Everyone remembers someone who they care about. Whether they have just left or have been gone for a long while. People keep their memories close, and their family even closer. Some people do not care about their memories, but the most do. To some, items such as a necklace or even a plate, can keep precious memories. To others, those items are just materialistic things that may have a purpose but are not that important, or should be used for a different purpose. In the poem "My Mother Pieced Quilts" by Teresa Acosta and the short story "Everyday Use" by Alice Walker, both authors use imagery and figurative language as a symbol for memories tied to family bonds to illustrate their themes. Memories are one of the most important things one …show more content…
Walker tells a story of a mother and her two children, where the older has always gotten what she wanted. Dee, or Wangero, comes home and immediately goes for items she has wanted, telling her mother that she wants them. Dee continues on, and picks up the family quilts. At this point; however, the mother finally stops her, having promised them to her younger child, Maggie, for her marriage. "[Dee] gasped like a bee had stung her "(64). Never having been rejected before, Dee is surprised and enraged. She had been spoiled all her life, and now someone was opposing her. She goes on to state points that they are priceless and that Maggie would merely ruin them by using them for their actual purpose. "These are all pieces of dresses Grandma used to wear. She did all this stitching by hand. Imagine! (64)." To Dee, the quilts symbolize the history of her predecessors and their life that should be cherished and honored. The mother disagrees by stating that they are merely quilts. Quilts to be used as what they were made, for not a tapestry. As she rejected Dee's want by giving the quilts to a shocked Maggie, Dee supplied a retort. "You just do not understand you heritage (65)". As simple as some history and memories seem, others may not even start to compare. Here, Dee thinks that ; hence, her reasoning is right, she is right. Of course, it also depends on who's memories they are. After all, everyone has their own opinion, even if that
Heritage in a family can be preserved in many different ways. Be it a diary written by your great great grandpa or a pot your grandma passed on to your mum who passed it on to you, nothing compares to the great comfort in understanding ones heritage especially when it involves the deep love and devotion of a strong mother. In the poem "My Mother Pieced Quilts" by Teresa Acosta and the short story "Everyday Use" by Alice Walker, both authors use imagery and figurative language to establish a quilt as a symbol for a mothers love of her children to illustrate their themes.
She went to college after high school and didn’t return home after she graduated. She got married to a Muslim man and she became so concerned with her family’s history. When she arrived, she became so concerned with taking pictures of the farmhouse she grew up in a soon as she got their she didn’t even greet her mother and sister Maggie right away. When she entered the home she immediately began to scan the room for things that she felt were good enough to go into her apartment in the city, she also wanted included things that she felt were good enough to impress her friends and to show her where they are from. When she reached the home, she mentioned a few things that stood out to her which included a butter churn and 2 quilts. The two quilts in particular stuck out to her because the two were hand sew by her grandmothers and aunt , along with her mother. Maggie her sister states, “She can have them, Mama,” She said, like somebody used to never winning anything, or having anything reserved for her. “I can member’ Grandma Dee without the quilts’” (Walker). Maggie her younger sister who still lived at home with her family let her sister know she could have them simply because she knew that it wasn’t the quilts that were going to make her remember she’s remembers the years they spent together unlike her sister who was never really around the house as much as Maggie and this was giving Maggie as sense of pride
To begin with, in Walker's Everyday Use, the conflict is a result of clashing cultural values and of cultural point-of-view. Dee, who has adopted the Islamic culture and name the Wangero, returns to her African-American family for a reunion. While there, she asks that a pair of quilts from her deceased grandmother be given to her, not her sister, Maggie. Dee claims that her sister will ruin them through "everyday use." In fact, she charges during a discussion, "[Maggie would] probably be backward enough to put them to everyday use" (89). To these charges, her mother, the story's narrator, says, "I reckon she would [use the quilts daily] ... God knows I've been saving (the quilts) for long enough with no body using 'em. I hope she will" (89). Dee counters by saying, "You just don't understand ... your heritage" (90). She charges that her mother does not understand her heritage and therefore should give the quilts to her since she will preserve them. This conflict...
... attempts to change the way Mama and Maggie perceive tradition by using the quilts as a wall display. Mama refuses to allow it, Dee was offered the quilts when she was in college and didn’t want them at that time. Mama gives the quilts to Maggie as her wedding gift to be used every day as they were intended, knowing how much Maggie appreciates them. I agree with Mama and Maggie for keeping family memories and objects in daily use. It is important to maintain your family history in your everyday life to preserve those special memories.
Many people show their appreciation for things in different ways. Dee appreciates the quilt for being her heritage. She can't express enough how she feels about it. She can't even imagine that the quilt was hand made with every stitch stroked in and out. As for Maggie, Dee believes she can't appreciate the quilt in the same way she can. "Maggie can't appreciate these quilts." Instead, she thinks that Maggie will use the quilt for about 5 or so years and it will turn into a rag. "She'd probably be backward enough to put them to everyday use." "Maggie would put them on the bed and in five years they'd be in rags. Less than that!" Dee doesn't feel Maggie deserves the quilt.
Walker communicates through Dee that Maggie “ ‘probably be backward enough to put them [the quilt] to everyday use’ ” (82). This portrays Maggie as a rural character, who owns the minimal and uses all her belongings as an instrument to help in survival. For her, the quilt is a form of cover. Also, that fact that this dialogue is coming from Dee shows that Dee is very inconsiderate of other’s feelings and disrespectful to her sister, and rudely snatches the quilt for the purpose to “ ‘hang them’ ” (82). The reality that Dee wants to hang the quilt shows that Dee would want the quilt for the purpose of decoration. This shows her value of tradition, which she believes should be showcased, rather than lived. It also tells that audience, as stated earlier, that Dee prioritizes fashion and showcasing. Another example of Maggie being a foil is that Maggie is a character that “stand[s] helplessly in the corners, homely, and ashamed” (77). This uncovers the lack of confidence in Maggie, who is still not completely over the trauma of her house burning down. Maggie is a character who is defeated and ashamed of herself, clearly lacking self esteem. Because of this, the audience starts to sympathize for Maggie, who has lost herself somewhere in the fire that burned down their house. This is the exact opposite of Dee herself, who is “determined to stare down any disaster in her efforts” (79). This
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
To begin with a quilt is defined as a “coverlet made of scrapes and fragments stitched together to forming a pattern” (Webster). The quilt in “Everyday Use” was made by Grandma Dee, Big Dee, and Mama from scraps of dresses and shirts and part of Grandpa’s Civil War uniform. It is filled with memories and was hand stitched by the family. Mama suggests that Dee take other ones, but Dee rejects the offer because they were “stitched by machine”(Walker, p.114) and the old ones were done by hand. Mama says that she had promised them to Maggie. Dee then replies that Maggie would “be backward enough to put them to everyday use” (Walker,p.114). Mama says she hope Maggie will use them every day. This begins what is means to use and misuse heritage.
In a critique titled “Patches: Quilt and Community in Alice Walker’s ‘Everyday Use’” (Short Story Criticism: Excerpts from Criticism of the Works of Short Fiction Writers, 1990), the authors reveal that tradition and the explanation of holiness were key elements throughout the story. The writers began the analysis by discussing the significance of a quilt; a quilt is a complete piece of artwork that is essentially made up of fragments. These patchwork quilts, when effectively put together, exposed a way of life. The Africans traditional way of life was one of sacredness and usefulness. By using scraps from old clothes they were able to create a masterpiece that could be passed down from one generation to the next. The title “Everyday Use” implies that quilts, while they may be priceless heirlooms, are also made to function.
exactly what's going on and begins to resent Wangero even more. The quilts themselves are symbols in the story, interpreted in different ways, by the narrator, the author, the reader, and Wangero. Again, Walker uses the narrator's simplicity to her advantage. While Wangero sees the quilts as a symbol of her heritage, the narrator. sees them only literally, as blankets to be used, not saved for. cultural posterity.
Alice Walker’s Everyday Use has the dedication, “For Your Grandmama” (Walker 933). At first it is not clear why Walker has added this dedication until the reader gets to the end. The story is about a woman and her two daughters, Maggie and Dee. In this story Maggie is Walker. When Walker was eight she suffered and injury that left scar tissue, “This made me shy and timid, and I often reacted to insults and slights that were not intended” (Editors). Maggie is painfully shy because when their previous house burned down she was burned and now has scars that she is ashamed of. Dee is headstrong and is not satisfied with the simple life that she and her mother and sister have. Dee has moved away, but now is coming for a visit and bringing a gentleman that Mama is not sure is Dee’s husband. While Dee was gone she has tried to rid herself of her past and transformed herself into the woman she thinks she should be. After they all have dinner she starts going through the house wanting to take items to decorate her own home with. When she attempts to claim two quilts Maggie gets upset and hides. These quilts were made by their mother and aunt with some tops that their grandma had pieced together before she died. Dee wants these quilts to hang in her home, but mama has already promised them to Maggie when she gets married. Dee is appalled because she knows that Maggie with use them for everyday use and they will fall apart. Then, “something hit me in the top of my head and ran down to the soles of my feet” (Walker 939) Mama puts her foot down and does not let Dee take the quilts, because she knows that Maggie will appreciate them more because she learned to quilt from her grandmother and aunt. Dee thinks that to honor the past she has to put these things on display and not use them, whereas, Mama and Maggie know that to use them with love is a better way of honoring their
Walker's view is very clear at the end of the story. By Dee wanting to hang the family heirloom on the wall to look at from a distance, she is alienating herself from her family heritage. That is exactly what Walker thinks is the wrong thing to do. Walker would prefer the quilts to be used and integrated into daily life, like Maggie and her mother prefer. The same idea applies to all of the other household items that Dee has her eye on: the churn top, the dasher, and the benches for the table that her daddy made. They all are a part of life for Maggie and her mother. Walker believes that the only value that they hold for Dee is that they would be good trinkets to show off in her house. By using the quilts in this symbolic way, Walker is making the point that family heirlooms can only have meaning if they remain connected to the culture they sprang from - in essence, to be put to "Everyday Use."
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
Walker conveys the theme of respecting the quilts by using the characterization of Mama and Dee and the symbolism of the quilts. Dee (Wangero) had just found the quilt and is appreciating it with Mama. ¨...said Wangero. ´These are all pieces of dresses Grandma used to wear. She did all this stitching by hand. Imag´ ine!´ … ´Some of the pieces, like those lavender ones, come from old clothes her mother handed down to her´, I said.¨ (7). Mama and Dee both are observing the quilts,
Each person is a quilt. Aspects of our lives are stitched together into a unique patchwork masterpiece. When tribulation causes tears in our quilts, we can mend ourselves with any fabric or thread of our choosing. Some people’s quilts are a combination of colorful patterns and elaborate stitch work, others live in black and white. Every unique characteristic that makes us ourselves is sewn into our quilts. The people that surround me have woven themselves into the pattern of my life.