Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
ROLE OF ART IN RELIGION
Critical essay about flannery connor's use of religion
Tattoos and society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: ROLE OF ART IN RELIGION
Parker’s Redemption
Flannery O’Connor’s story “Parker’s Back” introduces us to a man who feels incomplete and is seeking to fill the empty space in his soul. He attempts to do so the only way he knows how, by getting tattoos. He continues this until “the front of [his body is] almost completely covered…” (514). In fact, Parker even considers getting a religious tattoo to appease his over-zealously religious wife Sarah Ruth. A brush with death that is literally a “burning bush” experience drives him to mark the change in his life by getting that tattoo. He races to the tattoo parlor and demands to see the religious tattoos. He chooses a Byzantine Christ. In this story, Flannery O’Connor tries to show that although Parker’s attempts to quiet his unease provide temporary satisfaction (his tattoos and marrying Sarah Ruth), what Parker is really longing for is a relationship with God, a desire echoed in his choice of tattoo.
Parker’s disquiet is awakened at the age of fourteen upon seeing a tattooed man at the fair. He is “filled with emotion, lifted up as some people are when the flag passes…. Until he saw the man at the fair, it did not enter his head that there was anything out of the ordinary about the fact that he existed” (513). Parker attempts to deny that his existence is, in fact, extraordinary. He was a boy who was “heavy and earnest, as ordinary as a loaf of bread” (513). He refuses to own up to the fullness of his identity by refusing to go by his full name, “Obadiah Elihue,” to the point of “narrowly [missing] killing the man who used it” (517). He attempts to cure this “peculiar unease” (513) with himself by getting tattoos. This appeases that unrest, but not for long: “Parker would be satisfied with each tattoo abo...
... middle of paper ...
...fering. There are many such instances throughout the story: in the physical pain of getting tattoos, in being laughed at by his friends, and in being rejected and beaten by Sarah Ruth. He stands up for what he believes in and pays the price for it. It is my opinion that this is what the story means to teach us. Though it is not always easy, standing up for what we believe in is the path to fulfillment.
Works Cited
O’Connor, Flannery. “Parker’s Back.” The Complete Stories. New York: Farrar, Straus, and Giroux, 1971. 510-30.
“The Passions of Christ: A Journey Through Byzantine Art.” Kypros-Net: “The World of Cyprus”. 18 Oct. 2004
Several characters through the course of Steinbeck's novel East of Eden demonstrate a lack of self-knowledge or corruption of the soul. A gap is created between some the character's actions and their true essence as a person. The disparity between a character's conduct and their identity as a human being is often a demonstration of the fight between good and evil within the character's own soul. Caleb, one of Adam Trask's twin boys embodies this struggle vividly throughout his life. This search for self-identity plays into a key theme of the novel, which is that of free will. Despite the fact that there is a variance in the way a character wants to act or the person who they truly are at heart and the way that they actually carry out their lives, free will offers hope. Steinbeck pushes the idea that a person's life and fate is never out of their control and that it is never too late to change the road that you are on. It can be argued either way that this break up of fundamental identity, expression and self-knowledge is the nature of man or simply provoked by the events in the character's lives. It becomes apparent through Caleb's life that the nurture of the individual seems to be the larger factor in causing this separation. Caleb Trask's character demonstrates how the struggle between good and evil within an individual can affect one's self-knowledge, which is catalyzed mainly by the nurture of the character and, ultimately, is amendable through free will.
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
O'Connor, Flannery. Parker's Back. New York: Farrar, Straus and Giroux, 1965. Everything That Rises Must Converge. Web. 19 Feb. 2012. .
We come into this world with nothing and leave the same way. Our lives here are short and full of heartbreak if we do not lay hold on the spiritual aspect of life which the characters in this story strived for in their own ways. This world is full of symbolism in much the same way the story depicts it through the tattoos, so much the center point of the entire story. Parker was continually looking for perfection and acceptance with one more tattoo. He wanted the world and Sarah Ruth to focus on the tattoos he regarded as perfect instead of his inferiority. “Each time he grows restless or troubled, he eases the pressure by getting a new tattoo”. Sarah Ruth was driven away because of her desire to be perfect and felt it could only be obtained by staying away from idols, the chief of which was the church.
Eusebius’ account of Constantine’s conversion is comparable to Gregory of Tours’ accounts of Clovis’ and Gundobad’s conversions to Christianity, in the sense that they all initially called upon the “Christ-God” (albeit Gundobad perhaps indirectly) to come to their aid, which he did, during periods of military crisis. The si...
Petersen, Thalia Gouma "Why is the Alexiad a Masterpiece of Byzantine Literature." Peterson, Thalia Gouma. Anna Kiomnene and her Times. New York: Garland Publishers, 2000. 169-86. Print
Why are the colors of the tattoos important in the short story Parker’s Back? The tattoos represent O.E. Parker’s life and what he has been through. Each tattoo is a different color, representing the type of emotion Parker was feeling at that time of his life. The tattoos on Parker’s body are major symbols throughout Parker’s life. Parker goes through the actions of life without knowing who he truly is and why he has been placed on this earth. Parker experiences religious conversion, his entire body is covered with tattoos but Parker is drawn to having a Byzantine tattoo of Christ placed on his back. O’Conner used unusual symbols to represent her sense of mystery of god’s redemptive power. The tattoos help the reader see the major characteristics in Parker’s life and help understand Parker as he searches for his identity and finds god.
Rubin, Louis D., Jr. "Flannery O'Connor and the Bible Belt." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 49-71.
Friedman, Melvin J. Introduction. Critical Essays on Flannery O’Connor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston: G. K. Hall & Co., 1985.
Updike, John. "A&P." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991.1026-1030.
The Byzantine Empire was a primarily Christian empire whose reign started in 330 A.D and ended in 1453 A.D with the capturing of the its capital, Constantinople by the Muslim Sultan Mehmed II. In the years following the fall of the Byzantines, many of the Christian basilicas were transformed into mosques for Islamic worship, inspiring many artists to create works that embodied their religious politics. One of the pieces created following the fall of the Byzantine Empire is the painting of Yusuf Fleeing Zulayhka, created in 1488 by Kamal al-Din Bihzad, a famous Persian painter who worked under the patronage of several Persian sultans. The illustration depicts Yusuf’s struggle to escape his master’s wife Zulaykha as she chases him through her elaborate palace in an attempt to seduce him. The representation was made using paint, ink and gold, and features jewel-like colors in order to portray the extravagancy of the palace Zulayhka has built specifically for the seduction of Yusuf (Stokstad 286). This essay will assess three accounts of the story of Yusuf and Zulaykha and the reasoning behind why the narrative is often labelled as a cautionary tale and of what kind.
"Constantine the Great." The Catholic Encyclopedie, Volume IV. 2003. New Advent. 7 Dec 2006 .
The narrator was accused of being a threat to the Brotherhood. He was given the choice of either becoming inactive in the Brotherhood completely or lecturing on the "woman question" in another neighborhood until an investigation into his loyalty was conducted. The narrator was rewarded with an important insight into his character. Many women believe that he would understand them and their needs, because of his talks about women and their place in society. The narrator is able to realize that these girls are seeing him only as they want to see him instead of how he really is. This was an important realization for the narrator to make, but the discovery of his true self was still unfound
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
Byzantine art had many basic characteristics. The first was expressionistic using color and emotion. Many of the are lacked depth in a two dimensional fashion. The art was symbolic in nature, decorative, detailed. The figures are stiff and ...