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Civilization vs. savagery
Civilization vs. savagery
Civilization vs. savagery
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Two of Herman Melville’s literary masterpieces involve the concept of his characters being either “civilized” or “savage”. In his first novel Typee, Melville sets imagery of a crew being out at sea for sixth months without seeing neither land nor food. Throughout the trip our main character and narrator Tommo is subjected to verbal abuse on the ship and wishes to jump off. He is accompanied by his ship mate Toby also wants exposure to new unmarked lands of the Marquesas to eat tropical fruits and be merry. As soon as they see a different ship sail by they plan to hop on. The con to their plan however is that they must be well aware and cautious of the Typee who are rumored to be cannibals by nature and roam the islands. Throughout the novel there are plenty of self-conflicts that Tommo experiences. …show more content…
If he chooses to be civilized he will not be capable of living with the Typee and their rituals.
On the other hand if he chooses to go native and join the Typee culture, people back in the states will never socially accept him. Typee sets a starting point for Melville to continue his thoughts on civilized and savage-like mannerism in his second book, Moby Dick. Moby Dick also takes place on a whaling ship where the readers develop an understanding for why the crew and the main character Ishmael do what they do. The whaling profession is found to be dangerous and even sometimes deadly based off of precedent with Moby Dick. Moby Dick is represented as being not only pure and innocent based off of its exterior, but as frightening and terrifying as a killer great white whale could be. The characters in this story also represent some civilized and savage features similar to Typee just portrayed
differently. Typee reveals this theme prematurely and Moby Dick is more evolved by the beginning of the story when discussing savage versus civilized behavior.
The title of the novel which I read is “Moby Dick”. The genre of this book is fiction and it is written in novel form. The story takes place in 1851 on the northeastern coast, mainly set in the Atlantic ocean, but also in New York City, and Pittsfield Massachusetts. It tells the story of Ishmael, the protagonist, who is seemingly lost in the world and is trying to make sense of his life. In his opinion, men who board whaling ships are choosing the alternative to suicide. Although Ishmael is the protagonist, and we don’t know as much about him as we do the other characters. A reason for his could be because he is the story’s narrator and doesn’t necessarily talk about himself as much as he talks about what is going on around him.
Removing the sound from Melville’s Bob le flambeur might lead one to believe that he or she is watching a Hollywood film noir, circa 1950. Melville, though not professionally trained as a director, manages to create an oddly stirring and quirky French film shrouded in the sheer curtain of Hollywood film noir. Though he retains much of the Hollywood style, he also employs tools of his own—camera movement and voice-over—to embrace the film in Melville-vigilante-style.
In Herman Melville’s world-renowned tale, Moby Dick, the crew aboard the Pequod sail the seas in order to hunt, capture, and kill a mysteriously terrifying sperm whale named “Moby Dick”. For centuries, humans have used technological advances to protect their elite status in the animal kingdom, at the unfortunate expense of species ignorantly perceived as being too weak or unintelligent to fight back. Moby Dick illuminates one of the most historically cruel instances of selfishly-oriented, industrial engineering: whaling and hunting animals for sport. Humans and animals are the only living creatures with a similar state of consciousness and this cognitive interconnectedness binds the two species together in ways that can only be speculated and
“Ishmael’s discourse is often calculated to undercut the myth of white supremacy, asserting that society’s survival may ultimately depend on the acceptance of Ishmael’s democratic vision (seeing equality in diversity) and a rejection of Ahab’s tyrannical one (seeing only white).”
Once Father Mapple speaks about Jonah and the whale, it becomes clear that Herman Melville's 1851 novel has a connection to the Bible and Christianity. Melville fills Moby Dick with several biblical allusions, and the novel's main characters are linked symbolically to figures in the Bible. Melville alludes to the Bible in Moby Dick to mock Christianity. He uses his primary characters of Ishmael, Ahab, and Moby Dick to make God seem like a judgmental being who has no pity on sinners unless they obey him. He also portrays faithful Christians as outsiders who
Moby Dick is one of the greatest books written in American literature but when it was first made, Herman Melville was shamed for writing it and hated. After a while Moby Dick was noticed from being a book everyone hated to one of the most popular pieces of literature now. The title Moby Dick is known by almost everyone in America. Originally Moby Dick was called The Whale that was originally published in 1851 but was changed to Moby Dick in a later date. The book starts out with a very famous line called “call me ishmael” which was the name of the main character/narrator who goes out to sea as a merchant and wants to go on a whale adventure. Captain Ahab gathers his crew to hunt down Moby Dick even though they were supposed to go to get oil
Herman Melville's Moby Dick is a book which can be read as a general metaphor for the battle between the evil powers of the Devil versus the divine powers of God and Jesus, both try to obtain the souls of mankind in order to assist in each other's destruction. In this metaphor, the Devil is shown through the person of Captain Ahab, God becomes nature, Jesus is seen as the White Whale, and the representation of mankind is the crew. The voyage of the Pequod, therefore, is a representation of a similar voyage of mankind on earth, until the death of Jesus, during the whole thing the influences of these three “supernatural forces” are connected. Thus, the basis of this idea is that in the plot of Melville's book, there are also peeks of the "plot" of the Bible.
Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s use of flagrant masculinity serves as a vehicle in which femininity is brought on board The Pequod; femininity is inseparable from masculinity in Melville’s works, as staunchly masculine as they seem superficially.
Literally, Moby Dick is a men's club, with only a glimpse of a woman in the background, or reflected in the stories of the sailors. They seem to have no sexuality, nor any personality. The two full blooded, dialogue speaking characters in the novel are both servants. Mrs. Hussey ladles out ³Clam or Cod³ to Queequeg and Ishmael, bans harpoons from her house, and busies herself like some cosmic washerwoman. In the novel, she is a laughably comic figure brought out for a few laughs, and then forgotten.
Before affiliating the crew aboard the ship with Moby Dick, there are some comparisons to be made between them and ocean inhabitants in general. While living in the ocean environment the men begin to acquire the same survival techniques as some of the organisms in the ocean. The manner in which the whalers go about slaughtering the whales is much like the way that the sharks react to the whale carcass being held stagnate in the water. "....because such incalculable hosts of sharks gather round the moored carcass, that were he left so for six hours, say, on a stretch, little more that the skeleton would be visible by mornong"(Melville 328). These sharks are savages in the face of sustenance. In most cases the sheer size of the whale prohibits it from being captured and consumed by the sharks. The only chance that they have at these huge beasts is when they are slung along side the whaling ships. Once they have their opening to this plethora of meat it becomes a barbaric feeding frenzy. These actions of the sharks reflect the actions of the whalers when taking part in the slaying of a whale. "Soon ranging up by his flank, Stubb, firmly planting his knee in the clumsy cleat, darted dart after dart into the flying gish.
Moby-Dick is the one American story which every individual seems to recognize. Because of its pervasiveness into our country’s collective psyche, the tale has been reproduced in film and cartoon, and references to the characters and the whale can be found in commercials, sitcoms, and music, proving the novel to still be relevant today. It is the epitome of American Romanticism because it delves into the human spirit, the force of imagination, and power of the emotions and the intellect. The novel praises and critiques the American society in sharp and unequivocal terms, while, at the same time, mirroring this mixed society through the “multinational crew of...the Pequod” (Shaw 61). Melville, through his elaborate construction of the novel, “makes the American landscape a place for epic conquest” (Lyons 462). The primary draw of this novel is the story itself: a whaling ship, headed by a monomaniac, and the pursuit of a whale, or the American dream and its attainment, making a clear “connection between Romanticism and nationalism” (Evans 9). The novel calls upon the reader’s imagination, emotions, and intellect to fully understand the journey of the story, the journey which takes the reader on a most unusual trip into the soul of mankind.
Herman Melville’s stories of Moby Dick and Bartleby share a stark number of similarities and differences. Certain aspects of each piece seem to compliment each other, giving the reader insight to the underlying themes and images. There are three concepts that pervade the two stories making them build upon each other. In both Moby Dick and Bartleby the main characters must learn how to deal with an antagonist, decide how involved they are in their professions, and come to terms with a lack of resolution.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
Moby Dick is set in Massachusetts where “nearly a third part of the population are Quakers” (Chase 9). The heavy religious influence of the time period likely made characters more morally right than people today. Whaler's were often out on the sea for extended periods of time, and had to be resourceful. It was not unheard of for a whaling ship to scavenge parts and whole lifeboats from a beached ship (Chase 12). Ships often faced dangers from the environment in addition to the dangerous nature of their trade. While traveling a ship would occasionally have to “abandon the idea of keeping any correct longitude” (Chase 39).
One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter. However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville. While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces. However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the world as he found it without any greater insight.