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An essay on bravery and courage
An essay on bravery and courage
An essay on bravery and courage
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Superficially judging one’s character based on appearance alone may overshadow all of an individual’s positive attributes. As a result, fear affects the decisions that one makes throughout his or her life. Within a prestigious work of tragic literature, a character is seen as the epitome of the intricacy that insecurity has as he endeavors to indirectly win his Corazon’s love. Such a theme is portrayed in Edmond Rostand’s play, Cyrano de Bergerac, which takes place in seventeenth century France, a time of valor and romanticism. The protagonist, Cyrano, is so fixated on his hideous nose that he allows it to upstage his virtuous traits that could enable him to achieve the happiness of love. On account of this, the poet lives in the shadows of insecurity and never has the courage to directly court his extraordinarily beautiful and sophisticated love, Roxane. As time goes on, the Gascon is able to devote his love through a beautiful face, Christian, who is dim-witted, but admired by Roxane. This creates a dilemma for the poet because as he tries to make others happy, he is not able to be content with himself and he lives a life of despair. By possessing the exemplary attributes of pride, bravery, and humor, the grotesque but soulful Cyrano de Bergerac clearly exhibits a potential to live a happy life, but unfortunately, his life ends up unfulfilled as he is unable to selfishly take advantage of his trait’s abilities.
Many people use pride as a way to maintain their reputation and self-confidence in their own endeavors. However, Cyrano is not able to use pride to his benefit when it comes to encountering his love, Roxane because he is so fearful of being made fun of for his appearance. Instead, he expresses it unknowingly to others ...
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...t they must establish it. Even though life is difficult with all of its obstacles, the feeling of overcoming something can make the expedition worthwhile.
Works Cited
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Renascence: Essays on Values in Literature 56.1 (2003): 55+. Literature Resource Center. Web. 6 Mar. 2014.
Moran, Daniel. "An overview of Cyrano de Bergerac." Drama for Students. Detroit: Gale.
Literature Resource Center. Web. 31 Mar. 2014.
Rostand, Edmond. Cyrano de Bergerac. New York: Holt, Rinehart & Wineston, Inc., 1898.
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Williams, Patricia Elliott. "Some Classical Aspects of Cyrano de Bergerac." Nineteenth-Century
French Studies 1.2 (Feb. 1973): 112-124. Rpt. in Drama Criticism. Ed. Lawrence J. Trudeau. Vol. 10. Detroit: Gale Group, 1999. Literature Resource Center. Web. 31 Mar. 2014.
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
1. Cyrano de Bergerac Cyrano de Bergerac is a classy, intelligent man who writes for a living and his role is that he serves as the gateway for Christian to be with Roxane. Cyrano is so significance because he is stuck in a love problem where he has to help Christian, through his writings to get him and Roxane together but Cyrano also loves Roxane in which he can’t be known that the letters Roxane thinks Christian wrote are actually Cyrano’s feelings. Cyrano is a very intelligent, noble, skillful swordsman who is full of knowledge and creativity to allow him to write his writings. Cyrano shows loving character because he delivers a letter to Roxane every day, of his own feelings and helpful when helping Christian and his struggles with
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
Zwillenberg, Myrna Kogan. "Dramatic Justice in Tartuffe." Modern Language Notes 90.4 (Apr. 1975): 583-590. Rpt. in Drama Criticism. Ed. Linda Pavlovski. Vol. 13. Detroit: Gale Group, 2001. Literature Resource Center. Web. 25 Jan. 2014.
Society tends to misjudge people base on their appearances instead of their personality. This can be seen in the play Cyrano De Bergerac by Edmond Rostand. In which Roxane represents that vile aspect of society. Roxane is attracted to Christian based on his looks, and under minds Cyrano because of his appearance. Society misjudgment of people cause oppression on an individual and it is from oppression and misjudgment f character that causes self consciousness to be born. Cyrano exhibits this self consciousness by helping Christian. Such oppression or self conscious aids to form magnificent characteristics attributes such as the ones portrayed by Cyrano throughout the novel. After all of its societies misjudgment that causes Cyrano to be the character that he is.
Loyal, devoted, selfless, prideful, and knowledgeable. These are just a few of the many traits that will be sincerely missed. The story of Cyrano de Bergerac’s life impeccably emphasized that a positive soul is worth more than a beautiful face. There is currently a lot of media nowadays that highlights the importance of looks and the perfect face. They create products to alter your face and weight and people begin to forget what is really important. We see past the loyalty, the devotion, the selflessness, and go no deeper than our each other’s skin. However, Cyrano saw the good in everyone and he taught people, who may or may not have been in love, what is important in a relationship.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
Cyrano De Bergerac is an inspiring play based on a tragic love. The characters are revealed within unique backgrounds, creating life and depth between our imaginations. There are a variety of important characters throughout the play besides Cyrano De Bergerac. The play consists of more important characters than Christian De Neuvillette, although he is the most admirable. Three admirable qualities that Christian possessed are courtesy, modesty and bravery.
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
This is not fate nor coincidence. In complete control of his life, Cyrano is arrogant, deceptive, and hesitant in his actions; this ultimately leads to the great tragedy. As a result, we conclude that Cyrano has technically jeopardized himself. If Cyrano had not been so stubborn when he refused to be under De Guiche’s patronage, had not been so generous to feign the love letters for Christian, and had he not been so hesitatant when he deciding to confess his love to Roxane, the tragedy could become a romantic love story with a sweet ending. Again, Cyrano must hold all the responsibility for his actions and he must recognize that only he is to blame for this tragedy.
The teasing, with the addition of his love referring to him as a “friend”, Cyrano’s confidence in himself is not the highest. In order to attempt to have Roxane love him back, Cyrano has to depend on who she loves, Christian. With Cyrnao’s help, CHristia tries to woo Roxane back with heartfelt poetry as he states, “No – No- Not anymore – I love you… evermore… and ever… More and more!” (Rostand 105) Cyrano’s affinity for Roxane is so great that he has the will to credit Christian with his poetic way of words, suggesting Cyrano’s willingness to give up his independence just to feel Roxane’s love vicariously through Christian. Monsieur de Bergerac’s aspiration is to feel Roxane’s warmth, and at the beginning of the play he reaches satisfaction with depending on Christian to feel her affection. However, his dependence hampers his chance of fulfilling his dream of happiness with Roxane. Similarly to A Doll’s House, both Nora and Cyrano start off their respective plays relying on someone. Nora remains subject to Torvald and becomes restricted (without knowledge of it yet) from independence and happiness. Correspondingly, Cyrano maintains reliance on Christian, and never truly experiences a state of bliss. As the play progresses, Cyrano separates himself from Christian and differentiates himself to Roxane as the one she truly loves. Having the knowledge that his death is fast approaching, Cyrano reads
Renascence: Essays on values in Literature 59.2 (2007) : 93. Literature Resources from Gale Web. 24 Feb. 2010. Hatcher, Melissa. A. McCrory. The “Mythlore.”
The 17th century introduced a new social and philosophical movement to France practiced by its upper-class citizens, known as préciosité. This movement radicalized the way both men and women treated each other, bringing in both more freedoms and manners into the French society. In Edmond Rostand’s play, Cyrano de Bergerac, the protagonist, Cyrano, upholds this idea of préciosité throughout the play; and, often times he attempts to impress his true love, Roxane. In fact, Cyrano spends almost the entire play stressing over his love for Roxanne and how to tell her, but he lets his insecurities and doubt get in the way of revealing his true love. It is not until both his friend and he himself is dying, that Cyrano realizes that romantic love and
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.