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Social classes of victorian england
Class related to status of women in 19th century England
Comparing Victorian clothing in the Victorian period and the Modern period
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The study of costume history not only tells us the information about the individuals that wear them, but also helps us understand their social mores and economic status. In her book, Lou Taylor examines the history of mourning wear and provides the readers an understanding of how material culture shaped and developed the practices of mourning. Although dated, it still offers a great detailed survey of the mourning costume and traditions. Lou Taylor is not only an author but also a dress historian, designer, and professor of Dress and Textile History at the University of Brighton. She is also a member of the Fashion and Textiles and Art History and Complementary Studies Boards of the Council for the National Academic Awards. Her interest …show more content…
Her research gives us the related issues involved with the development of the mourning culture, such as European funeral rituals, influence from the Royal court and its sumptuary laws. She also discusses the influence of mourning jewelry, colors, and the textile industry, which is mainly relating to the Victorian culture. Taylor goes into great detail when comparing the practices between the different social classes and how these practices made its way down the social ladder during the nineteenth-century, breaking social barriers between the different social classes. She uses historical examples, such as articles and newspapers of that era to back up researching and information about this …show more content…
The photographs she used in the book help heighten and illuminate text as well. This book is a great resource for those who are interested in Victorian mourning especially with her great research using material culture and its influence on the social strata, but could be used more as a reference book. Her credentials and research on this material is greatly shown by providing valuable literature on the history of mourning costume as well as providing the comparisons from different cultures. The construction flow of the book balances out with its organization when discussing the different time periods and
On the twenty-first of August, our Wearable History class took a trip to downtown Bowling Green, to visit Mosaic Confinement Studio. The studio had an old-fashioned vibe, and was like a vintage-garment haven. There, we were asked to choose a piece that we thought was vintage, identify the time period it actually came from, and also take some additional notes on the style and the garment’s details. After searching through multiple racks, the first piece I found was a lace blazer. It turned out to only be vintage-inspired, so I went searching again. I came across a few other pieces, but nothing was really jumping out at me. Eventually, I came across a lavender dress that immediately made me think of Julia Roberts in “Mystic Pizza”, and I knew I found my garment.
Perfect: adj. ˈpər-fikt 1. Entirely without any flaws, defects, or shortcomings, is the first definition you find on dictionary.com for the word (perfect). Is this actually possible to attain? Has anyone actually ever been perfect? Or is it all in the eye of the beholder? These questions are asked by almost every girl, as we dream to one day reach the unattainable. This is especially true at the tender age of fifteen, where nothing seems to be going right with our bodies and everything is changing in us. This poem stresses the fact that as everyone realizes how unrealistic this dream is, the knowledge makes no difference to the wish. Marisa de los Santos comments on this in her poem “Perfect Dress”. The use of verbose imagery, metaphors, and the simplistic approach are very effective in portraying the awkward adolescent stage of a young woman and the unrealistic dream of being perfect.
In the novel, Beauty by Robin Mc Kinley, the family of a wealthy merchant looses their wealth when the shipment boats get lost at sea. There are three daughters named Hope, Grace, and Honour, whom is nicknamed Beauty, and a father. The family is forced to move to the country and start a life more modest than accustomed. After the family adapts to country life, one of the older sisters gets married to an iron worker who used to work at the shipyard owned by the father. They have babies. Life goes on in the country.
In the story, the grandmother is more concerned with her outlook and pays a lot of details to her dress to make sure she is recognized as a woman, so that “anyone seeing her dead on...
Clothing style is dictated by three particular interests. First is popular fashion, which was most influenced by either the church or the rulers, as styles were copied from the ruling class, and, as they grew more and more extreme, criticized by the ecclesiastical element. Second is commercial interests. The strong merchant class will always know how to push the richest and most expensive materials into the mode. And thirdly is personal artistic expression. Fashion is dictated by many factors such as geography, time, and social and ethical standards. But superseding these is the influence of strong personalities, the brave people who will don the unthinkable, and in doing so, create the latest trend. Personal expression and creativity will only be found in the bravest, and usuall...
The idea of deep mourning was introduced by Queen Victoria upon the death of her husband, King Albert, who died of typhoid in 1861. At that time and for forty years after(the time of her death), the Queen mourned the loss of her beloved husband. She commanded her court to dress in mourning with her for the first three years post-mortem. Because of the Queen's extreme actions, the Victorians elected to mimic her ethics. After her death, the world came out of mourning and began to change fashion, which began the Edwardian Period.
Women in pictorial history have often been used as objects; figures that passively exist for visual consumption or as catalyst for male protagonists. Anne Hollander in her book Fabric of Vision takes the idea of women as objects to a new level in her chapter “Women as Dress”. Hollander presents the reader with an argument that beginning in the mid 19th century artists created women that ceased to exist outside of their elegantly dressed state. These women, Hollander argues, have no body, only dress. This concept, while persuasive, is lacking footing which I will attempt to provide in the following essay. In order to do this, the work of James Tissot (b. 1836 d. 1902) will further cement the idea of “women as dress” while the work of Berthe
The women on the trail, though it shows, had little time to care about mending clothes, “The majority of the overland women wore what clothing they had and prayed that what they wore would not tear. They were too preoccupied with the necessities of the day to consider fashion at all (Schlissel 105). ” I would be happy if I were these women because that just means one less chore that was their “duty” to perform. In conclusion, the woman of the Victorian Era had her role in life planned out from before she was born. Although it was a dreadful role, these women carried it out in a way that shows their purity of the heart and willingness to do so many things for others and for little return.
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
Köln: Taschen, 2006. Print. The. Mackenzie, Mairi. .isms: Understanding Fashion.
Lawson, David "History Of Renaissance Clothing - How Today's Fashion Is Affected." 6 Jul. 2011 EzineArticles.com. 16 Nov. 2011
Freeman S. (2004). In Style: Femininity and Fashion since the Victorian Era. Journal of Women's History; 16(4): 191–206
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...