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Social class in the Victorian era
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Crouched behind a square column of the porch of an old late-Victorian frame home, now shelter for squatters, Lew was watching for Molly. Molly is an unassuming yet attractive young woman who makes her living dancing at a local ‘gentleman’s’ club called the Lucky Lady. She lives in a second floor apartment of The Hanright Home, a rundown Gothic Revival house split into six apartments. Lew lives in the apartment next door. Lew, a 30-year-old part time adjunct art instructor who hasn’t painted since graduate school. A man of medium stature with a good-natured expression, a big round face, and short dark hair. Earning scantly enough at the university to pay $300 in rent and buy food. When he’s not teaching he sleeps all day, watches old movies or plays video games all night. Intrigued by Molly since he moved in two years ago. “She doesn’t look like a stripper,” he said to a friend. Lew hadn’t seen her dressed in anything but drab oversized sweat pants, jeans and t-shirts. Her general attire, dirty blond hair with a pixie cut and no makeup made her appear androgynous. Not like any stripper he had seen in the movies. Lew had memorized Molly’s schedule. He knew that Molly arrived home at 3:15 am and left again at 5:00 am. The creaking stairs alerted Lew to Molly’s comings and goings. “What business does a stripper have at 5:00am?” He wondered. Even though their doors were only 10 feet apart, Lew and Molly had crossed paths no more than a few times. Their first meeting went something like this: “Hey, I’m Lew.” “I’m Molly.” “How long have you lived here?” “Five years.” “Have the stairs always been like this?” “Yep” she said as she opened her apartment door and walked inside without speaking another word. Ever... ... middle of paper ... ... is you." Calming down Molly replied, "Do you think so?" Loraine continued, “Your spirit fills the room just as the paintings do. Haven't you noticed, you've captured the eye of everyone here?" “It can't be!" Feeling vulnerable Molly started toward the door to leave. Loraine called after her, "What's your name?" Molly walked faster. Lew glimpsed Molly as she ran out the door. He tried to run after her, but he couldn't get away from the dean who was more than impressed with Lew’s work. Later that night when Lew arrived home, Molly was gone. Over the next few days, Lew heard Molly come and go, but he didn’t look out his window. Two weeks had gone by when Molly knocked on his door with her basket in hand. When Lew answered she asked, “Would you like to walk to the bridge with me this morning?” Lew smiled from ear to ear, and answered, “It would be an honor.”
Synthesis Question: Write a diary entry from Loung’s point of view as they are leaving the city.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
alienation to be broken, Lennie walks into Crooks’ room “smiled helplessly in an attempt to make friends” (75).
Susan, the protagonist in “To Room Nineteen” feels trapped by her life and her family, and afflicted by her husband’s infidelity. Everyone assumes Susan and her husband are the perfect couple who have made all the right choices in life, but when Susan packs her youngest children off to school and discovers that her husband has been having an affair, she begins to question the life decisions she has made. Susan chooses to isolate herself from her own family by embarking on a journey of self-discovery in a hotel room that ultimately becomes a descend into madness. Unlike Susan, the woman in “The Yellow Wallpaper” initially wants contact and interaction with people, but is
We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison. Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story but give significance as well. The Point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side with conflict, both internal and external, are shown throughout the novel.
and told him to stay there until she returned from the lamp department. The lamps were
The bell rang and she carefully put the bookmark in the book. She ran to the librarian’s desk and quickly checked out the book, then she muttered a “thank you,” and “goodbye” to the librarian, and jogged out the door.
The wind had blown him into the jungle under the kitchen table. He had to find someone or at least a shelter. Thankfully you remembered that his friends Cheeto puffs an extra hot Cheeto move to the jungle when they got married. So he rolled over to his house and stayed there for the knight. The next day they found another scally wag and her name was Hairball, Lint instantly fell in love. After spending the week with each other they both figured out that they had a true love for each other. Lint had forgotten all about Booger, but he didn’t care anymore because him and Hairball have a better relationship than him and Booger ever had. They couldn't take her eyes off each other, with every moment they spent together they felt even more
The room is silent, lit by a single flickering candle, and the shine of a full moon through the window. Candy and George are sitting in the bunkhouse seemingly lost in their own thoughts. It’s been 24 hours since Lennie and Curley's wife have passed, but the tension is still heavy in the air for many folks. Georges eyes drooped low, slightly watered at the rims. Curley, sitting on the other side of the room, stared blankly at the candle with an expressionless face. George jerked quickly towards Candy.
Phil beat him to it however and swung the door open, bonking himself in the nose. Dan laughed and pushed him aside. Standing in front of him was Lilly.
Ray got to her room and opened the door ajar before knocking lightly to tell her he was there.
Denver has grown up alone. When she was younger, 124 was filled with people; Baby Suggs, Howard, Buglar, Sethe, and many others. However, as Denver grew up 124 became emptier, until the only people remaining were herself, Sethe, and the ghost of Sethe’s baby, Beloved. The three of them lived “harmoniously”, almost as if they were a family. Until, one day Paul D, a man of Sethe’s past, shows up on the front porch of 124. Denver notices how the two instantly reconnected and were a twosome; the reminiscing of the past “made it clear [it] belonged to them and not to her.” With the only person in her life being Sethe, Denver “[hoped] that her mother did not look away [from her] as she was doing [with Paul D], making Denver long, downright long, for a sign of spite from the baby ghost.” Feeling left out, Denver wanted Paul D to leave, but instead Paul D “had gotten rid of the only other company [Denver] had,” the baby ghost. Denver’s only company was gone, “whooshed away in the blast of a hazelnut man’s shout, leaving [her] world flat.” Paul D was taking up Sethe’s attention and he got rid of the ghost, leaving D...
The book starts off painting the image an Howard's mother Mariquita. She is depicted as somewhat a diamond in the rough, beautiful and one of a kind, even pointing out that she worked as a stenographer, an uncommon position to be held by women in this time period. The book goes on describing her daily life including spending much time with her friends, competing amongst each other in the latest fashions and watching the movies.
The first bell soon rang and Molly hurried to find her first class. As she scrambled around, she was thinking about how happy her friends seemed about the new year. She wasn’t nearly as excited, but didn’t tell her friends about that. She didn’t want to ruin their moods.
I raced out of my room grabbing the keys to my dad’s truck, getting a questioning glace from both him and Leah. “Bella was in an accident..” I mumbled to them both making my way out the front door, almost forgetting Seth was still on the phone.