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Early 20th Century Art
Essay on 20th century art
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Art and Minimalism and all that is related: Art is like the mirror of a society, in many ways. It has always been relatable to and representational of the aspirations of a particular era. That society influences art goes without saying. That art seeks to influence social and cultural phenomenon speaks of its affective power. Minimalism was a logical development of trends that started at the beginning of the 20th century - more notably, in architecture with the Bauhaus and Mies Van Der Rohe’s philosophy of “Less is More”. There was a new way of looking at things, challenging old ideas of form and style. This philosophy was absorbed in the art stream, which was freed of its classical linkages and where Minimalism grew to be influential across several genres. In this essay, I have attempted to look for sustaining minimalist influence on contemporary design - an obvious but interesting connection and in contemporary music - a not-so apparent influence. Minimalist Art in the late 20th century - Common concepts: By the late 1960s, it had been established that minimalism was not about depiction but interpretation. It had a density of subject that didn’t reveal itself immediately to the viewer. It was simple, clean and geometrical and sought to express its underlying structure. And now, it was about the work’s relational aspects as well. This was exemplified in Donald Judd’s works. (his work with cubes and boxes) Repetition and progression were key elements. Richard Serra’a works, on the other hand, relied on the power of materiality(extreme) to evoke a response. (Union of Torus and Sphere, Consequence) On the other hand, Sol Lewitt attempted to purge the hand of the artist and present art in an unemotional and unbiased form f... ... middle of paper ... ...his work is soft, fluid, organic and human instead of geometrical. Ecominimalism is a term gaining popularity which stands for realistic and cost-effective approach to going green in buildings. It is somewhat ironical than many of its main propagators have refused to be associated with the term Minimalist. (Reich and Ando in particular) This could be that the term was used derogatively, in its early versions. The general public thought of it as cold, sterile and abstract. Today, even though it remains essentially simple, it is no longer restricted and ascetic. Minimalism has become a wide-ranging and increasingly nuanced philosophy. The idea of simplicity is interpreted in a diverse way, using a wide variety of media. Therefore, I think that with research, further possibilities for evolution will open up. Minimalism is definitely here to stay for a while longer.
During the 1960’s, a new branch emerged from this style to further challenge the boundaries that artists constantly fought to expand. Minimalism sought to emphasize attention to the physical properties of space and materials as being the artwork itself, without any connotative meaning attached to it. One of Tuttle’s earliest works, Light Pink Octagon, exhibits characteristics from this movement and encourages the viewer to value this piece for what it is by itself and nothing else. With this artwork, Tuttle forced critics and viewers to eradicate the presupposed boundaries and humbly demanded an open mind for the acceptance of art in its simplest and purest
In his essay, “The Evolution of Simplicity,” American conservative political and cultural commentator David Brooks examines the modern obsession with the simplification of life. His essay hints at man’s tendency to overcomplicate various aspects of day-to-day activities and failure to appreciate life for its true beauty. Brooks warns that this over complication of the nation can leave us swamped with stress and spread to thin, spending too much of our energy and focus on unimportant and virtually irrelevant facets of our existence.
Her bright colors shocking backgrounds and wild choices on pigments made her a full candidate for the anti-minimalistic way of design. Her blend of old world furniture from the Georgian and Victorian ages really made her have one foot in the past and one right in the future. Though she is hailed for her work with these bright vibrant colors, there are many who thought her work was well, on the gaudy side. Minimalistic art is basically pared down art. It's art without pomp and circumstance. Though many minimalistic art pieces can be very beautiful and soothing to the eye, they are the complete opposite from what Draper’s designs were going for. Dorothy never said that she didn't love minimalistic types of design she just loved the color of her designs. Minimalist interior designs are very symmetrical and are very calming to the eye. Being in a room where it is a minimalist design scheme makes you calm. Dorothy liked the connection people made with colors and never wanted to see that change with her design. Many people hailed her designs as being costume-y and gaudy. But Dorothy knew all along that what she was doing was what she loved and she really loved color. It seems as though now a days, minimalist took the place of Drapers large colors. But we can still find many of her work in department store and hotels. It is still debated as to which is better for a room but there are many different ways of thinking
Duchamp’s piece was not controversial because of the simplistic nature of the piece, nor the oddity of it- it was controversial because he had not made it himself. People were very opposed to this idea because they believed that art was something made and not found. Duchamp’s “ready-made” art, which were always mass produced objects made by machines, was offensive to them and so they rejected it wholeheartedly. Unlike Fountain, Kandinski’s Little Pleasures was not rejected because of the nature of its ’creation’, it was rejected because people had never before seen art with such a lack of recognizable forms. Before Kandinski, art had always had representations of things from life, and Little Pleasures seemed almost completely arbitrary to them with no connections to the world they lived in. As such, both pieces were, at first, denied the title of “art” because society was unable to break from tradition and admire something
Balance can be a difficult characteristic to hold within one’s self as well as their pieces of work. To obtain this quality, an equal amount of time and effort must be put within the creation of any type of design. There should not be any form of emphasis towards a certain topic unless another placed on its opposite. Artists, musicians, and dancers alike have the option to convey these characteristics in their works; either having that balance clearly noticeable, or placing emphasis on other features or a specific one at that. The people under analysis; Pollock, John Cage and Merce Cunningham, all had constructions in which freedom, control, purpose and purposelessness are exhibited. The question, upon examination of these works is whether
Barasch, Moshe. Modern Theories of Art, 1 From Winckelmann to Baudelaire. New York and London: New York University Press, 1990. Print.
Simplicity runs through Carson’s veins where “less is more”. Minimalism functions in his design where there are no extreme effects that would overpower his intention. His aim i...
Robertson, Jean, and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. New York:, Oxford UP, 2013.
Donald Judd was an American artist central in the development of a movement beginning in 1963 labeled Minimalism, a term and concept, he profusely detested and rejected. His contribution to the progress of art as a whole through challenging European artistic conventions was immense, as a result he revolutionised practices and attitudes surrounding art making and the exhibition of art. After his abandonment of painting in the 1960’s, he progressed to working three-dimensionally producing simple, often repeated forms, with an intrinsic focus on the use of space. In his eyes, he was reducing painting and sculpture to its basic elements through the use of simple forms, industrial materials, solid colour on flat surfaces, and natural light. However he refused for his work to be classed as sculpture, insisting on the term ‘specific objects’, highlighting its distance from previous notions of art-making in sculpture.
An ecocriticism is is a lens that looks at the relationship between people and the natural world. Thomas K. Dean gave a better description be stating, “Ecocriticism is a study of culture and cultural products (art works, writings, scientific theories, etc.) that is in some way connected with the human relationship to
The late 19th and 20th centuries were full of various technological innovations and major social upheavals. From the conflicts brought by a world at war to the booming revolutions of industry, civilization had gotten quite a boost. This led to new ways of creative expression, in both visual art and literature, that broke the binds of tradition and classical design. The term Modernism can characterize a broad array of styles and techniques, but it encompasses the same core ideals and principals that allows a piece to be easily identified as a Modernist work.
Complexity of a program has often accompanied simplicity of form like early Le Corbusier. More recent explanation for the simplicity in architecture, are various expansions of Mies Van der Rohe, contradictory “Less is more”. In response to Mies van der Rohe’s famous proclamation, Venturi replied: “Less is a bore.”
The minimalists are a movement that advocates for the removal of excess in our lives in order to gain more time to live fuller. They argue for not only getting rid of material possessions, but also to get rid of bad relationships, electronic clutter, and even sentimental items. The Minimalists argue to reduce the excess in your life, which echoes Thoreau; however, their true purpose is to argue for living life with purpose.
Relationship Between Art And Society: Mimesis. The relationship between art and society: Mimesis as discussed in the works of Aristotle, Plato, Horace and Longinus. The relationship between art and society in the works of Plato is based upon his idea of the world of eternal Forms. He believed that there is a world of eternal, absolute and immutable Forms (the world of the Ideal) and thought that this is proven by when man is faced with the appearance of anything in the material world, his mind is moved to a remembrance of the Idea or an absolute and immutable version of the thing he sees.
Peter Walker, one design representative personage of Minimalism, is a famous contemporary international landscape architect. He firmly believed that the object is the thing itself. He has perfectly combined art and landscape design with new significance. Each of his projects are integrated into a wealth of history and traditional knowledge and conform to the needs of the times with the exquisite construction skill. It can be seen concise modern form, classical elements and primitive beauty on his designs.