Princess stories tend to stray away from traditional hero stories in one aspect or another. The story of Tiana and her frog husband is no different. The hero of our story is Tiana, a young woman living in New Orleans. The movie begins when she is a child, just as the trademark "Hero's Journey" wheel describes. Yet there is no hiding, no curses, no threats. Just Tiana and her friend listening to a story about a princess and a frog. Not only does this build the setting and add back story to our character when we later on find out about her father's dream of owning his own restaurant, this scene contains foreshadowing and contrast from Tiana and her friend Lottie. Lottie is a white, rich spoiled girl, full of dreams and energy. She seems to illustrate …show more content…
a more traditional "princess" stereotype due to her quirky habits and her lust for a prince. Despite all this she still has much respect for the main character of the story, Tiana. She is a hard working woman with one goal: to complete her late father's dream of opening his own restaurant. After the beginning flashback, we see Tiana coming home from a full night of work, only to get ready for her second job. This part of the story is still establishing her character, and how far she's come to achieving her dream, and how far she will go to make it happen. After the exposition, approaching the next part of the Hero's Journey (tm) wheel we see Tiana standing on a balcony looking up at the stars.
She wishes for another chance to purchase the property where her restaurant will be. She meets Prince Naveen (of Maldonia), in frog form. Naveen promises Tiana many riches and gold for her to kiss him, so he may turn into a human again. At a shocking turn of events, when they kiss, Tiana ends up transforming into a frog. Many times in the story can be interpreted as "refusal of the call", due to Tiana's rejection of a lot of different challenges presented to her. But considering this is when the journey begins, Tiana's refusal is when she refuses to kiss the prince multiple times before finally giving …show more content…
in. The journey really kicks off at the crossing of the first threshold, when our two main frog characters are dropped into the Bayou.
Their main goal is to turn human again, trying to find out many different ways to do this. They learn of a woman who goes by "Mama Odie", who could be identified as the mentor or supernatural aid of the story. They learn that one way to break their spell is to get Naveen to kiss Lottie, who will temporarily be princess of the Mardi Gras parade. Kissing a princess would ultimately fix their problem and turn both Naveen and Tiana human. Most of the "training" in these kinds of stories usually come in the form of life lessons. “Y’all want to be human, but you’re blind to what you need”Odie preaches, right before singing a song about finding yourself and learning who you are. These characters, while being from vastly different places, wanting different things, are actually very similar to each other with this song in mind. Naveen wants to spend his life in absolute luxury and riches for the rest of his life, and as previously stated, Tiana wants to run her own restaurant. They both have these goals that they set for themselves, and a plan to meet that goal. While this is all well and good, Mama Odie is here to remind them to not loose sight of what is really important, something that will continue to hold you up no matter how low you end up sinking. This is a Disney movie so of course our answer is
love. Jokes are made, Laughs are had, and we are finally down here in the belly of the whale with our main villain, Doctor Facillier. Here Tiana must face the antagonist and his manipulative strategy to get her to give him his talisman by promising her succession to her most greatest and persistent dream: her restaurant. The one thing she’s been fighting for, grasping for almost her whole life and she now has her chance in the palm of her hands. And yet, she throws it to the ground. Tiana does not want to jeopardize her home, her friends or her family just to get what she wants. She wants to earn the success that she gains instead of taking the easy route with the shadowman. By destroying his only way to take control of New Orleans, Dr. Faclilier is dragged into the “underworld” never to be seen again. Tiana and Naveen resolve their frog problem by getting married, therefore having Tiana become a princess, having the couple kiss at the end of the ceremony, and finally turning back into humans. It’s taken them a long time and a lot of hard work, but they finally manage to fulfill both of their dreams together. They are living happily in New Orleans with their restaurant and small fortune. There have been many obstacles, many trials and tribulations. But now they are here, back home with friends old and new. It is a very satisfying, Disney-esque ending to have the main characters we’ve been rooting for all this time finally get what they deserve in the end.
Refer to specific examples. What sets your hero’s journey in motion? What elements of the hero’s journey does it conform to? Use distinctive examples of what you see on the screen. Include quotes from the movie.
Once she got to the frogs, they ate her, but spit her back up wearing bangles and rings, and a pair of shoes. One was silver, the other gold. She was instructed to go to the festival, but before she left, she was to leave the gold slipper. At the festival, she sang and danced with the chief’s son. When it was time to go home, she told him to stay. The maiden felts sick, but the stepmother only called her names and was allowed nothing to eat. The next day, the chief’s son took the gold shoe and had all available ladies to try on the shoe, none of them could get the shoe to fit. A person had mention the maiden should try it on. So the chief’s son sent his men to get her. She gold slipper fit and he claimed her as his wife. She moved into one of his houses. The frogs came to visit her, bearing gifts of different types of beds for different occasions. The stepmother made the two sisters switch. The chief’s son had the step sister cut up into pieces and retrieved his
Storytellers use the picaresque form and the quest motif as standard literary devices in film, song, and the written word. The characters in such a story encounter many trials, setbacks, and triumphs on their quest to find what they so diligently seek. There is often much adventure and drama along they way, leading to their ultimate test. The three works discussed in this essay embody these themes. Voltaire's Candide, A Narrative of a Life of Frederick Douglass, An American Slave, and Terry Gilliam's masterpiece The Fisher King present very different journeys using vastly different characters and time periods. Each, however, examines the human spirit as each main character navigates both grizzly and joyous circumstances. End in the end, all is endured in the name of their quest.
This story is about sacrifice, Good versus Evil, and overcoming obstacles. She shows all the qualities of the Hero archetype and a Hero's journey. "Fate can take control of humans lives and can help humans reach the end of the challenging path. The path is a journey which can not be totally controlled by humans." In A Worn Path, an old "Negro" woman goes through and through again a path to get her grandson his medication for his throat.
The mold of the heroic template is evident throughout various types of media. Within movies, novels, and poems the hero’s journey is present. Of course, not every piece of literature or movie follows the cycle. However, the idea of the monomyth arose from Joseph Campbell. He wrote his own book, The Hero of a Thousand Faces, within his writing he describes that heroes’ follow the same basic procedure throughout their quest(s). This is where the idea of the hero monomyth arose. In Michael Lewis’s novel, The Blind Side, he portrays “The heroic monomyth.” The Blind Side consists of the basic characters and archetypes that accurately reflect the heroic template.
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
What is a hero? To our understanding, a hero is a person who is admired for great or brave acts. Joseph Campbell, an American mythologist, and writer wrote The Odyssey. In this novel he talks about The Heroes Journey which are twelve different stages of adventure known as the Ordinary World, the Call to Adventure, Refusal of the Call, Meeting the Mentor, Crossing the Threshold, Test/Allies/Enemies, Approach to the Inmost Cave, Ordeal, Reward, the Road Back, Resurrection, and the Return With The Elixir. The Odyssey is about a legendary hero named Odysseus, who fought among the Greeks in the battle of Troy and went through the stages of The Heroes Journey. Odysseus lived in Ithaca, Northwest of Greece, with his wife Penelope and son Telemachus.
An expectation of how fairy tale stories should be and how typical characters should act is deeply engrained within all of us from childhood. It all begins with classic stories like Cinderella, Beauty and the Beast, and Snow White. Sometimes though there are stories that completely turn around our view of how things should be. The Princess Bride by William Goldman is one of these stories. In it, our normal view of a princesses, heroes, and villains is greatly changed.
the adventures of a hero. The hero is usually a figure of high social status
The word hero as defined as an “individual who has the courage of conviction to perform feats that benefit the general populace, acts as a soldier of virtue, and has an altruistic spirit that urges him or her to act against evil and defend the greater good at all costs, even sacrificing his own well-being or life.” (Harrison 2). Although heroes can come in any shape and size they are commonly found in stories we read, movies we watch, or people we look up to. We do not think about it much but even our own life is made up of many hero’s journeys. We never realize that our hardships and how we overcome them is exactly what a Hero’s Journey is about and why we relate to and enjoy these stories so much. I will be going into the depths of a Hero’s
The hero's journey is a story outline that has been used throughout time to outline the basic and common steps that every hero takes in his or her epic journey. While commonly viewed as an ordinary Disney film, The Lion King tells the story of a maturing lion cub and emphasizes the Circle of Life. Every story with a hero follows most of the traits of the hero's journey, The Lion King perfectly exemplifies the qualities of a story of an epic hero.
In Act One, we meet Elphaba and Galinda—two strangers who could not have less in common. When thrown together as roommates at Shiz University, the two must learn how to get along. Doctor Dillamond, one of Elphaba’s professors confides in Elphaba that the Animals of Oz are beginning to lose their powers of speech. A Winkie prince named Fiyero comes to Shiz and charms everyone on campus, including Galinda, who he invites to a dance at the Ozdust Ballroom. Boq, a munchkin, also invites Galinda, who in turn prompts him to invite Nessarose, Elphaba’s wheelchair-bound younger sister. Galinda later gives Elphaba a makeover out of sympathy for her. When Doctor Dillamond is arrested and Fiyero helps Elphaba to free the subject of an experiment (a lion
Initially, the character, Lord Meng-ch’ang, is rude, arrogant, and rich man. For example, when Feng Hsuan sends a servant to go to ask Lord Meng-ch’ang for a place to live; his servant is rudely blown off. This demonstrates how much people don’t trust the lord. Furthermore, when Feng Hsuan asks for more stuff he gets he basic needs and is blown off. Feng Hsuan then sings, hoping he will get the attention of the servants. He eventually gathers what he needs and in return is loyal to Lord Meng-ch’ang. This shows how people can earn the people's loyalty by simply giving them their basic needs. The author, moreover, shows the readers that one that doesn’t show loyalty will not receive loyalty.
...tle different. The princess would be better off to let him live and marry this woman, so she could still see him. Despite the fact that he will be married to the young maiden, it does not portend that he is going to fall in love with her. The young lover may still have feelings for the princess but he cannot do anything about it. I believe that if you are meant to be together that somehow fate will rejoin you both later on in life when it is meant to happen. Maybe if the lover would try to talk to the king and straighten things out and prove how much he loves the princess and that he is the right one for her that he will give the young lover another chance to prove himself. Overall I think that this is a very good story and it made me want to keep reading until the end, which did not end like I thought it would.
Yann Martel’s “Life of Pi” shows all three of the main elements of a hero’s journey: the departure, initiation and the return, helping the story to greatly resemble Joseph Campbell’s structure of a hero’s journey. Through the trials Pi has to face, he proves himself to be a true hero. He proves himself, not just while trapped on the lifeboat with Richard Parker, but also before the sinking of the Tsimtsum. His achievement to fulfill the heroic characteristics of Campbell’s model are evident as he goes though the three stages.