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Cherokee beliefs and folklore
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In When the Earth Shakes: The Cherokee Prophecies of 1811-12 by Michelene E. Pesantubbee, Pesantubbee discusses the reasoning behind and the influences on different Cherokee prophecies between 1811 and 1812. In the time leading up to the War of 1812, many Native American tribes had similar prophecies that followed the same patterns and which were influenced by the same occurrences and traditions. However, the prophecies did not reflect the traditional Ghost Dance, but they did have elements of a series of three events that non-Cherokee people grouped into one movement including their apocalyptic stories which were influenced by Tecumseh and his Creek and Shawnee following. The traditional Ghost Dance of the Cherokee Indians has frequently …show more content…
However, it has been found that three specific patterns encompassed the prophecies. The first pattern can be seen through Charlie’s Vision- involving more than one person who helped to disperse the vision among the people, and the provider (God) “told” the people that he was unhappy that the Cherokee embraced aspects of white culture- making the Cherokee feel the need to return to their traditional ways. Then next pattern is prominently visible when observing “A Father’s Healing Vision”: a father dreamed that God was mad that the Cherokee sold their land to white settlers, so he made the father’s children sick. Then a man covered in tree foliage came to the father and told him the Cherokee needed to free the land of the white man, and only then everything would be better. The tree-man healed the children then left. Here, the dream contains aspects of sacred myths instead of Charlie’s which related to the-present problems. The last noticeable pattern is shown through apocalyptic prophecies. The apocalyptic prophecies began to pop up after a comet and a series of earthquakes in 1812. Most of the prophecies predicted a natural disaster that would wipe out the entire world except for a certain sacred place, “The theme that the world would be destroyed or whites and non-believers would die appeared in all of the accounts…” (Pesantubbee 310).
Jimmy Dean once advised, “I can’t change the direction of the wind, but I can adjust my sails to reach my destination.” The novel A Long Walk to Water authored by Linda Sue Park, is a work of realistic historical fiction and a dual narrative focused on adjusting to change. One storyline is about a young eleven year old girl named Nya who is apart of the Nuer tribe and lives in Sudan. Nya lives the life of a young Sudanese girls because they collect water for their family every day. The other storyline is about an eleven year old boy named Salva who is in the Dinka tribe and lives in Sudan, but travels throughout many countries and states in his life. Salva’s story line shows how getting attacked by rebels and escaping from civil war changed his and many others’ lives. Both characters face many changes throughout the story. Linda Sue Park wants readers to know to accept change for good or bad.
Kevlar (10) - synthetic fiber that is often used as a reinforcing agent in tire and other rubber products. I is made up of high tensile strength.
On page 6, Lauren Tarshis writes that in the Southern Plains, “nature had existed in balance” for thousands of years. What role did prairie grass play in maintaining that balance? (key ideas) The prairie grass supported the ground. It kept the dirt and dust together so that it didn’t blow away and cause dust storms. What Tarshis means by this is that the nature had kept everything in balance by keeping it in place.
John Hollander’s poem, “By the Sound,” emulates the description Strand and Boland set forth to classify a villanelle poem. Besides following the strict structural guidelines of the villanelle, the content of “By the Sound” also follows the villanelle standard. Strand and Boland explain, “…the form refuses to tell a story. It circles around and around, refusing to go forward in any kind of linear development” (8). When “By the Sound” is examined in regards to a story, the poem’s linear development does not get beyond the setting. …” The poem starts: “Dawn rolled up slowly what the night unwound” (Hollander 1). The reader learns the time of the poem’s story is dawn. The last line of the first stanza provides place: “That was when I was living by the sound” (3). It establishes time and place in the first stanza, but like the circular motion of a villanelle, each stanza never moves beyond morning time at the sound but only conveys a little more about “dawn.” The first stanza comments on the sound of dawn with “…gulls shrieked violently…” (2). The second stanza explains the ref...
In Hayslip’s book When Heaven and Earth Changed Places, she talks about her life as a peasant’s daughter and her and her family’s involvement in the Vietnam War. The Vietnam War has not only affected Vietnam itself, but also the United States, where in the beginning they did not want to get involved. However, with the spread of communism, which had already affected China, the president at the time Lyndon Johnson, thought it was time to stop the spread of the Vietnam War. With America’s involvement in the war, it caused great problems for both sides. In Vietnam, it causes the local people from the south and north side to split up and either becomes a supporter of communism or of the US’s capitalist views. In addition, it caused displacement for those local people, thus losing their family. In America, the Vietnam War has brought about PTSD, post-traumatic stress disorder, and deaths of many soldiers, more than World War II. With the thought of containment for communism, the US had gave back Vietnam their war and “gave up” on the war, leaving Southeast Asia in the sphere of communist views. With the thought of the domino theory that a country will fall in similar events like the neighboring countries, like China as Vietnam’s neighbor the United States tried to remove communism from Vietnam. US’s involvement in the war caused problems for both sides of the war.
In her work, “This is Our World,” Dorothy Allison shares her perspective of how she views the world as we know it. She has a very vivid past with searing memories of her childhood. She lives her life – her reality – because of the past, despite how much she wishes it never happened. She finds little restitution in her writings, but she continues with them to “provoke more questions” (Allison 158) and makes the readers “think about what [they] rarely want to think about at all” (158).
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
7. Starr, Emmet. History of the Cherokee Indians and Their Legends and Folk Lore. Baltimore, MD: Genealogical Pub., 2003. Print.
“The most conspicuous… is probably their practice of obtaining supernatural power in a dream or vision…” (519). The Dionysian cultures believed that they could go on quests to achieve a vision of the future. Today, those quests are no farther than the telephone, advertisements on television, or on your computer screen. Everyday, people are introduced to different experiences where they can “find out their own future”. Societies have always wanted to know their futures. Recently though, the urgency to know one’s own future has increased dramatically. With the technological advances that have taken place in our society, fortune telling has become more apparent. Societies are feeling increasingly out of control of their own lives, and are going to these fortunetellers to feel more self-assured. “On the western plains they believed that when the vision ...
The story that Jess Walter tells, much like any other novel, is one of joy and sorrow. Lives intersect and separate, people fall into and out of love, and dreams are made and broken. What Walter does with his plot though is quite different. He writes it in a way where the whole book itself relies on the reader’s ability to realize that though some people meet for only a brief amount of time, their dreams and hopes, can hinge on even the briefest moments. Sometimes the characters in the novel have their stories intersect, some in very interesting ways, and other times you see their story as it is and was, just them. Walter does a wonderful job of bringing together many different lives, many stories, and showing how just because you feel alone, does not mean you are, your life and story can at any moment intersect with another and create a whole different story. Perhaps, Alvis Bender puts the idea that Walter is trying to convey into the best words, “Stories are people. I’m a story, you’re a story . . . your father is a story. Our stories go in every direction, but sometimes, if we’re lucky, our stories join into one, and for a while, we’re less alone.”
Colum McCann, author of, Let The Great World Spin, researched the streets of New York in the 70’s to create the perfect landscape while he remained in Dublin, Ireland. Dedicating numerous hours into the novel McCann incorporates literary devices like symbolism to depict a larger story. Within the novel McCann symbolises different objects to portray each character in their own individual light and to illustrate the meaning of love. Symbolism helps to show that the death of objects and people spark love between the living. Throughout the novel, McCann illustrates destruction of the dead and the effects on the living by symbolizing different objects.
In Roberto Bolano’s collection of short stories called Last Evenings on Earth and in the short novella Senselessness by Horacio Castellanos Moya, both Bolano and Moya demonstrate implausible situations, horror, and violence throughout their stories. In Last Evenings on Earth, Bolano divides his stories into those that are recollections of a writer’s days or the accounts of a writer named ‘B’. These short stories explore the question of what it means to be an individual devoting one’s life to artistic expression. In Horacio Castellanos Moya’s Senselessness, he writes about a fugitive writer who takes on the job of copy-editing testimonies from survivors and witnesses of the massacres in Guatemala for the Catholic Church. In Moya’s novel, he uses the main character to explore the question of censorship within artistic expression and within life itself. Both Bolano and Moya express horror, violence and implausible situations with the focus on poetry itself. In Bolano, it’s a reoccurring theme in which his characters are either poets themselves or express their love for poetry in the situations they are put into. In Moya, poetry becomes the obsession of the main character as he obsesses over the testimonies and the voices of the victims. Bolano and Moya both define a vision of what it means to live in the present through the focus on the senselessness of life itself as well as the expression of art.
The descriptive poem written by Pulitzer Prize-winning poet Theodore Roethke, deals with an aggressive storm and all its effects on the environment: the surrounding nature and the people experiencing it. The storm is described in a disorganized manner to highlight the big chaos the storm causes. Nature is precisely illustrated, because it reacts on the storm and thus is an important factor for the description of the storm. The people simply give an extra dimension to the poem, and the theme of men versus nature in the form of a storm.
This incredible work of art is the Allegory of Spring, also known as Primavera, created by the Italian Renaissance painter, Sandro Botticelli. This piece’s medium was on a Tempera on panel and was created in the late 1470’s to early 1480’s. The location of this Uffizi Gallery, in Florence, and the dimensions are about 80 inches by 124 inches. This painting was a wedding gift for Lorenzo de’ Medici and his wife, they hung this stunning piece above their bed, in their home. In this piece of work, they are standing in Orange Grove, which the Medici family adopted for their family symbol. This intrigue painting contains 6 female figures, cupid, along with 2 males. The idolized women in the center goes by the name of Venus, and above her, is cupid.
"The Sun Rising" by John Donne uses figurative, rhetorical and hyperbole techniques to demonstrate the displacement of the outside world in favor of two lovers' inner world and how the sun fulfils its duties by revolving around their bedroom.