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Moby Dick_various Interpretations
Moby Dick_various Interpretations
Moby dick as a psychological novel essay
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The seventh section of Moby Dick should be categorized as emphasizing, meaning to point out because of importance.
In chapter 93, Melville essentially dedicates this chapter to Pip. Pip is the Pequod’s cabin boy and was selected to be a replacement member in Stubb’s harpoon boat. However, when Stubbs crew successfully catches a whale, Pip becomes frightened when the whale strikes the section of the boat beneath his seat, and he jumps from the boat. Pip’s actions angered his shipmates because he gets tangled in the lines. To make matters worse, the lines wrapped around Pip were preventing him inhaling the needed oxygen. This forces Stubb’s crew to lacerate the lines restraining the whale in order to save Pip’s life. Additionally, Stubb instructs Pip to never to jump out of the boat again. Furthermore, Stubb informs Pip that if he launches his body back into the water, he would not be saved. Unfortunately, fear once again takes control of Pip, and without even considering Stubb’s ominous threat, Pip jumps again back into
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the water. This infuriated Stubb, and with the intention of teaching Pip a lesson, he leaves Pip alone in the middle of the sea. Stubb’s decision drives Pip insane, but luckily for him, Stubb has mercy on Pip and has his ship return to rescue the cabin boy. After identifying Pip’s influence on the Pequod’s whale fishing success, Melville continues by devoting the next chapter to Ishmael's fascination with the spermaceti.
Since the spermaceti is taken from a whale’s head quickly cools into lumps, the sailors are required to squeeze the substance back into liquid. Ishmael is filled with enthusiasm for the spermaceti, and he spends the majority of the morning period squeezing the spermaceti. Ishmael then begins to describe his unintentional contact with the other crew members whose hands were also in the basin. He also describes some of the other tissues the whale’s oil is derived. He gives depicts the Pequod’s “blubber-room,” where the blubber is processed and prepared to be used in products, such as heating lamps. Ishmael even goes as far as to inform the reader that the blubber-room is a foreboding location since the workers commonly lose toes to the sharp edges of the cutters used to slice the
blubber. In conclusion, since Melville selects a specific character as the primary topic of these chapters, and shows how their actions specifically move the plot, the seventh section of Moby Dick can be defined as emphasizing.
"He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. (280)" At first glance, a modern reader might mistake this quote for that of a social justice warrior complaining about the patriarchy and not a line proclaimed by Captain Ahab in Moby Dick. However, as one deconstructs Herman Melville's classic, he will observe that this gaffe is actually justified. Despite originating over a hundred years before the equality movements, Captain Ahab symbolizes one of their ambassadors because of his hatred for the system that wronged him; his driving will to enact revenge; and being disdained upon for his actions. To commence elaboration, the first characteristic exemplified by Ahab that establishes his symbolism is his loathing for the body that ruined him.
“Ishmael’s discourse is often calculated to undercut the myth of white supremacy, asserting that society’s survival may ultimately depend on the acceptance of Ishmael’s democratic vision (seeing equality in diversity) and a rejection of Ahab’s tyrannical one (seeing only white).”
This line poses contradiction; how can the tails of the sharks be within inches of the crew's hearts when the tails are slapping the hull of the ship, for the hull of a whaleboat would be much wider than a few inches. What Ishmael means when he says "within a few inches of the sleepers' hearts" is that there is a connection between the sharks in the water feasting on the helpless dead whale and the crew in their beds who have just done the same.... ... middle of paper ... ... Stop by the X-Stop Shop!
Although Ahab’s insanity appears to be what shuts him off from humanity, in reality it is what makes him human. Ahab desperately wants to be freed from his obsession – to not have to rely upon it to feel. It is because Ahab is no longer in control of his obsession that the reader eventually discovers that besides what the book originally seems to insinuate, Ahab is only human.
In The Town-Ho’s Story, Melville uses many different types of figurative devices to describe the relationship between Steelkilt and Radney. Radney is known and described as the inferior, yet higher ranked, mate, while Steelkilt is described as the more respectable, but lower ranked mate. Melville faintly, yet noticeably relates Moby Dick as a God and Steelkilt as Jesus. Such clever biblical allusions accurately describe Moby Dick and Steelkilt and although Melville does not give any biblical significance to Radney, the readers can still clearly visualize Radney’s character. The Town-Ho’s Story has symbolic significance that both foreshadows and describes Radney, Steelkilt, Moby Dick, and the fate of the Pequod.
Normal kids rely on their parents to be the boss, but in Lord of the Flies these boys must become their own authoritative figure. After reading a few paragraphs from chapter 11 of the book, William Golding shows us what happens when you lose everything, including your mind. Golding uses many literary devices to explain how easily these boys go crazy. Based on the aggressive tone, violent imagery, and savage actions in the passage, it shows that the boys have lost all sense of authority.
Two of Herman Melville’s literary masterpieces involve the concept of his characters being either “civilized” or “savage”. In his first novel Typee, Melville sets imagery of a crew being out at sea for sixth months without seeing neither land nor food. Throughout the trip our main character and narrator Tommo is subjected to verbal abuse on the ship and wishes to jump off. He is accompanied by his ship mate Toby also wants exposure to new unmarked lands of the Marquesas to eat tropical fruits and be merry. As soon as they see a different ship sail by they plan to hop on. The con to their plan however is that they must be well aware and cautious of the Typee who are rumored to be cannibals by nature and roam the islands. Throughout the novel there are plenty of self-conflicts that Tommo experiences.
Before affiliating the crew aboard the ship with Moby Dick, there are some comparisons to be made between them and ocean inhabitants in general. While living in the ocean environment the men begin to acquire the same survival techniques as some of the organisms in the ocean. The manner in which the whalers go about slaughtering the whales is much like the way that the sharks react to the whale carcass being held stagnate in the water. "....because such incalculable hosts of sharks gather round the moored carcass, that were he left so for six hours, say, on a stretch, little more that the skeleton would be visible by mornong"(Melville 328). These sharks are savages in the face of sustenance. In most cases the sheer size of the whale prohibits it from being captured and consumed by the sharks. The only chance that they have at these huge beasts is when they are slung along side the whaling ships. Once they have their opening to this plethora of meat it becomes a barbaric feeding frenzy. These actions of the sharks reflect the actions of the whalers when taking part in the slaying of a whale. "Soon ranging up by his flank, Stubb, firmly planting his knee in the clumsy cleat, darted dart after dart into the flying gish.
Herman Melville’s stories of Moby Dick and Bartleby share a stark number of similarities and differences. Certain aspects of each piece seem to compliment each other, giving the reader insight to the underlying themes and images. There are three concepts that pervade the two stories making them build upon each other. In both Moby Dick and Bartleby the main characters must learn how to deal with an antagonist, decide how involved they are in their professions, and come to terms with a lack of resolution.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
A leader and a fatherly figure, the Captain serves as the men's compass and keeper of order. His firm navigational commands and calm demeanor make the men a “ready-to-obey ship's company” regardless of their lack of practical experience. Ironically, the Captain is also the most physically useless man on board. Injured from the sinking, the Captain is filled with a quiet despair over his own ability to survive. A hardened seaman, he believes in the idea that a captain should perish with his ship -- to live at sea and to die at sea. The Captain even clings to the dinghy upon being rescued as if he feels a sense of obligation to remain with his boat in the briny deep. Though distraught over the fate of his ship and crewman, the Captain takes solace in providing for the dinghy’s survivors. Occupied with the well-being of others, the Captain does not contemplate his purpose or circumstances in life; he uses his energy to protect his crew and vessel, finding a renewed sense of meaning in this lesser form of leadership. Even when a callous seagull attempts to nip his open wounds, the Captain gently waves the bird away, respecting its life. The Cook on the other hand, attempts to swat it with an
I imagine you beating in my chest instead of my heart, a quiet and strange white organ. This comforts me. I dream of curling up inside your ribs and listening to your heart. I want to hear the inexorable footstep of life in its lub-dub, and I want this to be my lullaby. Today, cheek cradled in the rough nap of my sweater, I have the urge to rub my face against your barnacled side to feel the scrape and know it is real. Keelhauled by time. Moby-Dick: agent of nature and truth, wrapped in your silence, you are zen (breathe in, breathe out, and all the while unaware of anything besides whaleness). Moby-Dick, this is all so strange-- you are just one whale. Yet I conjure you, I call you up from the gray waves of my mind. Moby-Dick. I'm listening. Save me.
In the opening chapter, we feel sorry for Pip as we find out that his
There is much to be learned from the theme of the novel Moby-Dick. As in any book, there is a message or a sort of subliminal “moral of the story” type lesson you can learn from Moby-Dick.
On a grandiose scale, Melville uses the open sea as a metaphor for the world and mankind. There are many creatures that depend on the water, and then still others who depend on the creatures that depend on the water. In order for everything to be balanced, inhabitants must learn to coexist peacefully while they try to meet all of the different needs they may have. The multiple ships that the Pequod meets during all of the gams in the story, each represented a different culture of people. For instance, the Jungfrau (or Virgin), was a ship from Germany, while the Rosebud was from France, and the Town Ho came straight out of Nantucket. Not only were the different ships different in style and accents, but their views on whaling and life were all greatly varied as well. There was also a great deal of irony in the meetings of the Pequod with the other ships. " . . . another homeward bound whaleman, the Town - Ho, was encountered. She was manned almost wholly by Polynesians" (Melville, 239). The ship that came from one of the most "white" places in the whaling world, was not being run by whites! The Pequod also encounters " . . . another ship, most mis...