Lost Horizon, the movie, was never going to be a tough sell for the audience. After all, the book of the same name, written by James Hilton was a tremendous success. The mystical Shangri-La became a symbol and icon in American culture (so much so that President Roosevelt named a Presidential country retreat “Shangri-La”—this retreat was later renamed to Camp David) (“Camp David”). Frank Capra saw an opportunity and persuaded Columbia to purchase the rights for a movie. His challenge would be to create a film with the knowledge that the audience would have read the book, and to not disappoint them with his interpretation. The production was troubled, with Capra requiring many reshoots and going way over budget (the production was reported to …show more content…
The story would then be about a lost group who finds paradise and stays there. Arguably, not the most exciting film. Instead, the film seeds discontent and doubt in several characters as soon as they reach Shangri-La (the most prominent example is George Conway). Thus, Robert’s departure is made inevitable and a required scene of the film. Now, on paper, the scene isn’t hugely impressive. A large chunk is basically just Sondra shouting “BOB!” over and over again. Everything is left to Capra to interpret as he sees fit. Capra takes advantage of that and crafts an epic and engaging scene through lighting, shadows, a large set, and quick …show more content…
This occurs right after the first dramatic beat shift in the scene—Chang walks on to observe the trio leaving. Capra only shows Chang throughout the scene from two different angles: one high shot and one low shot (and one low shot that is slightly closer to Chang). Throughout the scene, Chang is backlit, with the foreground mostly dark and the background light but soft. He does not attempt to stop Robert and although one cannot really see Chang’s face, his silhouette still signals doom. He is the silent observer. The raven flying in the sky before a death. Chang is powerless to stop the plot and Capra shows this by putting a large set behind Chang. Shortly before Sondra runs on, Capra cuts to a truly wonderful shot of the silhouettes of Robert, George, and Maria far away from Shangri-La, while the procession of fire casts shadows all over the massive set. Why is there a procession in the first place? It’s not relevant to the story, but it adds visual drama to the scene and makes it far more affecting. The chase finally starts when Sondra rushes to Chang and learns of Robert’s departure. Interestingly, Sondra is dressed in white—a contrast to Robert. She is the light attempting to bring him back from the dark. She begins to chase after Robert, her dress billowing as she runs, shouting his name. The music builds each time she shouts through a sound montage and her anxiety audibly and visibly
Anyone can teach others from leading by example. Showing others what you can accomplish establishes confidence in others to try out their own dreams, wishes, and goals. A great example of leading by example is Gus, Clark, and Richie in the movie The Benchwarmers. These men meet Nelson, a stereotypical nerd that is bullied by baseball jocks every day just because he wants to play with them. This little boy inspires the men to show others that everyone should have the same opportunity to play baseball, no matter the skill level.
The film Sunset Boulevard, presented in 1950 is a black and white film. The film is about Norma Desmond an old actress, who has issues accepting that she is becoming old. The main actor in the film is Gloria Swanson, who plays Norma Desmond, an older woman who believes she is still young. Desmond is not content with the fact that Hollywood has replaced her with younger actresses. The next actor Nancy Olson, plays Betty Schaffer who falls in love with Gillis despite being engaged to his friend. The third actor is William Holden who plays as Joe Gillis, who has financial problems and decides to turn himself into a gigolo to earn money. The dilemma with Joe is he does not want Betty to know about his job because he knows he might lose Betty as
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
From the start, the movie is adapted from the novel and therefore it could not cover everything, some actions or acts in the novel are too dense such that it is not of any importance to angle them in the movie. It is very realistic to everyone that the movie cannot cover every single paragraph in the novel even the memorable ones. Some materials are left out in the film, and others were changed.
When novels are adapted for the cinema, directors and writers frequently make changes in the plot, setting, characterization and themes of the novel. Sometimes the changes are made in adaptations due to the distinctive interpretations of the novel, which involve personal views of the book and choices of elements to retain, reproduce, change or leave out. On the contrary, a film is not just an illustrated version of the novel; it is a totally different medium. When adapting the novel, the director has to leave out a number of things for the simple reason of time difference. Furthermore, other structures and techniques must be added to the film to enhance the beauty and impressions of it. Like a translator, the director wants to do some sort of fidelity to the original work and also create a new work of art in a different medium. Regardless of the differences in the two media, they also share a number of elements: they each tell stories about characters.
The film may have edited out one of the drastic details that made the novel’s success, explaining the film’s failure.
This section represents a tranquil interval. It is a summer evening in the country and he hears two shepherds piping. The tranquil moment of the quiet summer evening alone with the pastoral duet fills his heart with an unfamiliar calm. Suddenly she appears and her appearance causes an emotional response of sorrowful loneliness. The 4th movement: March to the Scaffold.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
...kindness towards Lucy. Prior to this scene the narrator, recalling this shot, questions if Cheng even remembers his initial purpose for coming to London. The color change acts as a visual realization of Cheng’s newly reinvigorated spirituality and Buddhist belief.
“The Mission” is based on a true story that occurred around the borderlands of Argentina, Paraguay and Brazil in the years 1750’s according to the film and history. The Treaty of Madrid of 1750 with the Spanish and Portuguese caused both havoc and death for the people of the Guarini and the members of the Jesuits. The Jesuits, members of the church, tried to bring Christianity and civilization to the natives while keeping at peace with Spain and Portugal. The Jesuits were the teachers for the natives; Teaching them not only the Christian religion but also civilization. Father Gabriel, a Jesuit, is first introduced in the film when he is showing his respects to a former Jesuit priest killed by the natives. He walks through the South American
As stated numerous times throughout this essay, movies must stay true to their book predecessor for full effect. Books are normally beautifully described and written, and help the reader visualize a completely new world. Most movies, not just The Book Thief, normally omit several
Movie Analysis of Titanic Directed by James Cameron The movie Titanic, directed by James Cameron, was a fictional story based on the true ship, Titanic. Cameron's movie was based on a love story; however, the focus of this paper will be on some of the differences between the two classes aboard the Titanic. This movie clearly portrayed how differently the first and second-class people were treated during the time of the Titanic. This can be related to many other times in American history when groups were segregated as well.
Interstellar, directed by Christopher Nolan, was a very complex and interesting sci-fi movie. This movie in particular has a lot of factors playing into the movie. Everyone is able to find their favorite part about the movie, and various people can watch this movie and connect with it. This movie came out in 2014, and shocked millions of people by its intense ending. Interstellar was awarded for best visual effects, and then nominated for many other things including, best original score, best sound mixing, and best sound effects which played a huge role in making the movie. The image and sound complement each other, but I thought that image dominated over sound because there were so many silent moments throughout the movie. I thought the plot
Adaptation of any kind has been a debate for many years. The debate on cinematic adaptations of literary works was for many years dominated by the questions of fidelity to the source and by the tendencies to prioritize the literary originals over their film versions (Whelehan, 2006). In the transference of a story from one form to another, there is the basic question of adherence to the source, of what can be lost (Stibetiu, 2001). There is also the question of what the filmmakers are being faithful to or is it the novel’s plot in every detail or the spirit of the original (Smith, 2016). These are only few query on the issue of fidelity in the film adaptation.