THE IMPORTANCE OF OBERON TO THE PLOT In the play, Oberon brings all the characters from different worlds into contact with each other. This results in the complications and collisions that occur between various characters throughout the play. “Magic” has an effect on all the complications and collisions. Magic is misused and then used to correct situations. There is drama caused between the young lovers initially, when Hermia loves Lysander, Lysander loves Hermia, Demetrius loves Hermia, Helena loves Demetrius, but no one loves Helena. Through this short, complicated ‘love story’, arguments and fights occur. The fairy world then comes into contact with the world of the young lovers. Mischievous Puck causes further complications when he uses magic to anoint a young Athenian male’s eyes, who is in fact the wrong Athenian that Oberon assigned Puck. Puck misuses magic when he plays a silly prank on Bottom who is one of the Mechanicals, by giving Bottom a head of an ass. Strangely Titania falls in love with the creature that Puck has created. This results in Oberon becoming extreamly fu...
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
During the course of Shakespeare?s A Midsummer Night?s Dream, the rise of two leaders emerge. Theseus, the leader of Athens and of ?reality?, and Oberon, the leader of the fairies and of ?dreams?. Shakespeare makes it evident that these leaders are two of a completely different nature. As the play progresses it?s clear that Oberon is the better leader of the two.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander. Helena, hearing about their plans, tells Demetrius, and all four of them end up in the woods where Lysander’s quotation, “The course of true love never did run smooth”(28), becomes extremely evident due to several supernatural mix-ups, authority, and jealousy.
iv. i. 29-54. Oberon’s greed for the child and power caused problems for many. As one can see, Oberon is the origin of all of the complications in the play. He failed to realize that his careless and greedy actions devastated an abounding number of people.
Irrational love is a theme throughout “A Midsummer Night’s Dream”. Our project looked at this theme as a common thread that was spun into multiple scene and exemplified by a variety of characters. For this analysis of the theme of irrational love I will primarily focus on the relationship between Bottom and Titania. Throughout the paper I will summarize the other two relationships, Lysander and Helena as well as Demetrius and Helena. For continuity I will focus on the section that I most closely read while highlighting the themes within the other sections.
Next, the misuse of magic causes conflict among the four Athenian lovers. When Puck mistakenly applies the love potion to Lysander’s eyelids. At this point, both male characters of the main plot have fallen in love with Helena, leaving Hermia out of balance. The struggle of the four lovers is one of the more complicated conflicts in the play. The conflict could have been avoided if Puck did not misuse his magic. However, because Puck mistakenly used his magic on Lysander, conflict erupted.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Not only does this conversation in Act 1 helps to develop Puck’s character but it also introduces the main plot for the play. Here we find out that Oberon is jealous of Titania’s attention and affection for her new page, the changeling boy. Because of his jealousy, Oberon devises a scheme to place Titania under a spell causing her to act like a fool.
She is momentarily in love with a mortal with an ass' head (also as a consequence of Puck's actions). The audience has the advantage at this point as they all know. making them feel as though they are a little superior. They know that the fairies and all of Puck's activities. The audience is expecting that Oberon will sort out the mess after seeing the chaos.
The story starts with a fight about love. Egeus, who is Hermia’s father, does not want Hermia to be in love or with Lysander at all. Egeus wants his daughter to be with Demetrius who is in love with Hermia, but Hermia does not love him. Egeus goes to Theseus who is the Duke of Athens. Egeus tells him about the situation, and of course the Duke will go with Egeus side since he is the father of Hermia and he decides what she should do. Now Hermia is stuck with marrying Demetrius, becoming a nun, or being put to death. Hermia and Lysander decide to run away in the woods where there are no rules and where nothing can stop them from being in love. Hermia trusting Helena, who is her best friend with the secret she tells her. Helena is in love with Demetrius. She goes to tell Demetrius that Hermia has decided to run to the woods in hopes Demetrius would take her back.
In this love square there is Hermia, Demetrius, Lysander, and Helena. Hermia is supposed to marry Demetrius, but she is in love with Lysander who loves her in return. Demetrius loves Hermia, but she does not love him back. Instead, her good friend Helena loves Demetrius. To mix up this love square, Oberon requests Puck to find a special flower.
... featured one last time in the epilogue to this scene, where he tells the audience that if they do not enjoy the play, they should think of it as nothing more than a dream. If the audience does enjoy the play, they should give Puck "their hands," or applaud. Thus Puck is cleaning up for more than the fairies problems in the last soliloquy, as he cleans up for the entire play as well. Both of the fools were necessary in this play. Puck's tricks and loyalty makes Oberon's goals and the happiness of the lovers possible. Bottom's foolishness provides for comedy for both the characters in the play and the audience, and it’s his transformation which enables Oberon to obtain the boy from Titania. Puck, Oberon's fool, and Bottom, the fool of the play, both provide comedy and some-what intelligent observations, which make them an important part of A Midsummer Night's Dream.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Love’s many aspects, especially young love, tend to be fleeting and hectic by nature. The movie and the play show this via the intervention of the fairies and their potion to Hermia and Lysander’s relationship, along with Helena and Demetrius. The potion causes a rapid change of heart which represents love’s fickle nature. The relationship between the king and queen of the fairies shows how love can be both cruel and forgiving. The cruel joke the king played on the queen due to his anger caused the queen to fall in love with an ass, but by the end of the movie and play, the king had forgiven the queen and they were loving and happy
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...