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Essays for the theatre
Essays for the theatre
Essays for the theatre
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William Shakespeare’s play A Midsummer Night’s Dream utilizes the technique of multiple characters playing leading roles. The fairy character Puck stands out as a dominant and leading role in the play. Puck is the best fit for the role of the protagonist because he is mischievous and therefore, has the ability to change the outcome of the play through his schemes and actions. As the protagonist, Puck is responsible for creating the major conflict that occurs between the four lovers throughout the play. This is important because the play focuses on the lives and relationships of the lovers. In addition, because of Puck’s interaction with these characters, his actions throughout the play, alters the final outcome. Finally, Puck’s relationship with all the mortals in the play, his connection to his fellow fairies, and the bond he has with his boss, King Oberon make him the best choice for a protagonist. Puck influences the plot with his use of the love potion by altering the lovers’ fates. This is supported by the quote, “Churl, upon thy eyes I throw All the power this charm doth owe. When thou wakest, let love forbid Sleep his seat on thy eyelid:” (II, II, 77-80). This quote is one of Puck’s many monologues in the play. In this quote, Puck is talking out loud as he is sprinkling the love potion on Lysander, who he believes to be Demetrius. When Lysander wakens the effects of the love potion creates conflict between him and Demetrius, and also between him and Helena and Hermia. The men are fighting for Helena’s love and attention which causes Hermia to become jealous of Helena. Hermia is also quite confused because when she went into the forest she had two suitors, Demetrius and Lysander. After the love potion is sprinkled ... ... middle of paper ... ...uote, Puck and King Oberon share a good laugh as pals and reflect on how their plans are falling into place perfectly. In the play A Midsummer Night’s Dream, the fairy King Oberon’s servant, Puck, is notably the best fit as the protagonist in the play. He has interactions with nearly all of the characters in the play whether they are cognisant of the interaction or not. His behaviour, and the plot twists he creates, serve not only to make the play interesting, but also humorous. If a protagonist’s role is to be the main character, and through their actions keep the readers and viewers on the edge of their seat, then Robin “Puck” Goodfellow has certainly accomplished that task. He is justified in the role of the protagonist in A Midsummer Night’s Dream. Works Cited 1.A Midsummers Night's Dream Second Edition. Canada: Harcourt Canada Ltd., 1931.
There are “the lovers”: Lysander and Hermia, Demetrius and Helena (there are other lovers, but these lovers are the main focus of the story). This is a comedy, so in the end they all end up with who they belong and live happily ever after as do all archetypal lovers in comedys. Shakespeare dives even more in archetypal depth than that. There are the clowns, or what might be called “the fools”: Quince, Snug, Bottom, Flute, Snout, and Starveling. They are poor in wealth, they are poor actors, and lack a reasonable amount of common sense, which is shown when they feel the need to explain themselves in the play. Any rational person knows that it is just a play and that the actors are not actually experiencing the events they are acting out, but they are "the fools," who are never rational. They decide it is a good idea to make sure the audience knows that it is not real, which is clearly absurd. Even within their group there is the ruler or leader of the fools, Bottom. He even gets his chance at being a more powerful ruler when Titania falls in love with him. He orders around the fairies like servants and is an ass both literally and figuratively, the kind of foolish ass of a ruler that would abuse his servants and subjects. Oberon is “the magician”, who is pulling the strings and basically conducting the whole play from the background. He decides who loves who, and orders his servant, Robin Goodfellow/Puck to conduct business for him. Puck is slightly mischievous, and although he messes up on accident, he doesn’t hesitate to sit back and laugh at the trouble he has caused, which earns him the archetype of “the
Oberon is one of the most important characters in the play A Midsummer Night's Dream by William Shakespeare and is the answer to the question of why there are so many problems in the play. Not only is Oberon the King of the Fairies but he is the husband of Titania and the master of Puck. Oberon’s character is multifaceted although it is evident that he will do anything for a good laugh. At times, Oberon is extraordinarily nice, generous, and compassionate. He felt sorry for Helena and tried to get Demetrius to fall in love with her. However, On the other hand, Oberon is cruel, jealous, and tyrannical. Resembling his mischievous servant Puck, Oberon finds no problem with playing with other people’s love. He swindled his own wife and laughed at the misfortunes of the four Athenians Helena, Hermia, Lysander, and Demetrius. Despite one’s view of Oberon, it is clear that he is the root of all the problems in the play because he starts a sequence of problems by making the love juice, orders the love juice to be used on Demetrius which in turn causes disarray for all four of the young lovers, and causes disgrace for Titania and creates obstacles for Bottom and the Rude Mechanicals when he uses the love juice on Titania in order to fulfill his own selfish desires.
“The course of true love never did run smooth” ~William Shakespeare. In the play A Midsummer Night’s Dream, Theseus and Hippolyta plan their wedding, which includes a play by the craftsman. While the other characters are trying to figure out their love for one another, the fairies interfere. Throughout the play the characters alternate lovers often. Although they bicker at one another, everyone finds their way to their true soul mate. The characters in William Shakespeare’s A Midsummer Night’s Dream are successful, after many trials and tribulations, in acquiring their desired relationships.
Shakespeare’s comedy A Midsummer Night’s Dream juxtaposes the patriarchal world of justice, rule, and order, contextualized as Theseus’ Athens, with the youthful, rebellious universe of Oberon’s woods. In the last lines of the play, Robin Goodfellow (Puck), one of several maliciously-inclined forest fairies, attempts to reconcile these opposites by suggesting to a potentially offended audience that the “immoral” events having occurred in these woods would simply have taken part in a dream. In contrast to the other characters of the play who either emblematize each side of the binary (fairies as the “woods” and older humans as “Athens”), or assert both extremes at different periods in time (young Athenians), Puck embodies the liminal space
Puck, or Robin Goodfellow, is established in the play as the jester to the King of Fairies, Oberon. He first appears in Act 2, Scene 1 when he and another fairy discuss the disagreement between Oberon and Titania are having. The fairy gives us some indication of Puck's character as she describes how Puck “frights the maidens of the villagery” and “Misleading the night wanderers” (Act 2.1, line 35). When Titania refuses to give up the boy servant that Oberon wants, he comes up with a plan to steal the child, and enlists Puck's help to do so. Oberon is fully aware of Puck’s desire to have a good time at the expense of others, but trusts him with the task of retrieving the flower to make Titania fall in love with “Lion, Bear, Wolf, or Bull.” (Act 2.1, line 180) The idea here is to convince Titania to hand over the changeling boy while she is infatuated with a beast. Being attracted to mischief, Puck seems excited to be tasked to this adventure, and claims to return “Within forty minutes” (Act 2.1, line 176) so that they can get started on their plan.
Out, cur! Thou dravest me past the bounds Of maiden’s patience. Hast thou slain him, then? Henceforth be never numbered among men. O, once tell true! Tell true, even for my sake! Durst thou have looked upon him, being awake? And hast thou kill'd him sleeping? O brave touch! Could not a worm, an adder, do so much? An adder did it, for with doubler tongue Than thine, thou serpent, never adder stung.Puck enchants the four lovers with the love potion while they are sleeping when they wake up Helena and Hermia are confused from Lysanders and Demetrious behavior .If puck wouldn't have abused his power in magic this wouldn't have happened .Puck puts potion on Lysander’s eyes (Act II.scene ii. 78-80) and in this one action turns these relationships upside down.THis is evidence that Puck and Oberon obuse magic and thereby Impact the four lovers.In conclusion Magic has impacted many people in the play but comparte to everybody else the four lovers are the most affected by this .
When Puck mistakenly applies the love potion to Lysander’s eyelids. At this point, both male characters of the main plot have fallen in love with Helena, leaving Hermia out of balance. The struggle of the four lovers is one of the more complicated conflicts in the play. The conflict could have been avoided if Puck had not misused his magic. However, because Puck mistakenly used his magic on Lysander, conflict erupted.
The fairy world then comes into contact with the world of the young lovers. Mischievous Puck causes further complications when he uses magic to anoint a young Athenian male’s eyes, who is in fact the wrong Athenian that Oberon assigned Puck. Puck misuses magic when he plays a silly prank on Bottom who is one of the Mechanicals, by giving Bottom a head of an ass. Strangely Titania falls in love with the creature that Puck has created. This results in Oberon becoming extreamly fu...
Even when he did put the love juice into the right people's eyes, they still fell in love with the wrong people sometimes. The first example of this mistake of Puck's is where he puts the love juice in Lysander's eyes, mistaking him for Demetrius. Oberon tells Puck to put the love juice in the eyes of an Athenian man, Demetrius, and to make sure that the first thing he sees after this is the woman whom he hates, but who loves him so much, Helena. Puck ends up finding Lysander and Hermia, lovers, sleeping on the forest floor. He puts the love juice in Lysander's eyes and leaves.
Love and nature also play a huge part in the bizarre events that surround dreams and the concept of dreaming. While each of the four lovers dream of being with a particular significant other, bizarre circumstances, brought upon by Puck, allow for chaos and obvious confusion. But, probably one of the most bizarre situations within this production is the lines uttered by Puck at the completion of the production. These lines really relate to the concept of dreams because they make the audience question the outlandish events that had previously occurred or indeed, whether they had even occurred at all. Works Cited Shakespeare, William.
Thanks to the mistakes of Puck (the fairy) and simply fate, the next morning she finds the both men are in love with her. At first Helena is confused and offended by the actions of the men, however seeing the frustration of her sister, she becomes proud that the love tables have turned. Helena is no longer the ugly, unwanted sister. After an argument Hermia and Helena are supposed to fight. Helena is determined to prove she is the better sister. Falling in a deep sleep in the woods, with the help of Puck, she wakes in Demetrius arms. Demetrius is still in love with Helena like the night before. When they return to the palace they are
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Fairies and the remaining fairies of the play, Puck does not seem to fit in as
Puck causes the disruption initially, when he intervenes in the lovers' business. Jester and jokester, Puck, otherwise known as Robin Goodfellow, is like a wild, untamed memb...
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...