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Evolution of rap music and its effect on society
Evolution of rap music and its effect on society
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An Analysis of the Rap Song, Put it On
While on a recent carefree jaunt throughout Harlem, I was introduced to the lyrical genius of one “Big L.” As is common of all true artists, Mr. L passed before his time, but not without a legacy. You see, it is the will of the Almighty Himself that I elucidate the meaning of Mr. L’s first major work, “Put it On,” in order for it to be made accessible to the common man and the upper crust alike, so that this truly majestic piece may live for eternity in the bosom of humankind. To this end, I have composed a line-for-line translation of the complex, sophisticated diction, which, I expect, will henceforth serve as the standard through which all scholars will study this master of the English language.
Verse One
Ayo you better flee, hops, or get your head thrown three blocks.
L keep rappers’ hearts pumpin’ like Reeboks.
And every year I gain clout and my name sprout.
Some brothers would still be virgins if crack never came out.
I got the wild style, always been a foul child
My guns go boom-boom, and your guns go pow-pow.
I'm known to have a hottie open, I keep the shottie smokin,’
Front and get half the bones in your body broken.
And when it comes to getting’ nookie I'm not a rookie-
I got girls that make that chick Toni Braxton look like Whoopie.
I run with sturdy cliques, I'm never hittin’ dirty chicks,
Got thirty-five bodies, buddy, don't make it thirty-six.
Step to this, you're good as gone. Word is bond.
I leave mics torn when I put it on.
Summary: This verse serves to make a strong impression of Mr. L. We first learn that he is not to be toyed with. Big then threatens his opponents, speaks briefly about his fondness for firearms, and draws attention to his sex appeal. As for a more detailed analysis of the verse:
Ayo you better flee, hops, or get your head thrown three blocks.
L keep rappers’ hearts pumpin’ like Reeboks.
Greetings. You had better take flight, my good man, or else you will receive a wallop - for I am to be feared.
And every year I gain clout and my name sprout.
Some brothers would still be virgins if crack never came out.
I strengthen my fame on an annual basis. Hence, my name becomes increasingly better known with time. Incidentally, a number of black men would still have not had sexual relations with women, had it not been for the advent of crack cocaine.
The Black Power Mixtape 1967-1975 is a documentary film, directed by Goran Hugo Olsson with footage compiled by multiple Swedish filmmakers and journalists. The film provides an alternate and compelling view of America during the Black Power Movement—from 1967-1975. All the footage is from 1967-1975 and features iconic black figures, such as Stokely Carmichael, Angela Davis, Huey P. Newton, Eldridge Cleaver and other activists, artists, and leaders pivotal to the movement. Commentary is provided by black figures from the past and present. The film documents a plethora of issues associated with the Black Power Movement including the anti-Vietnam war efforts, the Black Panther Party, and the War or Drugs—and features the aforementioned black
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
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