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Male dramatic monologues
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QuotePost Options Post by Mercedes Vargas on about an hour ago
The scene opens and we view the pavement before the camera pans up to view Mercedes Vargas, who is actually standing outside of her apartment on this rather cold day in Queens, New York. Bundled up in winter clothing, the Argentine Assassin proudly sports the Queen of AESOP World Championship over her shoulder. From her reaction, she is in a rather good mood following the events of the last Battlegrounds show in Cleveland, Ohio. Mercedes opens her mouth, but can't quite find the words to say here. She closes it quickly for a second and starts to rubs her gloved hands together. She gives a small smile and lowers her eyes, breaking contact with the camera and perhaps needing that second or two to gather her thoughts. After a moment or two, she raises her head again and raises her index finger as a cue to begin, but nothing comes out. A chuckle this time and a hair toss seems to shake her out of this hibernation. She vows silently that she was ready.
Mercedes: Ooooooh, looks like Mercedes is in trouble now! This is the part where I get sent to the principal's office, right? No, wait, we're past that. This is the part where I'm going to be punished, right? Well, okay. I see how this is going to be.
She tosses her hair back a second time.
Mercedes: After what I did to Honey Rydell, it would be a divine miracle if she even makes it to her home country this next show for the Lights of Aurora tournament. Heather Burnside, I'm sure, is probably loving this as she probably has an easy win in her match against her. I don't know, maybe I went a (holds up a "this close" gesture with her index and thumb) little too far in the main event steel cage with Honey there, and for that ...
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... mocks Gwen's voice) "broken down has-been." Well, (looks down slightly and smiles before looking back up again), you might be a little bit younger and think that you're faster and clever then I give you credit for, but I might be a little bit older than you and your sister, but I'm definitely (tapping at her temple with an index finger) smarter and wiser, honey. Just remember that when you are staring up at the arena lights to this "has been".
Mercedes stands to her feet as she rakes a hand through her hair. She turns and picks up her title, and places it over her shoulder before looking at the camera.
Mercedes: So, uh, I guess that's it then. Gwen, Charlotte, I'll see you girls this Friday night at the Scotiabank Saddledome in Calgary, Alberta, Canada. And Vickie? I'll be seeing you as well. Good luck.
The scene fades as Mercedes walks off and we fade to black.
A feminist lens analyzes how the female characters and their experiences are presented and explained in comparison to male characters (Lincoln School Providence). Merna Summers’ “The Skating Party” develops and demonstrates feminist themes in the ways in which the characters’ experiences, expectations, and lives are represented. Applying feminist critique unravels and deconstructs perceptions that shape and normalize the experiences of women in Willow Bunch while demonstrating the objectification and submission, standards of beauty, and ownership and empowerment that occur within the story.
characters created to display a woman’s search for a way out of the bonds of her society.
In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
Do I sacrifice my ‘womanly attributes’ by making the choice to ski down a mountain with a 3000+ vertical drop, while traveling at 50-60 mph? Does my choice to do squats and engage in strength training, or my desire to do 300 sit-ups each night in order to achieve a six-pack, make me less of a woman? Is it odd that I do not enjoy displaying polite, ladylike behavior during every second of my existence? I do not think so. Society today would not exactly agree either, yet society today is far different from the early 1920’s. Today, the desirable female body image is not necessarily a thin, dainty woman. At some point in history, though, something went terribly wrong. Women were conditioned to drink tea and mingle socially over snacks while knitting. The progression for women in sports has been slow, and women still have a long way to go in order to achieve the towering status of men’s sport. Although times have changed since the 1920’s, women continue to struggle with issues of the past—the notion of “mannishness” and the characteristics that compose the ideal female athlete.
Driving out of the parking lot the car was silent, until Lacey started doing a bad imitation of the manager, “After this come in here with your shoulders covered. Its our policy.” laughing and returning to her normal voice “Even at 17 you still get us into trouble, will you ever change?”
Feminism is defined as the advocacy of women’s rights on the basis of social, political, and economic equality to men. Feminism plays a major role in hundreds of cultures, as it raises attention to civil liberties of women across the globe. Feminists generally seek to bring about change by fighting for what they believe in, and are often considered to have personal strength and integrity (Feminism). The feminism theory applies within Greek culture. This portrayed through the feminist play Antigone and the non-feminist play Lysistrata. In the Classical Greece era, feminism was a laughing stock to the male audience, and even male playwrights. However, we can find evidence otherwise in today’s studies. First let’s dive into Lysistrata. Lysistrata
"Still with Charlotte then" She asks as we jump in a cab and about two hours later we reach Calcutta and we spot a little girl Natasha walks up to her as I turn to the group of men we have assigned to us
kicked out of the class. The sequence ends in a funny way as the whole
For the spring term, the faculty made changes and Philip got assigned to Miss Narwin’s homeroom class. Things got worse when Philip was assigned to her homeroom as if being in her English class wasn’t bad enough. When Philip got back to school he found out he was assigned to counseling. Philip was furious and still wanted to get out of Miss Narwin’s English class.
As I sit here with my eyes closed, I imagine a tropical breeze. The warm wet air slides over my face. The humidity seems almost heavy enough to crush me. As I take a deep breath, the realization that this is no tropical air comes crashing in. Instead of the refreshing scent of the ocean, or tropical plants, the taste of salt from sweat and a smell of the human body fill my lungs. The daydream is over. A shrill whistle sounds and the voice of coach Chuck booms through out the room, breaking the peace that was comforting the pain in my shoulder and bringing me back to reality. I was not on some humid island paradise, but rather in the explosive atmosphere of the Hotchkiss High School wrestling room.
As I rush in the building I do not stop to put my bike away I just throw it to the ground. As I enter the class the teacher, Mrs. Bob, points a long, scaly, pointy finger at me and says the worst words that I will ever hear, “ This is your last tardy you will stay after school and clean the roof for detention.” Now for most normal detentions all you do is work on schoolwork but, for Mrs. Bob she made you clean the three story high roof. You had to hope you did not fall because there is nothing
“Well, your kids are banging their fists on the walls and setting a bad example for my kids!” he angrily shouted with a crimson face. “You’d better get over there quick and settle them down or I’m gonna’ call the cops!” “Look,” I calmly replied, “I’ve been assigned to this group of sixty students. Our school has five very capable chaperones already over there to deal with that problem.”
...e greatest prank in our school’s history. And she stopped Mrs. DeCostia from stealing from Mrs. Redrik” Then he took my hand and led me down the hall, past all of my friends, to the stairs. I stopped. “What was that for?” “I was just giving credit where credit was due.” He slipped his hand into his pocket and pulled out a rather large ring. “You knew the whole time?!?” “Yeah when we and Matt moved the desk it fell out and I picked it up, I was waiting to give it back until DeCostia got busted.” “Oh my god…” “Anyway, what are we doing tonight? Movies, ice-cream, maybe some pizza?” “We’re hanging out tonight?” “Yeah I have to hang out with my girlfriend to celebrate the undermining of our psycho home wrecking teacher.” “Your girlfriend?” “Yeah...” He said into my hair as he put his hands around my waist and pulled me closer to him “Who else would I hang with tonight?”
Women in sports is relatively a new thing in the U.S. Until 1972, discrimination in sports on the basis of sex was very prevalent. Title IX established fairness in regards to sex discrimination for women in federally funded schools and programs. I had the ability to interview a woman who lived and went to school during this era.
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).