such identifications all on his own, and the inner and outer struggles of the hero imprint morality on him” (Bettelheim 205). When the child sees their hero going through struggles and obstacles they know that they will be able to do the same thing. In the film, Ophelia was supposed to go to dinner with her mother and step-father however, she disobeyed and did not go. She
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
“ʻ Wrong will be right when Aslan comes in sight. At the sound of his roar, sorrows will be no more, when he bores his teeth, winter will be no more and when he shakes his mane, we shall have winter again”’ (Lewis 85). This shows the readers, even though Aslan is good he can still be very mean when needed to protect his people and realm. Lewis is showing how good Aslan is as a hero and how good he is in representing good in good vs. evil. “Aslan is a brave lion, Son of Emperor Beyond the Sea, who leads the forces of good in a gory and successful battle, and whose sacrifice redresses the treachery of one of the children” (Pell). This shows the readers actually how good Aslan is as a ruler. Also, shows that his people will actually die for him in the war. Aslan is the good in good vs. evil.