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Communism in the us during the cold war
Globalization and culture of ghana
Communism in the us during the cold war
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Colonialism by Another Name?
The U.S. Government’s Ideological War Against Communism Resulted in Western Propaganda and Colonialism
During the Cold War, the U.S. government’s persistent campaign of westernization, in an effort to impede the proliferation of communism, influenced the John F. Kennedy administration’s decision to deploy the Peace Corps in Ghana; in addition, mainstream cinema adopted both subtle and overt anti-communism and pro-western stances. The U.S. government posited the domino theory, the theory posing if a country becomes communistic, the surrounding countries will adopt communism, to justify colonial practices. In the context of western propaganda against communism, Christina Klein’s “Musical Modernization: The King
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According to Klein, the King of Siam is portrayed as a “‘backward’” character, due to his dictatorial regime; whereas, Anna Leonowens, a teacher from the U.S., is a defender of “a non-western community from [the] political tyranny” of the King and she “sets [Siam] in the road to progress and democracy” by utilizing “Americanized leadership.”5 Klein asserts the overarching message is what she calls “sentimental modernization,” which essentially presents colonialism positively by not “exterminating backward peoples through savage war,” and instead using education to influence the ideas of “backward” people.6 As an example of “sentimental modernization,”7 the describes the Anna’s lessons as “teach[ing] the children Western social rituals so that they may behave as Westerners.”8 Klein concludes that the musical number “Shall We Dance?” overwhelming emphasizes the pro-western stance by concluding with the “toppling [of] a head of state;” Klein sardonically adds, “her polka kills the King.”9 Following the King’s death, his son, Chulalongkorn, takes the thrown; Chulalongkorn is “an indigenous leader sympathetic to the West,” essential a puppet for western colonial interest.10 In conclusion, Klein successfully contents the message of The King and I is to “suggest power …show more content…
with an opportunity for insertion into the African continent to prevent communism.12 Hoffman’s article about the Peace Corps in Ghana lacks a clear thesis statement, and acts of propaganda for the Peace Corps. According to Hoffman, Nkrumah’s admiration for the American education system influenced his accepting support of the Peace Corps mission to partake in the westernized education of Ghanaians.13 “[O]n August 30, 1961,” the first Peace Corps volunteers arrive in Ghana, and Hoffman recounts the awkward yet sentimental moment in which the young Americans sing the national anthem of Ghana (“Yen Ara Asaara Ni”), in Twi, in a show of solidarity and camaraderie.14 Hoffman portrays Nkrumah as devolving into a dictator with paranoid suspicions about the Peace Corps being “a front for the Central Intelligence Agency;” however, Nkrumah continued to permit the Corps actions in the country, with the exception of teaching history and English, potentially methods of subverting the Ghanaian government.15 In the end, “approximately 675,000 Ghanaians had American teachers,” who emphasized American ideas, “between 1961 and 1991,” which is 5 percent” of Ghana’s population.16 Overall, Hoffman takes a favorable tone towards the efforts and successes of the Peace Corps in Ghana while ultimately
“Music expresses that which cannot be put into words and that which cannot remain silent (Hugo, 2007).”Whether you grew up in the Roaring 20’s or in the Disco 70’s, music was a strong source of fun and entertainment. It is an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. If you ever heard the phrase “Do the Hustle” you would most likely be referring to the disco era of the 1970’s compared to the “jazz age” of the 1920’s. Both eras with their common and uncommon comparisons made a historical and unforgettable impact on today’s music.
Post-colonialism is a discourse draped in history. In one point in time or another, European colonialism dominated most non-European lands since the end of the Renaissance. Naturally, colonialists depicted the cultures of non-Europeans incorrectly and inferior. Traditionally, the canon has misappropriated and misrepresented these cultures, but also the Western academia has yet to teach us the valuable and basic lessons that allow true representations to develop. Partly in response, Post-colonialism arose. Though this term is a broad one, Post-colonialists generally agree on certain key principles. They understand that colonialism exploits the dominated people or country in one way or another, evoking inequalities. Examples of past inequalities include “genocide, economic exploitation, cultural decimation and political exclusion…” (Loomba 9-10). They abhor traditional colonialism but also believe that every people, through the context of their own cultures, have something to contribute to our understanding of human nature (Loomba 1-20). This is the theme that Lewis prescribes in his, self described, “satirical fantasy”, Out of the Silent Planet (Of Other 77).
Imperialism is defined as a policy to dominant other countries and rule them. Then, these new colonies surrender their markets, industries, and resources to their invaders. “US imperialism, supported by US politicians, was intended to bring profits to US manufacturers (capitalists)…” (lecture4-p13). Although the period of 1890-1910 is usually known as “the age of the US imperialism”, the US imperialism is not limited to that era. Overseas imperialism began during 1890-1910 with the invasion of Hawaii, Cuba, Puerto Rico, and the Philippines, which was an attempt to expand the American’s territory to reach natural resources such as minerals, timber, oil, and land. These new territories could also provide corporations with cheap workers and military bases. There have been numerous other examples of the US imperialism. Starting from North America, the US government took over the Pacific Ocean and found its way into Asia. “A State Department list... shows 103 interventions in the affairs of other countries between 1798 and 1895” (Zinn-12), including Argentina, Uruguay, China, Angola, Nicaragua, and Japan to protect American’s interests in those countries. The same motivation was pursued in attacking Vietnam. According to Zinn, the main reason of the US intervention in WWII was to follow its imperial interests. “For those interests, in the thirties, an anti-Soviet
Duong’s novel depicts a Vietnam caught up from the 1950’s through the 1980’s in turmoil and chaos. Many of the ‘land owning class’ were forced to flee their homeland or were sentenced to forced labour camps, this is shown in the novel through the characters Aunt Tam and her brother Ton, both dispossessed of their property. Through Paradise of the Blind Duong is able to personalise the struggles of the working class during these times of political change and criticise the Vietnamese government, “Their fate hung from a thread; and just as an overripe fruit hangs from a branch, they could fall at any moment.” The comparison made between one’s fate and an overripe fruit that could fall at any moment depicts the power that the government had over the people and the many injustices that can occur. Despite doing no wrong, their social class is enough for them to be considered the enemy. This mirrors the lives of the Untouchables in The God of Small Things, namely Velutha whose future is determined by his social status. Duong adopts many differing literary techniques to criticise the actions of the Vietnamese government during the 1950s, “You say our dances are decadent. But haven’t you done some dancing yourself? Invisible dances, infinitely more decadent than ours.” Here Duong compares western style dance and music to the fraudulent actions of
Colonialism as defined by OED (2013 p.217) refers to “the policy or practice of acquiring full or partial political control over another country, occupying it with settlers, and exploiting it economically.” Therefore, post-colonialism is sometimes assumed to refer to “after colonialism” or “after-independence” (Ashcroft et al. 12) describing the wide range of social, cultural and political events arising specifically from the decline and fall of European colonialism that took place after World War II (McEwan 2009, p.18)
Music is loved by nearly everyone around the world; learning about composers and what they have been through can develop your understanding of music today. World War II certainly helped sculpt the face of music and of the composers of that time. The war affected German, American and French composers and musicians; causing them to write hateful music, or live with fear of writing any music at all.
Soul had a great cultural impact on the music industry during the 1960's, especially considering that record labels such as Motown, Stax, and Fame had several important soul artists under contract. While Motown was considered by some to be a more restrained (pop) type of soul, musicians such as Marvin Gaye and Stevie Wonder and groups such as the Supremes and the Temptations released many successful records in combination. Both Stax and Fame Records decided to take a different approach, and many of the tracks issued out of their respective studios were of a grittier, southern soul style, which some consider to be more true to the roots of African American culture. Some southern soul musicians include Otis Redding, Wilson Pickett, and Aretha Franklin. During the civil rights movement and more so after Martin Luther King was assassinated, some soul artists began incorporating a "black power" element within their music. For example, take James Brown's single "Say It Loud, I'm Black and Proud".
Music has helped provided us with ways to express human emotion and take us to another place. As time has progressed music has evolved, changing styles of music and creating a wide range of genres. Transforming for many decades, music has been able to speak the language of generations from generations. Aside from their music, dress and fashion, parental and social expectations were different in fifties teen lives as well. In this essay I will discuss the decade of a teen from the fifties as compared to modern day teens, and the message they both deliver on society.
Imperialism is the policy of a state aiming at establishing control beyond its borders over people unwilling to except such control. Because of this unwillingness imperialist policy always involves the use of power against its victims. It has therefore often been considered morally reprehensive, and the term has been employed in international propaganda to discredit an opponent’s policy. In the Nineteenth Century America, this was conveyed as the awakening of economic and political values. Principally, the goal was to seize the market of raw materials for its cultural gains and to create dominion by appealing to a wide range of people. Even though the import business is an important source of capital and worldwide gain, it also is the main factor in separating classes of people from their moral and traditional values. For this purpose, the Anti-Imperialist was formed in 1899 to neutralize the economic and political views of the Imperialists. Even though Anti-Imperialists are against domination, American Imperialism was widely accepted because imperialists viewed expansionism and foreign trade as the solution to military empowerment, cultural superiority, and the accumulation of new markets.
Music has continued to change throughout each decade, but the 1960s was the most influential decade in the history of music. Starting in the early 1950s, rock music was first introduced. Major record labels were releasing new “cover songs” which were originally made by black artist, but now by white artist (Rock and Roll). These cover songs changed a few lyrics from the original songs to avoid copyright issues and to also make the song more appropriate for the white listeners. The biggest star of the 1950s was Elvis Presley, who was known as the “King of rock n’ roll”.
New imperialism was the mid nineteenth and twentieth centuries cultural equivalent to a modern day mafia, its roots entangled in the economic, cultural, and humanistic aspects of life. The sole objective of the nations entailed the exploitation of their controlled state. Gestating from the change in control of Asian and African nations to the Europeans by means of political deviance, malicious sieges, and strategic military attacks. The juxtaposition to the modern equivalent endures as the aforesaid is sheltered by the fairytale that these nations were in need of aid and by doing so the Europeans were the good guys. The ideas of new imperialism are greatly influenced by those of the enlightenment. Taking place during the eighteenth and nineteenth centuries the enlightenment was an intellectual movement with the goal of social progress (Genova, 1/11). Armed with scientific thought and reason, enlightenment thinkers set out to explore the fields of science, economics, and human nature. Brilliant minds such as Voltaire, Kant and others all across Western Europe collaborated to further knowledge. The enlightenment laid the foundation on which new imperialism sprung, embedding the ideas of an incessant need to explore not only the scientific world but the physical world as well. The enlightenments goals and ideas significantly influenced new imperialism, because the enlightenment created a need for new means and a purpose to accrue them.
This method of understanding imperialism that contrasts with the traditional ideas provides a much more complete understanding of not only European imperialists in the 19th and 20th centuries, but of the concept of imperialism as a
This essay will be about a comparative study of the representation of colonialism as a positive or negative force. The texts that are being used are my core text ‘Heart of Darkness’ by Joseph Conrad and ‘Collected Poems’ by Rudyard Kipling. The partner text will be ‘Swami and Friends’ by R. K. Narayan.
Music can often be very influential towards people’s emotions and can be used anywhere in the world as a means of expressing an individual or groups thoughts and emotions, which can quickly spread throughout the masses, making it a very efficient way of influencing people’s opinions and as a result, an extremely effective method of conveying the artist’s political views. Music has been used as a political tool for a variety of different societies at different points in history, and each use different methods, some of which we will discuss further in this paper. Throughout time, in some cases as far back as 428 B.C.E with the philosopher Plato, music is recognized as an influential political tool and was used to educate the younger members of
Colonialism was a concept of superiority of one territory over another; it was a concept that originated centuries ago. Colonialism had been put into action throughout a long line of history and did not end after World War II in 1945. Even with resistance and efforts from independent states after the war, colonialism did not disappear and continued as a dominant system. It remained and changed its form, resulted in the process of globalization, which continued to control over newly independent states following World War II. Globalization, a form of colonialism, maintained power for the system over states or regions through economic terms with the development of the World Bank, and its derivation of structural adjustments. This financial institution was formed and contributed to colonialism; it assisted in the economic affairs of colonized nation(s). Along with class, professor Manfred B. Steger's book, Globalization: A Very Short Introduction, and I.B. Logan and Kidane Mengisteab's article, "IMF – World Bank Adjustment and Structural Transformation in Sub-Saharan Africa," discussed the indirect rule of colonial powers through globalization.