17th Century France was spearheaded and administrated by kings owing to its kind of government: absolute monarchy, wherein the king has total control and the power to assign his advisors and other officials that will help him rule the nation. Like most of the countries in Europe on that era, France, with its monarchial regime, was filled with nobilities and aristocrats. The French are rapidly progressing and strengthening their foundation as a nation and due to this fact, they are slowly gaining power and influence all over the world. This era was primed by the utilization of arts and talents, including visual arts, theatre, dance and many literary works. Considering this, France stepped into the age of inspiration and greatness. In fact, this era served as their Golden Age in Literature. Kings and the general public of 17th Century France loved and admired such arts and even patronized and supported it. Salons and academies of literature and arts are now starting to become evident in the French society, by this, literary authors and other artists are prioritized and are given much importance. The expression of philosophies and ideas about arts and knowledge in life are manifest in such salons, in which speakers and actors put an enjoyable and entertaining spice on what they are trying to imply to increase the audience’s interest. In comparison to “Moliere”, the scenery of the film depicted also a monarchial type of government where nobilities were apparent in the society. The wealthy Monsieur Jourdain and his family is a clear portrayal of such nobilities. Considering their wealth and highly-respected status in the society, Jourdain and other nobilities have strong influences that can move mountains. Having it in mind that this... ... middle of paper ... ...still maintained his composure. He made resolution to this issue by letting Moliere go. Jourdain also realized all his wrongdoings and shortcomings and focused his life back to his family abandoning his obsession to Celimene. Almost all of the characters in the film are a depiction of aristocracy and their struggle to maintain their status and glory and to live their lives as expected by the society they live in. Infidelity is also evident in the film wherein Jourdain and Elmire are included. Disloyalty also comes in on the part of Moliere as a servant to Jourdain, when he had an affair with Elmire and on the part of Dorante as a friend of Jourdain, when he fooled Jourdain. Hidden agendas and plans are also apparent on the part of Jourdain’s older daughter: her secret love with her piano teacher and on Dorante’s part of performing his hidden evil plan to Jourdain.
The band of characters is drawn from every level of the class system. Unique interactions among characters from different social standings are conveyed, from the distressed, kindly gardener, to the impertinent daughter of the village innkeeper, to the prosperous de Luce family, and to the royalty. What appealed to me was that Flavia could trace her family’s history back many generations, and for one to be able to make these personal connections is extremely rare. Of course, this awareness of their past is correlated to the de Luce’s chain of affluence.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants. In the social arena there is always a central powerful family, or first family that everyone in the community aspires to be, or in more recent term “keeping up with the Jones”, “or the one with swag”. The title, position and authority was so entrenched in their social community, that it came down to even choosing one’s mate through arranged marriages. We see in Moliere’s Tartuffe, that authoritative power was as precious as gold, in the realms or patriarchal power that was prevalent in the 17th Century, political and economic power, and also religious power (in which Oregon) wanted association
The negative life changing experiences they face are a leading cause for them to refuse acting in accord with the prevailing idealistic standards which their society conveys. David suffers a lot under the oppression of Joseph, who keeps him in check by the threat of unjust force and authority that he rebels to defy the oppression present in his society. Similarly, Romeo’s banishment opens his mind to what he is forced to sacrifice as a result of the feud. He discerns foolishness of the feud that causes him to lose Juliet as a result. This illustrates how both experiences alter their beliefs and open their minds to the ugly reality of society, and therefore plays an essential role in triggering their decision to conform to its standards. In both cases, these experiences are crucial in changing their views and swaying them to transform their stance on society. Similarly, Rosalind’s and Juliet’s experiences result in the same effect. Rosalind’s fear that one of the norms will find out about her mutation causes her rebuff their sudden affection. Her experience allows her to discern the fear of rejection others like her has to endure. Juliet’s arranged marriage to Paris prompts her to reject to act in accord with her parent’s wishes. Through her experience, she perceives how blind the families’ brawl causes them to be and restricts her life. This illustrates
Jean-Baptitste Poquelin Moliere’s Tartuffe, is undoubtedly a satirical comedy. In Moliere’s description of a satire, he was very direct as to the function and objectives of one are. The function is to correct men’s vices, using satire to ridicule them and expose them to public laughter (Moliere, p.14). Although this satire is making fun of many things in the church and organized religion, which is not the only objective Moliere had in mind. Tartuffe has many themes that reoccur through out the play. The time period, in which this play was written, was known as the Age of Reason. One of the main ideas and attitudes during this time was, reason must always control passion. Due to this attitude, one theme that constantly appears through the play, is the battle between reason and passion.
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
Superficially judging one’s character based on appearance alone may overshadow all of an individual’s positive attributes. As a result, fear affects the decisions that one makes throughout his or her life. Within a prestigious work of tragic literature, a character is seen as the epitome of the intricacy that insecurity has as he endeavors to indirectly win his Corazon’s love. Such a theme is portrayed in Edmond Rostand’s play, Cyrano de Bergerac, which takes place in seventeenth century France, a time of valor and romanticism. The protagonist, Cyrano, is so fixated on his hideous nose that he allows it to upstage his virtuous traits that could enable him to achieve the happiness of love. On account of this, the poet lives in the shadows of insecurity and never has the courage to directly court his extraordinarily beautiful and sophisticated love, Roxane. As time goes on, the Gascon is able to devote his love through a beautiful face, Christian, who is dim-witted, but admired by Roxane. This creates a dilemma for the poet because as he tries to make others happy, he is not able to be content with himself and he lives a life of despair. By possessing the exemplary attributes of pride, bravery, and humor, the grotesque but soulful Cyrano de Bergerac clearly exhibits a potential to live a happy life, but unfortunately, his life ends up unfulfilled as he is unable to selfishly take advantage of his trait’s abilities.
The 1600’s was a time where classism ran rampant and sexism blinded the eyes of many. As constantly demonstrated throughout history, when a group of people are discriminated against there are inevitably those who rebel, both in small and large ways. Moliere is one of these people, who defies the rules of society to open the eyes of fools who have let prejudice blind them. In Tartuffe, Moliere satirizes many commonplace societal norms from the 1600’s, including the opinion that higher class and gender (male) equals higher intelligence, a belief Moliere shows to be untrue through his esteemed portrayal of lower-class women.
Les Liaisons Dangereuses is a complex and disturbing portrayal of the noble class in pre-revolutionary France. Set in the late eighteenth century during the latter part of the Ancien Regime, Les Liaisons weaves a web of cold, calculated betrayal of the most immoral kind.
The characters in Molière's The Misanthrope inhabit a world different from that of many of the playwright's other works: we are viewing the actions of people at the very top of the social ladder of 17th-century France. For example, the foppish Acaste and Clitandre, who come into Célimène's house in the second act, are marquesses, the second-highest rank one can hold in the country. They can spend most of the day with Célimène, if they so choose, for their only remaining duty at court is to attend the coucher of Louis XIV, the formal going-to-bed ceremony of the king, to which only the highest members of the court were invited to attend. The characters of The Misanthrope own estates, hold power, and are immensely wealthy. They are not the bourgeois household of Tartuffe, they are not members of the upper-middle class--they are the court.
She believes that their distaste for Tartuffe stems from his ability to condemn their sins and point out their moral flaws. At Dorines’ intimation that Madame only spends her time so harshly criticizing the world around her due to her fear of abandonment, Madame Pernelle takes her leave, reminding them that they should count themselves fortunate to have such a holy and blessed man such as Tartuffe present among them. Upon her departure, the remaining family puzzles at how their grandmother, as well as their father, could be so blind to Tartuffe’s insincerity, recounting the many instances in which Tartuffe deceived Orgon and Madame Pernelle with his charms. As Cleante leaves to rest, Damis asks her if she would inquire as to the status of Mariane’s marriage to Valere because, should they not wed, Damis would then not be able to marry Valere’s
Launcelot and Meliagrance strive to show their dominance over others by fighting for love and honor. Throughout Book XIX of Le Morte d’Arthur
The film Moliere clearly showed how much the arts have influenced the lives of the French during the 17th century. In this film, almost all of the characters have a connection towards the arts. Most of them were involved in a particular form of art, which co...
Molière became a master of comedy so much that in the process of making his audiences laugh, he also made enemies. He first wrote for King Louis XIV, and he also pleased the popular Parisian audience who attended the public theater. However,...
... Hego dramatizes the plot as Valjean escapes and saves a drowning man in Toulon port but the people thing that he drowned. Hego builds his plot and shows vailijean meeting Cosette . Hego uses emotions skillfully as Valjean takes care of Cosette and loves her . Valigean`s character as a strongly pphysical person and a savior of people in danger threw shadows of conterversoy on the plot with two oppositional personality tyoes and added power and thrill to the plot. The Movement from suffering and injustice to hope empowered Valijean`s personality which played cohesively with Cosette who grew up in poverty and fear, Hego pictures Valigean as the hero who rescues Cosette from Thenardiers . The beauty of character transfer is illustrated in Cosette who becomes a happy educated woman. Hego plays again with Valijean peronality as he turns him from a care giver to a jailer
He focuses on exposing of the hypocrisy of Tartuffe throughout the story. Orgon has taken Tartuffe in his house, and given him food and shelter. In the family, everyone believes that Tartuffe is a hypocrite and fraud, expected Orgon and his mother; Tartuffe isn’t getting any respect from the other characters, Orgon is wealthy and powerful man, he trusts Tartuffe as holy and righteous man and listens to anything he says in which Orgon looks like fool. He does not even realize that Tartuffe takes advantage of him and manipulates his behavior. The character of Tartuffe contains most essential trait of hypocrisy. Moliere depicts his hypocritical behavior and vice in an exaggerative way, it is effective to criticize and uncover the religious hypocrisy in the society through description of the character