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The french revolution
French revolution quick summary
The french revolution
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Journal 1 The Miserable ( Les Miserable) Victor Hego Victor Hego, a French poet and a spirtual leader, he wrote the miserable in 1862. Hego portrays a novel of misery, love, hope and pain through a cohesive flow of incidents through unique characters . The novel addrsses the French social life in the first half of the 19 Th Century and is contents such as social habits and unfair laws, The historiacal aspects governs the novel between Napeleop fall in 1815 and the failing rebellion against the king Luis Philippe in 1832. Hego mentions at the beginning of the book “ The customs and the law in France creates a social circumstance which is a hellish humanitarian type, as long as there is carelesness and poverty on the earth , a book like this …show more content…
Hego described the misery of the misery in its truest meanings, his psychological analysis in love, society, politics and econmy reinforced his writings .The novel included powerful themes such as the god`s merciness, the French revolution composition, Napeleon fate in Wterloo battle , the conscious conflict btween the good and the bad, the victory of virtue over the vice, right over wrong and justice over injustice. Primarily. the novel is well defined, closed in advance and is only open on the rise . The novel consisted of contradictory elements in parallel: The bishop and police, prison and labor, the monastery, the battle of the Battle of Waterloo and the barricades , save Kozat openly and rid Marius underground ... and so half style Hugo novelist we can resort to Chbahen : I belong to him , as he said during the year 1846 to his friend Auguste Vachri : the artist to follow the lead of nature , which covers a series of hard rock and primitive decoration and abundance of plants without any fear of exaggeration in this thread . Because the simplicity of the main lines , and the emergence of details are the elements that must be observed in the interior decoration of the building Hauteville House , who excelled regardless of its articles , seeming at first glance incoherent …show more content…
No social class in the context of the participants said not only includes a factor Feuillé Able to highlight the antibodies , has been added to in recently . The section on the people and prominent in the context of the narrative of the story, talks about the corrupt class and disadvantaged by increasing them by ignorance and misuse degeneration and ignobility . Hugo has been collecting more accurate information about them until he reached a high degree of technical and described hotshot
He walks the reader through the mess of political strife and bloodshed and he is very detailed in the inner workings of the Committee of Public Safety. He also writes as if the reader knows nothing about the French Revolution. This is a very helpful aspect of the book. Another strong point in this particular story is that there is a map of The First French Republic in the front of the book. There is also a key for the titles of the months according to the French Republican Calendar. This calendar is useful in the reading because depending on the time of year as well as the situation he is writing about, he uses month names such as Ventôse which, in current translation is around the twentieth of
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
In the twentieth century, women were finding it hard to express who they were in a patriarchal system that generally refused to let them choose. Many women expressed themselves anyways and exposed the conditions that they face in public. One novelist that was writing about such topics was Federico Garcia Lorca. He wrote about one the of serious topics at the time about patriarchy in Spain and the way classes were run. An example to show how class systems were portrayed was from his play titled "La casa de bernarda alba" de Garcia Lorca. In the play, there are various characters that play a significance in the patriarchal systems and how they role as it centres on the events of a house in Andalusia during a period of mourning. Throughout this essay, one will discuss how patriarchal and class systems were presented through the various characters in the novel, which represented the different types of people at the time living in Spain.
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
In many works of literature a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediment, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him giving him a type of feeling even if Meursault doesn’t care. Meursault contains occasion of his emotional indifference between his friends and social indifference. This essay will be about the character’s struggle contributes to the meaning of the work as a whole.
Both the essays have the similarity that they discuss about the weaknesses in the protagonists life. They describe the social stigmas and the fear of being objected or feel guilty about wh...
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a nave, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
The composer of Les Misérables is a man named Claude-Michel Schönberg. Michel Schönberg was born in the year 1944 to Hungarian parents. He began his career in France as a writer, singer, and producer of pop songs. He collaborated with Alain Boublil for the Les Misérables musical. Mr. Schönberg is the book co-writer and the composer of La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre, and The Pirate Queen. He collaborated with Alain Boublil, Michel Legrand and Herbert Kretzmer to create Marguerite, his new musical in 2008, which opened at the Haymarket Theatre in London. Claude-Michel has done many supervisions overseas at productions and has co-produced several international cast albums of his shows. In 2001 he composed his
“It is precisely of him that I wished to speak. Dispose of me as you please; but help me first to carry him home. I only ask that of you.” Upon examination of Les Miserables, it is clearly evident that the elements of Forgiveness, Self – Sacrifice, and Courage are only a few of the main themes Hugo wanted to develop.
The Vicario brothers in Gabriel García Márquez’s Chronicle of a Death Foretold and Esteban Trueba of Isabel Allende’s The House of the Spirits are prime examples of vengeance not being sweet relief, but instead a bitter burden. Even if it is meant to protect personal morals and values, the act of escalating the anger into violence will never satisfy. The keen understandings of the Chronicle of a Death Foretold’s narrator and Alba give hope for the future to not be rot by the illogical thought that revenge is sweet because in reality, it eventually turns bitter.