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Egyptian gods myths and legends
Religion and society in ancient Egypt
How did religion affect ancient egypt
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Question #8 Life, chaos, harmony and death are aspects that played a strong role in the belief system of the ancient Egyptian people. These aspects focused on the belief of Gods and Goddesses as well as guidelines that affected how ancient Egyptian people lived their lives. Due to these themes having played a role in the ancient Egyptians lifestyle, many symbols, illustrations and works of art were created to go against the aspects of chaos. Countering the idea of chaos, there are works of art that are seen to symbolize the focus on how the ancient Egyptians tried to achieve a harmonious and balanced life by how they viewed their actions and lifestyle choices. Ancient Egyptian art that focus on symbolic images of their belief system are seen …show more content…
On the left side of the illustration stands a man, known as Hunefer, walking in hand with Anubis, the god of cemeteries (Stokstad 2014: 77). This scene depicts the assumed first stage of entering the afterlife, the soul of a person being lead by Anubis. The next scene introduces a scale with the image of weighing the heart of the soul (Class Lecture, 10/4/16). This imagery of weighing a person’s heart can be recognized as the use of the Gods of chaos and balance and which aspect the soul of an ancient Egyptian focused their lifestyle (Stokstad 2014: 77). Following the flow of the illustration, the eater of the dead, Ammit, is near the scale; Ammit would presumably eat the soul of the deceased if the scales were in flux (Class Lecture, 10/3/16 and 10/31/16). This illustration featuring Ammit and the scales can provide the description of how an ancient Egyptian lived their life. The third scene focuses on Horus presenting Hunefer to the God Osiris (Class Lecture, 10/5/16). This third scene can be recognized as the symbolic imagery of Hunefer being accepted his spot in the afterlife for an everlasting life with the Gods. This illustration focuses heavily on continuing the belief of living for an everlasting life as well as presenting instructions for an ancient
From the ornamented caves of the prehistoric era to the surreal colors of impressionistic paintings, art has always been a medium for conveying human thoughts and emotions. By analyzing this artwork, much can be learned about human history, tendencies, psychology, culture, and the like. For instance, by comparing a sunken relief of Horus—considered to be the Egyptian god of the sky, sun, and war—with the Torso of Aphrodite, the Greek goddess of love, many hidden intricacies of Egyptian and Grecian civilization as well as the motives of the artists themselves can be revealed. Each piece of artwork was created in the same general time period (they are both ancient), composed of different materials, guided by social standards, and composed of a spiritual aura; within these similarities, however, lay a myriad of unique features.
Crooked Beak of Heaven Mask is a big bird-figure mask from late nineteenth century made by Kwakwaka’wakw tribe. Black is a broad color over the entire mask. Red and white are used partially around its eyes, mouth, nose, and beak. Its beak and mouth are made to be opened, and this leads us to the important fact in both formal analysis and historical or cultural understanding: Transformation theme. Keeping that in mind, I would like to state formal analysis that I concluded from the artwork itself without connecting to cultural background. Then I would go further analysis relating artistic features to social, historical, and cultural background and figure out what this art meant to those people.
Scott, N. The Daily Life of the Ancient Egyptians. The Metropolitan Museum of Art Bulletin, New Series, Vol. 31, No. 3, The Daily Life of the Ancient Egyptians (Spring, 1973), pp. 123-170
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Something I noticed after viewing several pieces of ancient Egyptian art is that a great deal of it is religious. It only takes a basic knowledge and understanding of the ancient Egyptians’ religion to know that they have numerous gods and goddesses. They are not exclusive in this way, as there are many other cultures and faiths which have multiple deities. However, the manner in which they portray their many gods through their art is very distinguishable and well-known. This could also be because of the style they use. The use of animals is one of the features that make a...
words that help capture what is medieval art. The artists behind these pieces of artwork
In conclusion, Ancient Egypt has a very complex religion and beliefs that would be considered bizarre in many parts of the world. They believed in many gods, some took part in the creation of the universe. Others brought the flood every year, offered protection and took care of people after they died. The ancient Egyptians thought that it was important to recognize and worship the gods because they represented the peace and harmony across the land.
Many people are familiar with the pyramids and tombs of Ancient Egypt, yet not as many know about the different types of art created by the lower classes. Documentaries, movies, and television shows rarely mention the more standard art that was created, that didn’t take years of hard labor to create. This art can be compared to the drawings that many people make today, as a hobby to do in their freetime. The only difference is that the Egyptians made art for more practical purposes, and rarely for fun. You would likely find a lot of these pieces in plebian burial sites, or packed away in museum storage. Though they lack the renown of the pyramids and tombs, the different styles and types of art created by the Ancient Egyptians have just as much value as the larger accomplishments, but for different reasons.
Ancient Egyptian’s lives were surrounded by art. The Invention of Art is a part of them up to this day. Other than Architecture, Painting was one of the major arts the Egyptians made. Artists were a big part of the society.
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
Although there are few religions that still consider the ways of the ancient Egyptian culture important, they are still out there. They are influenced every day by the history, which permeates their rituals, scriptures, and more. Furthermore, Egypt’s political influence may be outdated and not the clearest system, but it led the way for further development and refinement for future use. Without the influence of Egypt, we would not be the civilization that we are
Egyptian Art and Architecture, the buildings, paintings, sculpture, and allied arts of ancient Egypt, from prehistoric times to its conquest by the Romans in 30 bc. Egypt had the longest unified history of any civilization in the ancient Mediterranean, extending with few interruptions from about 3000 bc to the 4th century ad. The nature of the country, fertilized and united by the Nile, and its semi-isolation from outside cultural influences, produced an artistic style that changed little during this long period. Art in all its forms was devoted principally to the service of the pharaoh, who was considered a god on Earth, to the state, and to religion. From early times a belief in a life after death dictated that the dead be buried with material goods to their ensure well-being for eternity. The regular patterns of nature—the annual flooding of the Nile, the cycle of the seasons, and the progress of the Sun that brought day and night—were considered gifts from the gods to the people of Egypt. Egyptian thought, morality, and culture were rooted in a deep respect for order and balance. Change and novelty were not considered important in themselves; thus the style and representational conventions in Egyptian art that were established early in the development of that civilization continued virtually unchanged for more than 3,000 years. To the modern eye the Egyptian artistic idiom may seem stiff and static; its underlying intention, however, was not to create an image of things as they appear in reality, but rather to capture the essence of a person, animal, or object for eternity.
Seemingly static in appearance, to the untrained eye, Egyptian Art is somewhat formal and blocky, with very little to no naturalism; in opposition to ancient western art such as Greek and Roman artistic traditions. (Neer, 2012) However, Egyptian Art serves a purpose that celebrates the afterlife as well as appreciating life. Egyptian visual imagery expressed animals not in the typically assumed static and rigid form, but in naturalistic dynamism that is largely ignored in general Egyptian Art scholarship. Ancient Egyptian art endures a steady artistic tradition and despite various changes and modification in style occurred during the 3,000 years pharaohs ruled; they are recognizably Egyptian in origin. What was wholly unique was the artistic
The ancient Egyptians were people of many firsts. They were the first people of ancient times to believe in life after death. They were the first to build in stone and to fashion the arch in stone and brick. Even before the unification of the Two Lands, the Egyptians had developed a plow and a system of writing. They were accomplished sailors and shipbuilders. They learned to chart the cosmos in order to predict the Nile flood. Their physicians prescribed healing remedies and performed surgical operations. They sculpted in stone and decorated the walls of their tombs with naturalistic murals in vibrant colors. The legacy of ancient Egypt is written in stone across the face of the country from the pyramids of Upper Egypt to the rock tombs in the Valley of the Kings to the Old Kingdom temples of Luxor and Karnak to the Ptolemaic temples of Edfu and Dendera and to the Roma...
Art history, similar to many other subjects, requires an introductory textbook. Its function should be to expose the new student to the foundations of art, such as the elements, principles, and historical contexts. Past introductory art history books, however, have severely limited the student’s knowledge and comprehension of what constitutes as art by focusing solely on European works. In doing so, the texts only depict one type of aesthetic standards and the new student may become disinterested with art in general because he or she does not agree with that particular standard. That person might also feel alienated with the lack of women and minority artists included alongside the traditional European male artist.