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Impact of World War II
Impact of World War II
Impact on society of world war 2
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Musicians and composers during World War II
Music is loved by nearly everyone around the world; learning about composers and what they have been through can develop your understanding of music today. World War II certainly helped sculpt the face of music and of the composers of that time. The war affected German, American and French composers and musicians; causing them to write hateful music, or live with fear of writing any music at all.
While many countries in Europe were celebrating the freedom to listen to any music they wanted, the Nazi Party was taking over Germany. The music that was listened to in Germany had to be approved by the Nazis. According to Adolf Hitler good German music was that of Beethoven, Wagner and Bruckner. Out of the three composers, Richard Wagner was Hitler’s favorite. He would have his music performed at functions and rallies for the Nazi Party. Wagner’s music was loved, but even more so, his political views were very much liked by Hitler (“Nazi Approved Music”). Wagner wrote a booklet called “Das Judebthum in die Musik” translated: Judaism in Music. It talks about his feeling towards Jewish people, and how he believes that they ruin the arts to everyone in the public (“‘Degenerate’ Music”). The Nazis seemed to have lost the true meaning of music and made other lose it as well. Hans Pfitzner said that the best thing about Wagner’s music was that it was German; Gustav Mhaler responded saying, “All great artists leave their
Nichols 2 nationality behind and strive to produce a masterpiece.” Bruckner also had a great German backgroun...
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... in Vienna, which was directed by Joseph Goebbels, who was one of Hitler’s closest associates. When he got back from the festival, he wrote about how much loved the German music, which the other members of Les Six did not like. Honegger was in a position where he was confused as to what he believed, and he was in the middle of it all, which definitely affected his music (Fancourt).
Nichols 6
World War II caused much pain for German, American and French composers and musicians, but also made the music what it is. Although it is sad and hard to listen to, it is still beautiful art and music. Only knowing what the composers and the musicians went through, and their story, can help you understand and appreciate their music.
Not a doom laden, emphatically political treatise on the reunification of East and West Germany but a touching and sometimes comedic insight into the gargantuan changes impacting on the small scale, day to day life as experienced by an East German family, Christiane Kerner and her two children Alex and Ariane. Awaking from a coma, Alex fears his mother?s condition may worsen if she learns of re-unification, going to increasingly elaborate lengths in maintaining the illusion of the GDR's omniscience. Becker?s stance as to reunification is ambivalent throughout, the film's concerns not didactic but subtly relayed. How the personal and political interweave is skilfully constructed by Becker,...
In this essay I am going to explore the unique collaboration between director and composer and how much a long-term collaborative process between the two can influence the establishment of the former as an author. An author, in this case, stands for an authority actively shaping the film’s story and message but at the same can be understood as an author of music, I will try to consider both factors. In this process I want to begin with filmmaker’s general relationship to music, then while answering the main question I will give examples of the European collaboration of Theo Angelopoulos and Eleni Karaindrou, focusing on their approach of using music in new ways, as well as examples from the more known collaborations between Alfred Hitchcock and Bernard Herrmann and David Cronenberg’s collaboration with Howard Shore. Furthermore, I am going to include conclusions from my personal experience I have had with my friend and director Nuno Miguel Wong. Concurrently this Essay is not an analysis of the music in the films of the above-mentioned collaborations, but rather focuses on their distinct working relationship and how it might have affected their musical approach and productivity.
During the 1960s and the early 1970s, music reflected the political and social changes that America was undergoing at the time. Some of these major changes included the African-American civil rights movement and the conflict over America’s role in the Vietnam War. During these hard times, people turned to music for hope, peace, happiness and answers.
To the persistent individual, though, there is a body of music in existence that merits regard. It is powerful music written by the youth of America, youngsters who did have a stake in the Vietnam War. There can be little question about the origins of the power which American protest music conveyed: those who wrote such music lived each day with the real knowledge that they were losing friends in, and could possibly be forced themselves to go to, Vietnam. One such group, Creedence Clearwater Revival, made its contribution to this genre near the end of the Vietnam War.
Jazz went to war, too, and would serve to remind men and woman of home. On the home front, the music industry found itself struggling once again. Black-outs and late-night curfews darkened some nightclubs and dance halls. “The rationing of rubber and gasoline eventually drove most band buses off the roads, and the draft stole away good musicians... At one point during the fighting there were 39 band leaders in the army… Glen Miller, whose infectious hits like “In the Mood” epitomized the war years, disbanded his own hugely successful [jazz] orchestra, enlisted, and formed an all-star air force unit that some believe was the best band he ever had – and died in 1944 when his airplane disappeared over the English channel.” With the capitol of many bandleaders declining, and so musicians being drafted, or enlisting, it became inevitable that in order to progress, the jazz ensemble would have to become smaller. Musicians that were not enlisted, but out of work, began to meet up at local clubs and perform, and were often unpaid, but happy to at least be able to play with other musicians.
It seems strange that Carl Orff would be forgiven since he played an active role in the Nazi Party. It’s even stated that one of his great works “Carmina Burana” was composed for the Nazi leaders (Eylon). I feel the main reason why Carl Orff may have been forgiven is although he was asked to rewrite “A Midsummers Night Dream” and, agreed he never did (Eylon). The Nazi’s were trying remove the composers name because he was Jewish, Mendelssohn. It can be easier to forgive something that is not actually done even if it is said that it will be where as Wagner hurt himself by writing criticizing articles about the Jewish people and Artist. Wagner’s pieces were never composed for Nazi leaders but, the ideas of his writing stayed with him. Which
If one were to look back into the world’s history, one would find that an important and consistent element is the world of music. Music has presented itself in various forms throughout its spread and through our identification of its magical realm, people have been fortunate enough to come across a means of relation. Whether it is blues and reggae or rap and pop rock, there is music out there for everyone. Music can serve as a stabilizer for some, a relaxant to others, and to many a form of inspiration.
Throughout time, music has been an influential part of society. As a form of entertainment and expression, its impact has always been felt both economically and emotionally. During the Vietnam war, music evolved into more a form of expression rather than pure entertainment. Emotionally charged songs became a method to oppose the war, and vent frustrations. While many songs opposed the war, numerous others focused on peace and happiness. They provided a positive perspective in an otherwise depressing time. Along with incorporating passion into music, cultural diversity increased in music greatly. Black artists became progressively more popular and accepted in the musical scene. This respect carried over to society slowly but surely. During the Vietnam war, music played a crucial role in the societal evolution into a state where emotions fueled actions, more emphasis was put on equality, all opinions counted.
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
My composer, Steve Reich, has written and continues to write contemporary, minimalist, vocal, and tape pieces. His pieces these pieces have been influenced not only by what he has encountered, but the music he had composed has influenced many others composer similar to him (Service). In this paper I will give a short biography of Reich that includes the many different places that he studied, what influenced his not so ordinary music styles, and what made him who he is today. I will also talk about his composition styles, which are different from many others, what influenced them, and what types of music her produced. Lastly, I will give my evaluation of one of his several world-renowned compositions.
Reich, Steve. Writings about Music. Halifax: Nova Scotia Coll.of Art & Design P., 1974. Print.
Richard Wagner has been touted as one of the most influential composers of the nineteenth century. However, he is also one of the most controversial. Throughout his life and even in his music, Wagner exhibited clear anti-Semitic tendencies. His beliefs, and the way that they became manifested in his music, writing, and his very life have had a profound impact on the course of history, and particularly on the persecution of the Jews by the Nazi party.
George Gershwin was one of America's most well-known composers and respected pianists that introduced the sounds of Broadway and Hollywood together. He coordinated the elements of classical music style and the robust sounds of American jazz; Gershwin created a musical style that made the music of jazz acceptable to the classical listeners, and brought in American music into the mix. “Gershwin wrote mainly for the Broadway musical theatre.” He blended, in different variations, techniques and forms of classical music with the stylistic hints and techniques of popular music and jazz.
World War I had a major influence on the development of Modernism in literature and art by great artists depicting catastrophe into beautiful art form.
The 20th century was an extremely rich period for the arts, including music. Artists pursued new means of expression, and many musical artwork including compositions caused euphoria among the critics and audiences because of their innovative character. Modernism replaced the romanticized aesthetics of the 19th century and composers ventured to discover new sonorities, forms, organizational systems, rhythms and instruments. Luciano Berio was born in the midst of this cultural whirlwind which was taking place between both World Wars. The Italian composer whose career flourished after World War II in the United States had contact with the most prominent composers of his time such as Dallapiccola, Boulez, Stockhausen, Ligeti, Posseur and Cage.