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Sociological approach to health and illness P2
Theme of death in Shakespeare
Literary analysis of shakespeare
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It is primal instinct for humans to say they understand what something means, even if they have never heard of it before. Take the word mortality, for example, news reporters and journalists are constantly saying it, but ask a viewer what it means and they will stumble. William Shakespeare however, understood mortality very well and was quite fond of using the word as a motif in many of his plays, especially so in Hamlet. By using direct references to disease and illness, an unweeded garden, and rotting and decay, Shakespeare’s Hamlet illustrates how death and corruption run rampant in the helpless state of Denmark while under the rule of Claudius. Allusions to illness and disease weave into every scene of the play, and can be found referenced …show more content…
The lesser known character of Marcellus coins an important quote that alludes to the play’s overall theme of corruption and death without explicitly stating it. While talking to Horatio, Marcellus says, “Something is rotten in the state of Denmark.” (1.4.90) This line symbolizes the overall idea of a decaying Denmark, as it correlates to the rottenness of Claudius and Gertrude’s marriage, and the corrupt assassination of King Hamlet. Marcellus is commenting to Horatio about the impending trouble in the near future of Denmark, as he has a premonition that a rotten force is leading the nation to its demise. Discreetly Claudius has already begun the sequence of mayhem in Denmark by murdering King Hamlet, however his malicious actions also lead to the decay of Hamlet’s psychological stability and able …show more content…
Through references to disease and illness found in Ophelia’s heartbreak and Hamlet’s madness, to the metaphor that under Claudius’ rule Denmark is like an unweeded garden, and finally in the rotting and decay of royal court, Mortality is a dominant motif. Understanding what influences mortality is an important aspect of Shakespeare’s play and is most definitely something to consider in the real world. Perhaps if society considered all the factors contributing to the final demise of something, like if there is a form of diseases or rottenness present, maybe there would be fewer ends and more
Elizabeth Kubler-Ross developed a theory based on what she perceived to be the stages of acceptance of death. Her theory has been taken further by psychologists and therapists to explain the stages of grief in general. Kubler-Ross identified five stages: denial and isolation, anger, bargaining, depression, and acceptance, as happening in that order. In William Shakespeare’s Hamlet, Hamlet exhibits all five stages of grief, we can assume in relation to the recent death of his father, but not necessarily in this order, and in fact the five seem to overlap in many parts of the play.
In the play, Hamlet, by William Shakespeare, poison, decay, and rotting are motifs that can be related to the theme breaking down of society, or the downfall of the state of Denmark, during this time in Hamlet’s life. Considering Claudius’s malicious acts to gain the throne, one can say he is being punished by God, and since he is the king, the punishment reflects the state of the kingdom of Denmark as well. As the play progresses, references to rotten things, repellent animals, and vile circumstances are mentioned numerous times, and one can make a connection to these allusions as the truth about Claudius is revealed, and other corrupt events unravel.
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
Another unpleasant quotation with reference to disease is this harsh yet ironic statement stated to Ophelia by Hamlet; ‘If thou dost marry, I'll give thee this plague for thy dowry (III, I, 133). " Poison is the third example of imagery that Shakespeare frequently uses.
“So shall you hear of carnal, bloody, and unnatural acts, of accidental judgements, casual slaughters, of deaths put on by cunning and forced cause”, (Hamlet, Act V, Scene 2, Lines 381-384). Horatio, best friend of Prince Hamlet, says this in the final lines of the play. He says this after Gertrude, Queen of Denmark, Hamlet, Claudius, King of Denmark, and Laertes, son of Polonius all die in the battle between Hamlet and Laertes. Hamlet, King of Denmark, Rosencrantz and Guildenstern, former friends of Hamlet, Polonius, councillor to the King, and Ophelia, daughter of Polonius are also dead. Death is a very important theme in William Shakespeare’s Hamlet.
The thoughts of young Hamlet contain specific diction that exemplify his fragile state. Overall the diction remains elevated; an attempt of Shakespeare to stay consistent with Hamlet’s aristocratic upbringing. Shakespeare repeatedly pairs particular words together to provide additional contrast to this life versus death debate. Choice words such as “suffer” and “fortune” as well as “coil” and “respect” demonstrate the opposing forces of life and death. This contrasting diction also builds tension as throughout the soliloquy the word choice becomes increasingly more negative.
Hamlet's View on Death in Hamlet by William Shakespeare Hamlet is scared because he does not know what happens after you die. He is not afraid to die, but he will not kill himself because he is afraid that he will go to hell. In Act 3, scene 3, Hamlet shows his belief in the Bible by not killing his father while he is in prayer. He says, HAMLET “A villain kills my father; and for that. I, his sole son, send this same villain.
“The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?” Hamlet’s realization in 5.1.88 is one of great weight and resulted in more deep thought on the concept of death. Throughout Shakespeare’s “Hamlet” the subject is deeply considered and consistent breakthroughs and new realizations are revealed through Hamlet’s character. The primary evolution of Hamlet’s understanding stands with the coping, dealing with the finality of death, conflicts with morality and revenge in its intimate relationship with death as it applies to Hamlet.
William Shakespeare takes us through the life of Hamlet, the Prince of Denmark battling through the death of his father, and seeking revenge on the man who murdered him, in his tragedy that is, Hamlet. Shakespeare creates a world fixated on life versus death that is constantly questioning the possibilities of the afterlife and comparing it to their present circumstances. As death surrounds Denmark, the idea of suicide rises and becomes a significant theme that encourages characterization and plot development throughout the play. Hamlet, distraught by the death of his father and the recent marriage of his mother, Gertrude to his uncle, Claudius, begins contemplating whether suicide is the right choice for him in his situation. Death also takes over the mind of Ophelia, a beautiful young lady who Hamlet is in love with, when her father Polonius is murdered, leading to her madness and eventual suicide. The final suicide is the death of the entire royal circle caused by their own corrupt conflicts and actions. Shakespeare explores the idea of suicide as an important theme through the imagination and actions of his characters.
In his tragedy Hamlet, William Shakespeare explores and analyzes the concept of mortality and the inevitability of death through the development of Hamlet’s understanding and ideology regarding the purpose for living. Through Hamlet’s obsessive fascination in understanding the purpose for living and whether death is the answer, Shakespeare analyzes and interprets the meaning of different elements of mortality and death: The pain death causes to others, the fading of evidence of existence through death, and the reason for living. While due to the inevitable and unsolvable mystery of the uncertainty of death, as no being will ever empirically experience death and be able to tell the tale, Shakespeare offers an answer to the reason for living through an analysis of Hamlet’s development in understanding death.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
After a death, we find ways of overcoming grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide.In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide.Shakespeare develops hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious making him feel vulnerable to making decisions that will affect his life.We can say that Hamlet was very indecisive of living or not. He showed many signs of suicidal thoughts. Many can argue and say that Hamlet was depressed. Coming back home from school to attend his father's funeral in Denmark made him discover many things, such as, his mother Gertrude remarried to Hamlet's uncle Claudius who is the dead king's brother. To Hamlet he finds it loathsome for his
The motif of a seemingly healthy exterior concealing inward sickness establishes meaning through foreshadowing and irony by demonstrating that it spreads throughout and ultimately rids itself of everything that conceals inward sickness. Corrupted thoughts throughout William Shakespeare’s Hamlet are based on greediness and the act of avenging a family member’s death.
The basis of one 's mortality and the complications of life and death are talked about from the opening of Hamlet. In the mist of his father 's death, Hamlet is having a hard time not thinking about and considering the meaning of life and how life ends. Many questions emerge as the story progresses. There was so many question that Hamlet contemplated. He was constantly worrying that is he revenged on his fathers’ death then what would happen. He would ask himself questions like, what happens when and how you die? Do kings go to heaven? If I kill, will I go to heaven?
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.