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Initiation stories examples
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My First Goose is a prime example of a decisive initiation story. A series of events taking place in this protagonist’s life changes him from a young adult to a mature man. As Mordecai Marcus explains, “An initiation story may be said to show its young protagonist experiencing a significant change of knowledge about the world or himself, or a change of character, or of both, and this change must point or lead him toward an adult world.” There are many elements in this literature which qualifies it as an initiation story.
In the first few paragraphs of this story the protagonist speaks of the Commander of the VI Division like a young boy describing his favorite athletic star. The protagonist speaks of him in such detail as if he is admiring him:
I wondered at the beauty of his giant’s body. He rose, the purple of his riding-breeches and the crimson of his little tilted cap and the decorations stuck on his chest cleaving the hut…A smell of scent and sickly sweet freshness of soap emanated from him. His long legs were like girls sheathed to neck in shining riding-boots. The protagonist in this story is in awe over Savitsky. He is admiring his metals, his large body, and his command. This is something that is more so common with immature adolescence of a society. It is an admirable quality of mature men to have confidence in their person, but the protagonist shows that he has yet to achieve this quality. Also, he makes reference to a girl’s leg. A mature male would not say girl, he would say women’s.
The protagonist in this story is seen as an intellectual rather than a killer. "The dying sun, round and yellow as a pumpkin, was giving up its roseate ghost to the skies", these are not he words of a soldier, they...
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...tagonist in the story has gone from a scared adolescence to a respected man. He chooses to take the advice giving to him by the quartermaster. By doing this, the protagonist gains the respect of his comrades, and he knows that his life is forever changed by the slaughter of one goose. “I dreamed: and in my dreams saw women. But my heart, stained with bloodshed, grated and brimmed over.” The protagonist knows that now he is one of them, but, none the less, he is hurt because it is apparent that there will be more violence to come. He came to this camp as a writer, and will leave a respected solider. It is a quality of a man to recognize his triumphs and accept his defeats. It is my belief that the protagonist in My First Goose goes though a series of events that brings about the change from adolescence to man hood thus deeming this short story a decisive initiations.
“The war correspondent is responsible for most of the ideas of battle which the public possesses … I can’t write that it occurred if I know that it did not, even if by painting it that way I can rouse the blood and make the pulse beat faster – and undoubtedly these men here deserve that people’s pulses shall beat for them. But War Correspondents have so habitually exaggerated the heroism of battles that people don’t realise that real actions are heroic.”
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
In the story, “The Killing Game”, Joy Williams, uses several diffenent types of writing skills to presuade the reader to see her views.
In The Red Badge of Courage, Henry Fleming was drawn to enlist by his boyhood dreams. His highly romanticized notion of war was eclectic, borrowing from various classical and medieval sources. Nevertheless, his exalted, almost deified, conception of the life of a soldier at rest and in combat began to deflate before the even the ink had dried on his enlistment signature. Soon the army ceased to possess any personal characteristics Henry had once envisioned, becoming an unthinking, dispas...
This book shows that in highly emotional situations you react before thinking. Two soldiers named Strunk and Jensen got into a fight. Strunk stole Jensen’s jackknife. When Jensen found out, he retaliated by breaking Strunk’s nose. This shows that people don 't always think and just react to situations. Also there is irony in this. They both are fighting on the same team in this war, but yet are fighting each other.
The violent nature that the soldiers acquired during their tour in Vietnam is one of O'Brien's predominant themes in his novel. By consciously selecting very descriptive details that reveal the drastic change in manner within the men, O'Brien creates within the reader an understanding of the effects of war on its participants. One of the soldiers, "Norman Bowler, otherwise a very gentle person, carried a Thumb. . .The Thumb was dark brown, rubbery to touch. . . It had been cut from a VC corpse, a boy of fifteen or sixteen"(O'Brien 13). Bowler had been a very good-natured person in civilian life, yet war makes him into a very hard-mannered, emotionally devoid soldier, carrying about a severed finger as a trophy, proud of his kill. The transformation shown through Bowler is an excellent indicator of the psychological and emotional change that most of the soldiers undergo. To bring an innocent young man from sensitive to apathetic, from caring to hateful, requires a great force; the war provides this force. However, frequently are the changes more drastic. A soldier named "Ted Lavender adopted an orphaned puppy. . .Azar strapped it to a Claymore antipersonnel mine and squeezed the firing device"(O'Brien 39). Azar has become demented; to kill a puppy that someone else has adopted is horrible. However, the infliction of violence has become the norm of behavior for these men; the fleeting moment of compassion shown by one man is instantly erased by another, setting order back within the group. O'Brien here shows a hint of sensitivity among the men to set up a startling contrast between the past and the present for these men. The effect produced on the reader by this contrast is one of horror; therefore fulfilling O'Brien's purpose, to convince the reader of war's severely negative effects.
War slowly begins to strip away the ideals these boy-men once cherished. Their respect for authority is torn away by their disillusionment with their schoolteacher, Kantorek who pushed them to join. This is followed by their brief encounter with Corporal Himmelstoss at boot camp. The contemptible tactics that their superior officer Himmelstoss perpetrates in the name of discipline finally shatters their respect for authority. As the boys, fresh from boot camp, march toward the front for the first time, each one looks over his shoulder at the departing transport truck. They realize that they have now cast aside their lives as schoolboys and they feel the numbing reality of their uncertain futures.
Wilson, M. & Clark, R. (n.d.). Analyzing the Short Story. [online] Retrieved from: https://www.limcollege.edu/Analyzing_the_Short_Story.pdf [Accessed: 12 Apr 2014].
“Although my old master- Capt. Anthony- gave me at first, (as the reader will have already seen,) very little attention, and although that little was remarkably mild and gentle description, a few months only were sufficient to convince me that mildness and gentleness were not the prevailing or governing traits of his character (p.
is a conceited , smug young man who sees himself as a martyr and a hero; when in fact
...is story, Hemingway brings the readers back the war and see what it caused to human as well as shows that how the war can change a man's life forever. We think that just people who have been exposed to the war can deeply understand the unfortunates, tolls, and devastates of the war. He also shared and deeply sympathized sorrows of who took part in the war; the soldiers because they were not only put aside the combat, the war also keeps them away from community; people hated them as known they are officers and often shouted " down with officers" as they passing. We have found any blue and mournful tone in this story but we feel something bitter, a bitter sarcasm. As the war passing, the soldiers would not themselves any more, they became another ones; hunting hawks, emotionless. They lost everything that a normal man can have in the life. the war rob all they have.
A Farewell to Arms is against the extreme violence, the massive destruction, and the sheer senselessness of war; the mental effect it has on people and cities; and the brutal change it makes in the lives of its survivors once victory and defeat become meaningless terms. Unlike other books that glorify courage in battle and make everything come out ok for the brave individual, this book attempts a real portrayal of a different kind war, one fought with machine guns, in trenches, and with lots and lots of casualties.
... brutality of the Spanish Civil War. Hemingway’s simplistic language style, war imagery, mountainous setting, and theme of a heroic protagonist all contribute to his personal experiences in life and at war. Much of his style resembles the personal experiences he had in life with family, love, and war. The imagery that is applied in this piece of literature mirrors what Hemingway had seen and imagined during his service in Italy and his experiences during the relationships which he partook. The setting represents the area in which Hemingway had seen and envisioned Spain. The various themes of this story describe Hemingway’s political views on war and outlook on the morals of life. In conclusion, the qualities that Ernest Hemingway possesses in his writing skills are truly remarkable and they are evidently depicted in this amazing piece of classic literature.
Ernest Hemingway captures the essence and origins of nihilistic thought in “A Clean, Well-Lighted Place”, written in a time of religious and moral confusion shortly after The Great War. The ideas expressed in this short story represent the post World War 1 thinking of Hemingway, and the notoriously nihilistic Lost Generation in Paris, which was greatly influenced by the many traumas of war. Learning from his unnerving experiences in battle, Hemingway enforces the idea that all humans will inevitably fade into eternal nothingness and everything valued by humans is worthless. He develops this idea by creating a brilliant mockery of two coveted religious documents, revealing authority figures as typical, despicable, human beings, and he reduces life into the most raw, simplistic, and frightening reality imaginable. Hemingway states that all humans will naturally die alone and literally be “in despair” about “nothing” (494), and that people will either seek a “calm and pleasant café” (496), or a self-inflicted death simply to escape despair. Undoubtedly, Hemingway eliminates any consideration of a higher meaning because he believes that “[life is] all a nothing, and a man [is] nothing too” (496). By viewing the actions of three different generations, Hemingway’s “A Clean, Well-Lighted Place” elaborates on the idea that human life is not continual enlightenment and growth, but gradual despair, and an inevitable death into “nada” (497).
Acceptance of who we are plays a large part in the overall theme of “rite of passage” in the story. The young girl is opposed to the thought of working for her mother at the beginning, but eventually comes to a realization that it is her pre-determined fate to fit the mould of the gender stereotype. Through the girl’s hardships, she accepts the fact that her younger brother, Laird, is now the man that his father needs for help, and she takes her place in womanhood. The story embodies gender identity and stereotypes, as a young child moves into adulthood. The fact that our rite of passage is unavoidable proves that we must all go through our own journeys to find our own true identity.