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Narrative analisis of moana
The contruction of a hero in literature
Narrative analisis of moana
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General Information
Moana is a heroic tale of a young girl who sets out on a journey to save her island. The opening scene tells a story of the shapeshifting god, Maui, who has stolen the heart of the goddess Te Fiti. After stealing the heart Maui battles a lava god named Te Ka and loses, disappearing for centuries.
The film revolves around the character Moana who at a young age discovers a love and special connection with the ocean. However, Moana’s father, Chief Tui, forbids Moana from going out on the ocean because he believes it to be too dangerous. Instead Chief Tui attempts at preparing Moana to be the next island leader. Moana grows concerned as their island, Motunui, is dying, she believes it has to do with the heart of Te Fiti.
One day when Moana’s grandmother, Tala, takes Moana to a cave where Moana learns that their people used to be voyagers, which is a type of nomadic people who continually sailed the ocean. Just before she dies, Grandma Tala shows Moana that the ocean has chosen her to find Maui and return Te Fiti’s heart.
Moana then sails beyond the reef, with her
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pet chicken Hei hei, to find Maui and make him return the heart of Te Fiti. On this journey Moana runs into several obstacles, the largest of which being that she doesn’t know how to sail. When Moana finds Maui he is reluctant to help her and tries to get rid of her, but the ocean forces them together. After Moana helps Maui get his magic fish hook back from the crab god, Tamaloa, in Lalotai, the realm of monsters, Maui agrees to help her and teaches her the how to be a wayfinder. The first time Maui and Moana try to restore the heart Maui battles Te Ka again and breaks his magic hook. Maui leaves, telling Moana to give up and go home. Moana is unsure what to do until she is visited by the ghost of her grandmother who tells her that she can be both a girl of the ocean and the leader of her people. Moana tries again to restore the heart and as her situation begins to look dire Maui comes back to help. When Moana goes to restore the heart though Te Fiti appears to be gone. Moana then realizes that Te Ka is Te Fiti and is able to restore her heart and transform her back into Te Fiti. In the end Moana returns home to Motunui to find that the island is revitalized and healed. Moana restarts the people’s traditions of voyaging while she leads her people. Identification of themes The main theme dealt with in Moana was discovering your true nature. We see this throughout the film as Moana struggles with her identity as a future-chieftain and her identity as a girl who loves the sea. In the end Moana realizes that she does not need to choose between her two loves, instead she combines them into one identity. There are also many examples of Jung’s archetypes and archetypal events within the film.
Two that were very clear were Jung’s archetypes of the self and persona. The self is who we truly are, the sum of all our conscious and unconscious thoughts, beliefs, etc. While persona is who we present ourselves to be, like the metaphorical mask that we wear when we interact with others. In the film we can see these archetypes represented through Maui and Mini Maui, the miniature anthropomorphic tattoo of Maui that roams Maui’s back and chest. Mini Maui represents the self because he shows the true emotions and thoughts that Maui seems to be feeling. While Maui himself is the persona because he hides behind a mask of grandeur and self-importance. Maui’s other tattoos represent the self as well because they only show up when he has earned them by going through a battle, journey or traumatic
event. Jung’s archetypes of anima and animus are also clearly represented throughout the film. Anima, or the unconscious female element of a male character’s psyche, is represented in Maui. Although he is a demigod Maui can be a bit of a wimp. After losing his battle with Te Ka he runs from battles more easily. Also, Maui’s caring and humble side comes out after he spends time with Moana; just as Jung believed that the animus presented itself when a man had contact with women. Jung also said that anima usually presented itself in a group of men. Maui’s anima would not have been as obviously present without Mini Maui. Animus, the unconscious element of a female character’s psyche, comes out through Moana. Jung believed that the first important carrier of the animus is the father. As we see in the film Moana takes on many of her father’s roles when she is learning to become the future chief of the island. Moana’s other male characteristics present themselves when she sets off on a journey to save her island. Jung’s syzygy archetype presents itself through the pairing of the goddess Te Fiti and Te Ka. Syzygy is when the anima and animus appear simultaneously, especially through royalty and deities. Te Fiti is the caring, life-giving goddess while she has her heart. Once her heart is stolen though she transforms into a raging male god of lava. This pairing can also be seen as a union of opposites, which is when two opposite things come together. We can see the Te Fiti/Te Ka relationship as a union of opposites most easily at the end of the film when Te Ka is given the heart and becomes Te Fiti once more. One of Jung’s more obvious archetypes in the film was that of the mother, the female goddess symbol usually having much to do with life giving and sustaining. Te Fiti was as literal of a representation of a mother archetype as you can get. She was a earth goddess that was credited as pulling the island from the sea and therefore giving life and resources to humans. In many ways Maui can also be seen as a mother archetype. During his song “You’re Welcome” he highlights many of the things he did for humans; such as pulling up the sky, stealing fire for humans, and harnessing the breeze to fill the humans sails and shake their threes so they could get food to sustain themselves. Without this great help from Maui humans would not be able to survive in a place like the pacific islands. The comedic relief character, Moana’s pet chicken Heihei, was a humorous example of the kore archetype. Kore is typically the damsel in distress or any other character that needs a lot of saving. Heihei is a chicken that lacks many of the necessary abilities and cognitions that help living things stay alive. Thus, he needs constant looking after. The ocean, Moana and Maui work tirelessly to help to keep Heihei from drowning and starving. Jung had an archetype called the spirit, which represents a higher consciousness and often a supernatural or godlike being. The ocean is a representation of the spirit because of it foreknowledge. It knew to choose Moana as the one to restore the heart, it brought Moana to Maui when a storm hit and capsized Moana’s boat, and it helped keep Moana and Maui together.
Their main goal is to turn human again, trying to find out many different ways to do this. They learn of a woman who goes by "Mama Odie", who could be identified as the mentor or supernatural aid of the story. They learn that one way to break their spell is to get Naveen to kiss Lottie, who will temporarily be princess of the Mardi Gras parade. Kissing a princess would ultimately fix their problem and turn both Naveen and Tiana human. Most of the "training" in these kinds of stories usually come in the form of life lessons. “Y’all want to be human, but you’re blind to what you need”Odie preaches, right before singing a song about finding yourself and learning who you are. These characters, while being from vastly different places, wanting different things, are actually very similar to each other with this song in mind. Naveen wants to spend his life in absolute luxury and riches for the rest of his life, and as previously stated, Tiana wants to run her own restaurant. They both have these goals that they set for themselves, and a plan to meet that goal. While this is all well and good, Mama Odie is here to remind them to not loose sight of what is really important, something that will continue to hold you up no matter how low you end up sinking. This is a Disney movie so of course our answer is
Archetypal criticism reveals that the strength of a relationship can overcome misfortune by reflecting the quest archetype.
In many myths, heroes depart to go on their journey. Atalanta is very different from those heroes. For example, her father abandons her at a mountainside because she is not a male. This is stated in the myth as ´Atalanta's father … when a daughter and not
Every story has characters with different roles, and each of them are important to make the story complete. Three characters, Bilbo, Gandalf, and Smaug represent three archetypal roles in this story. Their guide Gandalf, represents the mentor, Bilbo represents the hero, and Smaug represents the shadow. Smaug symbolizes fear to the characters, and the dragon represents one of the characters that are most often causing the most terror and trouble to the other characters in the story. The hobbit symbolizes the hero of the story, because he sacrifices himself throughout the book. Mr. Bilbo Baggins learns more and more each day, and he tries to always do the right thing. Gandalf symbolizes the guidance and help as a mentor, and he provides training and motivation to the characters. These three important characters greatly explain the
Everything she did lead her back to the ocean eventually. In the start of the movie Moana connects with nature when she was walking on the beach grabbing a sea shell. When Moana notices a baby sea turtle trying to be eaten by birds she decides to help the turtle back into the ocean where he belongs instead of getting the seashell. This act of kindness caught the oceans attention and chose her to return the heart to restore order. This shows a connection between Moana and the ocean. While on the journey Moana learns how to connects with the wind, the waves, and the stars to help guide her to Maui and then to the island of Te Fiti.
After discovering a God-given talent, a young boy struggles to achieve his only dream; to become the best there ever was. Baseball is all he has ever known, so he prevails through the temptations and situations laid before him by those out to destroy his career. His hopes and dreams outweigh all the temptations along his journey. These hopes, dreams, and temptations are depicted through archetypes in the movie The Natural.
Another prevalent symbol to me is the idea of sin. In The Ministers Black Veil Hooper just suddenly one day shows up to church wearing a veil. At first the people are sort of angered by it. People soon start to flock to his congregation to view the spectacle, and go so far as to test their '"'courage'"' by seeing who will go and talk to him. I think that the veil could represent sin. In The Ministers Black Veil Hooper was either trying to hide his sin from the people so that they could not judge him, which is god"'"s job, or maybe he was trying to protecting his self from the sins of the people. In the end of The Ministers Black Veil Hooper dies, and sees his congregation all wearing black veils, which would probably hint that maybe it represented the sin in all of us. In The Birthmark Georgiana"'"s birthmark could represent, as some religions believe, the original sin which is bestowed on all by the '"'hand'"' of god. But, unlike Hooper, Georgiana could not help her markings.
We come into this world with nothing and leave the same way. Our lives here are short and full of heartbreak if we do not lay hold on the spiritual aspect of life which the characters in this story strived for in their own ways. This world is full of symbolism in much the same way the story depicts it through the tattoos, so much the center point of the entire story. Parker was continually looking for perfection and acceptance with one more tattoo. He wanted the world and Sarah Ruth to focus on the tattoos he regarded as perfect instead of his inferiority.
Theme of Top Gun is that we as humans will stick together to support or fight a common cause, because in the movie Top Gun Maverick has to find the love of his life, get over his friend's death and has to fight with his academy enemy to help save people's lives. The archetypes of this movie are hero, mentor, and innocent. Maverick is a hero, Viper is the mentor because he is the Top Gun instructor and helps everybody with their flying and lessons. Goose is the innocent because he does nothing wrong yet he ends up dieing because of a problem with the plane.
From the call to the return, Toy Story Two is a modern example of Homer’s classic Journey of the Hero cycle. The movie Toy Story Two is taken right out of Homer’s archetype for his book the Odyssey. Both Toy Story Two and the Odyssey both go through a mundane world, the first stage that the hero does not want to be in, a call to adventure, and the point where the hero leaves the first world and goes to a different one. There is also a path of trails where hero goes on a new adventure meeting new people, and the Master of two worlds stage, when hero returns to old world as a changed person. All of these thing fall under the journey of the hero archetype. The next paragraphs will explain specific pieces from the movie and how they relate to the journey of the hero archetype.
In the beginning and sporadically throughout the film we hear tribal music playing, this allows the audience to adjust themselves to the mood of the film. It is here that we meet four main characters on a boat that seem to be coming back to the Sea Islands. The audience is able to overhear a conversation from two of the women in the boat, Yellow Mary and Viola talking about their past when they used to run along the banks (where the boat dropped them).
The film had nothing to do with the male characters. For once Disney made the male characters the bystanders as the females took center stage. The film is not about finding your one true love and living happily ever after. Surprisingly no one in the film ended up getting married. The female characters stood their ground and remained strong independent women. Instead it is about two sisters in a coming of age story and reconnecting as sisters. Little things like the death of their parents and the catchy songs live up to the Disney formula, but the film as a whole is something new and refreshing. While Disney is not quite on Japanese director, Hayao Miyazaki’s level of producing strong female characters, this movie was a move in the right direction. Instead of a movie with girls this movie is about girls.
The film team of Moana,2016 challenge to recreate Polynesian mythology into a kid’s movie. The movie directed by Ron Clements and John Musker is an adventurous movie with the theme being identity and self-discovery. Moana (played by Auli'i Cravalho) and Maui (Played by Dwayne Johnson) are the two main characters of the movie. The two set out for an outrageous adventure that could kill them. This brilliant adventure movie will leave you wondering what will happen next. From fighting little creatures with coconuts as armor to fighting a giant crab, to finally fighting a giant larval monster. To save the island of Tonga and Tahiti, this is one action-packed movie you don’t want to miss.
When the children become stranded on the island, the rules of society no longer apply to them. Without the supervision of their parents or of the law, the primitive nature of the boys surfaces, and their lives begin to fall apart. The downfall starts with their refusal to gather things for survival. The initial reaction of the boys is to swim, run, jump, and play. They do not wish to build shelters, gather food, or keep a signal fire going. Consequently, the boys live without luxury that could have been obtained had they maintained a society on the island. Instead, these young boys take advantage of their freedom and life as they knew it deteriorates.
Symbolism and meaning is by far one of the most important aspects of the tattoo industry. “The abstract emotions and human awareness of emotions show what really is going on in ones life (Johnson)”. For that reason tattooing is a form of self-expression, and can stand for literal interpretations. For the most part these interpretations are the conveying of spiritual meaning, or marking milestones such as life or death” (Johnson). For those who think tattooing is just for looks or put a bad judgment on it, should also realize that ones personal interest reflects upon their lives. “Many individuals get their first tattoos during adolescence or young adulthood.”(Bravermark) Due to the mainstream culture, these traditions traditionally associate with stereotypes. Stereotypes defiantly have a huge impact on life. Which leads to the next point? Whether flaunted or hidden, sought as art or brought out on a whim, the tattoo has left a huge impact on generation after generation.