Analysis of Leroi Jones' A Poem Some People Will Have To Understand
There is an implied threat in "A Poem Some People Will Have To Understand" by Leroi Jones. Ostensibly, there is no intimidation. The poem is confessional, even reflective; the theme is one of mutability and change. However, there is something frightening and ominous in Jones1 vision, which he creates through attention to word choice and structure.
Jones' warning is immediately evident in the title through his manipulation of words. The phrase "have to" has two meanings. One the one hand, "have to" is an innocuous statement of the alliance Jones expects to find among his Afro-American readers--these people will "have to" understand the poem because it speaks to their individual, personal lives. On the other hand, there is a more sinister connotation in "have to"--the idea that others will "have to" understand this poem because they will be forced to do so.
Beyond the title, Jones creates a forbidding speaker--a man at a crossroads, or rather, at a moment of decision. However, the structure of the first stanza is direct and conservative, almost prosaic. Jones gives us nothing that is revolutionary here. Instead, he lays the groundwork for this piece with the gloomy initial images of "(d)ull unwashed windows of eyes"(1). These eyes are no doubt those of the speaker, and they have been dulled and dirtied by his existence as a black man in the post-segregation 1960s. The "industry" he mentions in lines 2 and 3 is both the industry of the American machine that exploits the underprivileged, and the industry he "practice(s)." The speaker is a self-professed "slick / colored boy, 12 miles from his / home" who practices "no industry" (35). By "...
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...The promised "phenomenon" has not come, and it is now up to him to bring it about through violence. Jones does not allow the speaker to lose any of his charm as he politely invites his "machinegunners"--the tools of his new industry--to "please step forward" (26). He is a hustler to the end, a smooth-talker who is now at home in his new ego and his new profession.
Jones employs the dynamics of change to his speaker throughout the poem. From an aimless vagrant to a passionate revolutionary, Jones plots his speaker's course using specific words and structural techniques. Through these elements, we witness the evolution of a new black man--one who is not content with the passivity of his earlier spiritual leaders. We are left with a threat--a steel fist in a velvet glove of poetry--and it becomes a poem that we "have to" understand, whether we want to or not.
The document I chose was Document 19-1 titled ‘A Textile Worker Explains the Labor Market’. This document is the testimony of Thomas O’Donnell given before the U.S. Senate Committee on Relations between Labor and Capital in the year 1885. O’Donnell speaks about what it’s like to be a labor worker in the 1880s to a committee so they could better understand the relationship between labor and capital. The Gilded Age saw the rise of industrialism and great economic growth in the United States. But true to its title, the Gilded Age was only plated with gold but inward filled with corruption and poverty. What meant great success for some, meant lack of job security and financial hardship for the working class Americans. This document really depicts what it’s like being on the working end of these companies seeking to industrialize.
He does this again in part two: frontiers of enterprise. In chapter eight of part two he discusses two different enterprises that did not occur in the same time period but both affected a large number of people who were wealthy and poor. The enterprises were the Union Pacific Railroad company and the industry that was created when the South was being rebuilt. The connections made allows readers to create a mental timeline of events in history that impacted the growth of capitalism which affected the American democratic
It did not matter if a laborer lost a finger, the only thing that mattered to the businessmen was making more money. This was how life was working in the factory and it shows that the industries are taking advantage of the immigrants and forcing the less fortunate to work in deplorable circumstances.
James Baldwin was born in Harlem in a time where his African American decent was enough to put more challenges in front of him than the average (white) American boy faced. His father was a part of the first generation of free black men. He was a bitter, overbearing, paranoid preacher who refused change and hated the white man. Despite of his father, his color, and his lack of education, James Baldwin grew up to be a respected author of essays, plays, and novels. While claiming that he was one of the best writers of the era could be argued either way, it is hard to argue the fact that he was indeed one of the most well-known authors of the time. One of his intriguing skills as a writer is his ability to intertwine narration and analysis in his essays. James Baldwin mixes narration and analysis in his essays so well that coherence is never broken, and the subconscious is so tempted to agree with and relate to what he says, that if you don’t pay close attention, one will find himself agreeing with Baldwin, when he wasn’t even aware Baldwin was making a point. Physical placement of analytical arguments and analytical transitions, frequency and size of analytical arguments, and the language used within the analytical arguments are the keys to Baldwin’s graceful persuasion. Throughout this essay, I will be using Baldwin’s “Notes of a Native Son” for examples. “Notes of a Native Son” is an essay that Baldwin wrote which focuses primarily on his life around the time his father died, which also happens to be the same time his youngest brother was born.
The poem also focuses on what life was like in the sixties. It tells of black freedom marches in the South how they effected one family. It told of how our peace officers reacted to marches with clubs, hoses, guns, and jail. They were fierce and wild and a black child would be no match for them. The mother refused to let her child march in the wild streets of Birmingham and sent her to the safest place that no harm would become of her daughter.
The reader is first introduced to the idea of Douglass’s formation of identity outside the constraints of slavery before he or she even begins reading the narrative. By viewing the title page and reading the words “The Narrative of the Life of Frederick Douglass, An American Slave, written by himself” the reader sees the advancement Douglass made from a dependent slave to an independent author (Stone 134). As a slave, he was forbidden a voice with which he might speak out against slavery. Furthermore, the traditional roles of slavery would have had him uneducated—unable to read and incapable of writing. However, by examining the full meaning of the title page, the reader is introduced to Douglass’s refusal to adhere to the slave role of uneducated and voiceless. Thus, even before reading the work, the reader knows that Douglass will show “how a slave was made a man” through “speaking out—the symbolic act of self-definition” (Stone 135).
This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality, only to find out that at this time equality for blacks does not exist. It is written for fellow black men, in an effort to make them understand that the American dream is not something to abandon hope in, but something to fight for. The struggle of putting up with the racist mistreatment is evident even in the first four lines:
These constant feelings of discontent, and annoyance were seen frequently by African Americans who suffered from injustice acts from the white majority during these times. Many of the poems written during this time showed some sort of historical reference of maltreatment, or inequality. For years, African Americans were not allowed to have a voice, and if they did they wen’t unheard. However, when poems got published, the deep emotion, and rage that African Americans lived through for many years was released to the public, and shocked a majority of people when they quickly became influential to society.
Throughout Douglass’ autobiography, readers grapple with the rise and creation of slavery as a racial formation but also witness the distinct features that detail its crumbling for the near future. It is a process that offers a linkage between structure and racial representation. Douglass touches base that “it was not color, but crime, not God, but man, that afforded the true explanation of the existence of slavery” (69). He already knows that the slave masters are the individuals who developed this categorization of race and embedded into the societal perception of today. Omi and Winant attempt to give an outline in their piece on the foundations of racial meaning. In other words, it was man who decided to develop distinct characteristics to separate individuals into inferior and superior. Douglass states that “what man can make, men can unmake” (69). In other words, Douglass does not see himself as any different than his peers and instead focuses on the theorizing of resistance in literature. The power of knowledge
Langston Hughes, a renowned poet from the early 1900s, has written numerous poems that have various themes and meanings. Although a lot of his poetry has to do with the struggles of African Americans during the time of slavery or during the early 1900s, Langston Hughes’ themes differ from poem to poem. One theme that appears in multiple poems of his is the theme of race, Langston Hughes uses the theme of race in his poems as a way to challenge the racial barriers that are placed on society. The theme of race is discussed in a plethora of his poems and it is important to examine a few of these poems which include, “I too, sing America”, “Theme for English b”, and “Let America be America Again”, to point out that Hughes tries to implement the sense of hope into African Americans of the time, also he uses race as a way to provide a focus on the oppression of slaves.
Have you ever woken up feeling like you’ve been to the end of the world and back, yet never left your bed? Or maybe you might have had all your worst fears realized when you were asleep? In that case, you were probably dreaming. Dreams are a “series of images, ideas, emotions, and sensations occurring involuntarily in the mind during certain stages of sleep” (The American Heritage High School Dictionary, 2004). Everyone has about three to seven dreams a night, but it has been estimated that we forget up to 95 percent of them ( Stevens 2011). Although no one really knows why we dream every night, it’s more likely than not a way for our brain to help us solve problems.
This poem represents the resiliency of the African American spirit, Although African Americans were enslaved, overworked and victimize the speaker is still proud to be a “Negro.” The speaker wanted to be the voice that represented all the unfair and injustice experience African American endured. Most importantly he wanted to end the poem they way he started the poem… Proud to be a “Negro.”
Unlike the earlier era, in which they had received freedom but it was so new to them, and they truly didn’t understand what it meant to be a free group, they began to move into a time period where they were finding their voice, and “finding their freedom”. Instead of writing about becoming free, and wanting freedom, they begin to act free. They begin to prove they were free by giving off confident in their culture and in their work. In her writing she has many different subsections where she rebuttals the ideas pushed onto the African American race. She proves the stereotypes wrong using the truth. The first example is, under the section titled “originality” she wrote, “it has been said so often that the negro is lacking in originality that has almost become a gospel. Outward signs seem to bear this out. But if one looks closely its falsity is immediately evident.” and , “So if we look at it squarely, the Negro is a very original being. While he lives and moves in the midst of a white civilian, everything that he touches is re-interpreted for his own use. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country, just as he adapted to suit himself the sheik haircut made famous by Rudolph Valentino.” this passage shows how much she believes in her race. She isn’t asking for anything from anyone. She doesn’t beg for respect, acceptance, or freedom, she is telling them to treat them like they are free. This passage really exemplifies the theme of accepting themselves and their culture during this time period. The African Americans were able to begin to stand up for themselves and up against the falsely acclaimed stereotypes that have been made against them. During this time period they were recreating the culture that had been taken away from them. They were finding their voice through
The word dream has many meanings most people know dreams as events that play in people's minds that occur during sleep. The American Heritage® Stedman's Medical Dictionary describes it as, “A series of images, ideas, emotions, and sensations occurring involuntarily in the mind during certain stages of sleep.” In the ancient times, many civilizations thought of dreams as omens of the future, while others believed that their soul would travel (Rathus 158). Dreams are like movies they range in characters, the impossible can happen, and sometimes they are in black and white or seem to be in slow motion. Dreams occur mostly during the REM (rapid eye movement) stage of sleep. During this stag...
All of us dream, several times at night. It is believed by some that we sleep in order that we may dream. Dreams can come true if somebody makes them true, as the saying goes, “A dream is just a dream, unless you make it come true”. Dreams provide us the actual picture of our thoughts. Dreams may tell us about any physical event which took place with us or which is going to happen with us. The dream is trying to inform the dreamer about his condition in any walk of life. Basically, we can dream about anything logical or illogical, fictious or non-fictious and reasonable or unreasonable.