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Recommended: Byzantine art history
Mosaics: Little Pieces of Art History Art has been used as a visual spectacle for places, people, and ideals since humans have walked on earth. The ideas behind each piece of art can range from naturalistic in depicting exact concepts or avant-garde with its shapes and designs. Every representation of art has a history, an inventor and a creator. Art can demonstrates the culture of a people along with religious undertones in one piece. Mosaic art in particular, spans over many years and it has become an important art technique used to express such circumstances. The term mosaic is defined as “the art of creating images with an assemblage of small pieces of colored glass, stone and other materials” (Ancient History Encyclopedia, 2011). The …show more content…
Inside the Hagia Sophia basilica in Istanbul, Turkey, there is a mosaic dating back to 1261. A Byzantine artist created a traditional representation of the Virgin Mary and Saint John the Baptist by using gold, gemstones, and colored glass. This mosaic was a theme of recent Byzantine art, depicting the “Deësis” the Greek word for “entreaty”. As Davies et al., book “Janson’s History of Art” outlines the importance, he states that, “the representation of Christ enthroned between the Virgin Mary and St. John the Baptist is frequent in Byzantine mosaic depictions, as it represents the Last Judgement”. This is just one example of a mosaic that is inside the Hagia Sophia. Many other mosaic pieces in the basilica have similar representations of the Virgin Mary, Jesus, and other saints. This church is an excellent example of how mosaics were used to construct religious meanings through different images of important figures in the bible. Another example of the religious purpose of mosaics is in the basilica of Santa Maria Maggiore in Rome. Similar to the Hagia Sophia, the mosaics inside were also largely dedicated to the Virgin Mary. The interior of the basilica had large panels about the nave colonnade that illustrated scenes from the Hebrew Bible (Davies et al., Ch. 8: Early Jewish, Early Christian and Byzantine Art, Architectural Decoration: Wall Mosaics). In such, these symbolistic mosaics demonstrate the religious beliefs of those who created them in their respective
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
The representation of divinity was clearly defined in Christ in Majesty with Symbols of the Four Evangelists through its subject matter, technique, and style. Christ acts as the focal point, but the artist also used different subjects from the Old and New Testament to decorate the apse. Unlike the mosaics in the apse of Byzantine churches, the artist employed the technique of classical fresco painting. The artist also applied decoration to the figures with the hierarchy of scale, and through the geometric style in the drapery instead of maintaining a sense of realism.
Long before Christopher Columbus crossed the Atlantic to the ‘New World’, the Western Hemisphere had already divided and developed civilizations. Some of these civilizations were extremely advanced for the time. As people settled in the Americas and developed cultures, so did differences in the life styles, religions, and art of these peoples. The cultures of Mesoamerica, South America, and North America all developed many different types of art, most notably ceramics and larger scale items that still baffle historians today.
The depiction of Madonna and Christ is among the most ancient and common in Christian iconography and has an extensive number of variations because apart from its symbolic religious functions, it allows one to interpret the link between mother and child in many aspects. (8)
Within the third chapter, Conversion, Nees offers the idea that the use of multiple religion 's iconography was not a method to induce conversion, rather it was a result of environment. Nees explains “Greek and Roman temples were recognizable by such features as pediments and colonnades, but Christians used any convenient structure” (p. 47). With this assumption in mind, we look to the Baptistry of the Christian meeting-house of Dura (p. 40) where we are presented traces of Greek and Roman architecture. The section of the room that is dedicated to the actual act of baptism is marked by columns and a curved ceiling that resembles a triumphal arch. Future depictions of the ancient architecture can be seen in the Gospel of St Augustine where St Luke is flanked by corinthian columns, while an arch like design sits above him (p. 154). Nees acknowledges this alternative approach to his thesis, but unfortunately does not go into as extensive detail as he did with his main
In the following essay, I will be comparing the Hagia Sophia in the City of Istanbul, and the Suleymaniye Mosque of Istanbul. Both of these pieces of art are very significant to the in modern-day Turkey. The art pieces will be covered in more detail further on in this comparative essay, and finally, I will be judging the pieces at the end of this essay
...rulers were unsuccessful and that iconophobic views would help strengthen the Byzantine Empire. (pg. 247) Under Leo’s command a council was assembled and met at Hagia Sophia three times to discuss the matter of icons. (pg. 249) Leo’s report was read and those who did not agree with it were spit on, beaten, or dismissed from the council. (pg. 247) On the third day a proposal was created and approved in favor of iconoclasm. (pg. 247) The previous teachings of Hieria were subjected as being right in which they stated that “images are essentially idols, icons of Christ either circumscribe his uncircumscribable divinity or split his divine and human natures, and images cannot convey the resurrected glory of saints”. (pg. 247) Although Leo had suggested that images be removed from reach in churches, the council had not done much to actually engage in iconoclasm. (pg. 250)
“The Passions of Christ: A Journey Through Byzantine Art.” Kypros-Net: “The World of Cyprus”. 18 Oct. 2004 <http://kypros.org/Byzantine/>.
Byzantine mosaics developed depicted subjects with shimmering skin and shinning halos which brought up an effect of an accomplished gold leaf and smalti. The Roman mosaics featured domestic scenes, animal sacrifices and geometric patterns which led to the creation or display of Christian imagery in terms of depicting Christ.
In order to understand the meaning of an artwork, besides the overall aesthetics of an artwork, it requires the viewer to have knowledge on the context in which a work of art is produced. With this knowledge, the viewer employs a holistic approach towards an artwork. For example, Pete Fecteau’s “Dream Big” is a mosaic is made of 4,242 officially licensed Rubik’s Cubes, as shown in the image below. When looked as the whole, the icon, Martin Luther King Jr. is seen. A historical icon that embodies freedom and hope, for people who are aware of his social and cultural influence, at that time. The simple components in this case would be the image of Martin Luther king Jr. and 4,242 well-arranged Rubik’s
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Van Eyck’s work of the Ghent Altarpiece was not simply a representation of symbols that alluded to Christianity. Van Eyck’s vivid sense of the actual world allowed him to be able to reconstruct reality along with its endless limitations. His audience was so extensively involved with his paintings that it may seem almost esoteric. T...
Over the course of history, art has been used for many different purposes. It has been used to relay a message to the illiterate and show off the face of an emperor. Presently, art has no other purpose except to be aesthetically pleasing to the eye. Back in the days of ancient Greece and Crete, that was not the case. The Minoans were a people who lived on an island near one of the oldest and most well-documented civilizations of the Western world. While they may have been advanced for their time, much of what we now know about their culture has come from examining their art. In the Minoan culture, different forms of artwork held different religious and political meaning.
This is the Battle of Centaurs and Wild Beasts from Hadrian’s villa at Tivoli. This was found in the dining room of the villa. It was made out of mosaics and was made around 125 CE. This piece of art is currently located in the Staatliche museum in Berlin. The technique used to complete this artwork is opus tessallatum in which tesserae is outlined around the motif, contrasting with the background and casting shadows to the motif itself. It is a common technique used in mosaics during the roman period. The mosaic is measured with a height of 26 inches and width of 37 inches.
Life, chaos, harmony and death are aspects that played a strong role in the belief system of the ancient Egyptian people. These aspects focused on the belief of Gods and Goddesses as well as guidelines that affected how ancient Egyptian people lived their lives. Due to these themes having played a role in the ancient Egyptians lifestyle, many symbols, illustrations and works of art were created to go against the aspects of chaos. Countering the idea of chaos, there are works of art that are seen to symbolize the focus on how the ancient Egyptians tried to achieve a harmonious and balanced life by how they viewed their actions and lifestyle choices. Ancient Egyptian art that focus on symbolic images of their belief system are seen