Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Characterization of women in Shakespeare
Characterization of women in Shakespeare
Characterization of women in Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Characterization of women in Shakespeare
From the Oxford Dictionary: Misogyny: 'Dislike of, contempt for, or ingrained prejudice against women.' There exist five female characters with somewhat substantial bearing on the plot of 'Stoner': Stoner's mother, Ma , Edith Bostwick (later Edith Bostwick Stoner), Mrs Bostwick, Grace Stoner and Katherine Driscoll. Each of these characters can be seen as adhering to themes of love and family, and the strife that the subject of family can imply. Shaweller's allusion to, and accusation of misogyny is based on the characterisation of Edith in particular. As Stoner's wife, Edith is represented somewhat typically from chapter five onwards. Shawaller describes her characterisation as 'shrewish', a description fittingly alluded to in the critical …show more content…
One could see this scene as an example of typical female representation, focusing only on Edith's physical attributes before any other form of characterisation, arguably objectifying Edith. On the other hand, with consideration for the later stages of Edith and Stoner's marriage, Williams may be emphasizing Stoner's focus on Edith's physical grace to highlight his lack of romantic experience or life experience in general; through the lens of tragedy: this could be seen as Stoner's Hamartia/tragic flaw. If the tragic flaw is one's feeling for a female, though misguided, the flaw could be interpreted as critical of women, representing them as a means for a man's downfall, a somewhat misogynistic technique of writing. However, Edith doesn't necessarily represent an entire sex, or gender and other female characters do act as a source of enlightenment for Stoner later on. The first negative encounter with a female character takes place in the scene in which William Stoner first meets Edith Bostwick parents. There is also potential evidence of
At the start of the novel, Eliza Haywood places her protagonist in a very interesting, unique position, with regards to society of the time. The nameless main character is first illustrated in a playhouse, observing the interactions of the strangers around her. She notices a prostitute, surrounded by a swarm of men. “She could not help testifying her contempt of men who...threw away their time in such a manner, to some Ladies...the greater was her wonder, that men, some of whom she knew were accounted to have wit, should have tastes for very depraved” (257-258.) “Fantomina”, as she later comes to be called, oversees all of this. Haywood seems to put her above this crowd of men and prostitutes, while she observes and makes judgments on the nature of their behaviors. She expresses that she is disgusted by the mindlessness of the men in this situation. One might argue that this depicts a reversal of gender roles. Typically, men would look at women in this way, and the male character wo...
Whittier begins his story by writing, “Woman’s attributes are generally considered of a milder and purer character than those of man. ”(348) Right of the bat, the reader has a stereotypical idea in his or her mind about how a woman should act and what characteristics she should hold. Whittier does this to show how different and unique his main character, Hannah Dustan, will be seen throughout his piece of work. Whittier then goes on to say, “Yet, there have been astonishing manifestations of female fortitude and power in the ruder and sterner trials of humanity; manifestations of courage rising almost to sublimity; the revelation of all those dark and terrible passions, which madden and distract the heart of manhood.
Misogynistic Confinement Yellow Wallpaper depicts the nervous breakdown of a young woman and is an example as well as a protest of the patriarchal gender based treatments of mental illness women of the nineteenth century were subjected to. The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her, the price of rent was way too cheap and she even goes on to describe it as “queer”. However, she is quickly laughed at and dismissed by her husband, who as she puts it “is practical in the extreme.” As the story continues, the reader learns that the narrator is thought to be sick by her husband John, yet she is not as convinced as him.
Gender institutions is defined as “the total patterns of gender relations that structure social institutions, including the stereotypical expectations, interpersonal relationships, and the different placement of men and women that are found in institutions”( Andersen). Bud (David as a Pleasantville civilian), has a relationship with a girl named Margaret in Pleasantville. Margaret is the stereotypical innocent girl-next-door. She bakes Bud cookies to show her interest in him in the beginning of the movie, which is a typical girly action for a young girl in the fifties. The most clearly depicted example of gender institutions is the family life that all the families live in Pleasantville. The parents are the classic fifties mom and dad where the dad comes home from work expecting his made-up wife and cheerful children to welcome him at the door with a hug and kiss as well as dinner waiting on the table. One night when the father, George Parker, comes home from work to an empty house and no dinner prepared for him, he does not know what to do with himself. He calls throughout the house “Honey, I’m home! Where is my dinner?” And he gets no response (Pleasantville). After realizing no one was going to respond and there was no dinner prepared for him, he immediately goes to the bowling ally to meet up with his guy friends to discuss with them the problems he is facing at home with his wife. Again, the guys meet at a bowling ally, which would more likely be a place for men to hang out at rather than
Priestley mainly uses the characters in the play to present his views, especially Mr and Mrs Birling, to present his ideas about class and society. In the Birling family, Mrs Birling is the most upper class, and is always referring to the lower class female factory workers such as Eva Smith as ‘girls of that class’. She seems to think that working class people are not humans at all.
while his wife Bunny and daughter Maude are reminiscent of the two Sternwood daughters, Vivian and Carmen” (Bergan 201). These two women also provide that all-important aspect of the femme fatale. Bunny is the impulsive, sexualized woman who acts without thinking, and lives by the charity of the elderly husband who just can’t tell her no. Maude is the dark, intelligent, manipulative woman. She works in the background, accomplishing what she wants, only telling others what they need to hear for her to get what she wants.
The character analysis of Mary Anne Bell in comparison and contrast to Martha and Elroy Berdahl implores the audience to consider the idea that gender is not inherent.
"The sweetness and fine expression of her voice attracted his attention to her figure, which had a distinguished air of delicacy and grace; but her face was concealed in her veil. (page 5)" From the very beginning of the book, Radcliffe lets us know that beauty and attraction will play an intricate part in the development of the story. But she also lets us know that it will not be an open perception, she hints toward an element of intrigue combined with the person's role that they play within society. Through the entire book, we find that Vivaldi is obsessed with the beauty of Ellena. Ellena appears to be so perfect and pure, Vivaldi can not help but to fall in love with her. Here sex and beauty themselves end up being the instigators of deception and destruction.
...ith her charismatic brother who constantly looks out for her, supports her and believes in her when no one else does. This affects her attitude towards men positively. Years later, however, her mother’s boyfriend molests and rapes her thus changing her perspective of men or rather widening her understanding of them. She sees Mr. Freeman as a pedophile that he actually is. Nonetheless, while on the verge of adulthood, she develops curiosity towards men and at some point considers them as objects for her pleasure. She also grows to love and respect her mother’s husband to the point of trusting him while her mother is away on business.
Women show a submission to the power of men, even Blanche admits that maybe Stanley is what they need to ‘Mix with [their] blood’, whereas she treats Mitch with contempt, rolling her eyeballs when he can’t see and ridiculing him in ...
The grandmother is the central character. She is round and static. She is static because her basic unchanging trait is that “the grandmother is a figure of grace and dignity.” The grandmother is polite to strangers and sympathetic to the poor” (Hendricks). An example of the grandmother's actions that show that she is trying to convince the Misfit to live a conventional life is when she says, “Think how wonderful it would be to settle down and live a comfortable life and not having to think about somebody chasing you all the time” (Hendricks).
Why is the novel so intrigued by Myrtle Wilson’s “immediately perceptible vitality” (30), on the one hand, yet almost viciously cruel in its mockery of her upper class pretension on the other hand? (see for example, pp.29-35 where Nick contrasts Myrtle’s “intense vitality” with her and her sister Catherine’s laughable attempts to posture themselves as modern society women. Indeed, Nick twice remarks Catherine’s plucked and redrawn eyebrows as affronts to her “nature” (see p.34, and again at the very end on pp.171-172). What’s up with that?)
The male characters carefully look around in the bedroom and outside in the barn for clues. Why, the women are sent into gather some things for Mrs. Wright, who is the main suspect to her husband’s death. The women are mocked at by the men. The attitude the men at this time had toward women is provided by Glaspell in the opening of the investigation when the men noticed the kitchen. For example the male characters don’t take the Mrs. Wright when telling them about the important of having the heat on so that the jars of preserves wouldn’t break because of the cold weather. Yet, the male characters didn’t take Mrs. Wright seriously. As if they are just good for nothing women which lack the smarter to understand how to solve a homicide.
... allows the present day reader to gain insight into commonly held beliefs regarding women during the 14th century. By allowing Alison to have a sense of humor and joke about aspects of her marriage, Chaucer was able to make numerous points regarding women that would not have been acknowledged had a female author created them. By making Alison a laughable character, Chaucer was able to make points about women such as the unfairness of double standards, the acknowledgement of female desire, and the reality of women marrying well to improve their economic situations. Chaucer also provides us with detailed examples of commonly held stereotypes regarding women that are still relevant approximately seven centuries later.
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.