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Metaphysical features on the poem of john donne
Literary analysis full essay
Literary analysis full essay
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The Sun Rising by John Donne
"The Sun Rising" by John Donne uses figurative, rhetorical and hyperbole techniques to demonstrate the displacement of the outside world in favor of two lovers' inner world and how the sun fulfils its duties by revolving around their bedroom.
Donne uses figurative language throughout the poem. The first stanza compares the sun to a "Busy old fool" (1) and "Through windows, and through curtains call on us?" (3) is figurative language for eyes. A wink allows the sun to come into the lovers' inner world. The reader knows the lovers' bedroom is not the center of the world and the sun does not "contract[ed]" around their bed.
Donne's displacement of the outside world, in favor of the lovers' inside world, uses a rhetorical technique to attempt to prove by reason the durability and power of a couples love. When Donne asks why the sun "calls on us?" (3), "Why shouldst thou think?" (12) and "Must to [the sun's] motions lovers' seasons run?" Donne expects you to already know the answers. He uses this language to help you pass beyond the limits of the material world by disregarding external influences and coercing the sun to rotate around the lovers instead.
Figurative language and rhetorical technique are combined with hyperbole to change the outside world to revolve around the lovers' inner world. Dunne pushes the sun away telling it to "go chide" (5) and in stanza twenty-nine "Shine here to us, and thou are everywhere" (29). These are exaggerations for the sake of emphasis putting the lovers at the center of the world.
Figurative,
A Cold Day in Paradise is a book that was written by Steve Hamilton and takes place in the Upper Peninsula of Michigan. The name of the book is very significant to the meaning of the book. The cold day represents the metal bullet that is in Alex McKnight’s chest and on cold nights, it is a reminder of a traumatic event that took place. While Paradise is the place that he lives and where the last death took place and it was also on a cold windy night.
In Under a Cruel Star, Heda Margolious Kovaly details the attractiveness and terror of Communism brought to Czechoslovakia following WWII. Kovaly’s accounts of how communism impacted Czechoslovakia are fascinating because they are accounts of a woman who was skeptical, but also seemed hopeful for communism’s success. Kovaly was not entirely pro-communism, nor was she entirely anti-communism during the Party’s takeover. By telling her accounts of being trapped in the Lodz Ghetto and the torture she faced in Auschwitz, Kovaly displays her terror experienced with a fascist regime and her need for change. Kovaly said that the people of Czechoslovakia welcomed communism because it provided them with the chance to make up for the passivity they had let occur during the German occupation. Communism’s appeal to
In the play And When We Awoke There Was Light and Light by Laura Jacqmin, she analyzes the ethical issues revolving around service in America. The main character Katie, struggles with this common ethical issue just like all other Americans when making a life decision that challenges one’s morals. Katie struggles with conflicting messages about service, not being fully committed to helping David, her pen pal from Uganda and then realizing in the end that David is more important than Harvard.
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
654, line 1&2). The sunlight motion suggesting a “balance of upward and downward, rising and falling” (Harris, J. 2004), resplendent in nature and indirectly influences the reader spiritually and emotionally. Jane Kenyon’s Let Evening Come (1990), uses sunlight to project an image of a slow moving late afternoon sun, which will soon slip into the darkness of night. The light through the “chinks in the barn” (Kenyon, 1990, pg. 654, line 2), gives me the sense of an aging body and soul fading into the darkness.
A theme in which plays an important part in the novel, The Awakening, is that choices have inevitable consequences. This is connected with Realism because a big belief in Realism is; ethical choices are often the subject, character is more important than action and plot. In multiple cases in this novel, the reader sees the type of choices the characters make and the effects and outcomes that follow after them. Also in some ways, people change their personality and their change in character adds a part in their future. Leonce choice of how he views Edna and he treats her have an effect on him and consequences on and her. Edna is a big part of this novel being the main protagonist and all of her ethical choices that have an enormous consequence on her. Some of these choices are, wanting to be with Robert, to follow the path of Mademoiselle Reisz and becoming an artist, and ultimately deciding to take her life.
“Dead Men’s Path” by Chinua Achebe. In this short story “Dead Men’s Path,” Chinua Achebe gives the protagonist an exciting chance to fulfill his dream. Michael Obi was officially headmaster of Ndume Central School, which was backward in every sense. He had to turn the school into a progressive one, however the school received a bad report when the supervisor came to inspect.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
In 'Twickernham Garden ' Donne cleverly uses a spider as the conceit of the poem to comment on the nature of love, to emphasise that just like a spider love traps you insidiously and leaves you helpless. As well as that there is religious connotations to transubstantiation and manna and serpents. By doing this Donne finds another way to create an effective poem in emphasising his meaning and thoughts. The Major conceit in 'A Valediction Forbidding Mourning ' is that of a compass. Samuel Johnson a fellow poet, who coined the term metaphysical poetry criticised Donne by stating that 'the poem 's compass analogy highlights the violence used by metaphysical poets to force the most heterogeneous ideas together. Disagreeing with this statement, Donne 's use of the compass to reinforce the idea that their souls are like the legs of the compass, even though they will physically separate he will always come back as they create something perfect 'Thy firmness makes my circle just and make me end where I begun '. The conceit reassures his lover that it is inevitable that he will return because they are joined spiritually, mentally and physically, and their love is strong because he will always come back to
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
In ‘The Sun Rising’ the tone and the language Donne uses when interacting with the sun at the beginning of the poem is demeaning and powerful starting immediately with ‘Busy old fool, unruly Sun’, which shows Donne addressing the sun directly and perhaps scalding the sun for disturbing the sleeping lovers. Donne shows what the experience of love means to him by expressing his dislike for the sunrise of ultimately a new day, which represents the separation of the couple after spending the night together. In the first stanza Donne asks direct rhetorical questions which enquire about the sun’s existence ‘Must to thy motions lovers’ seasons run? This proves that Donne disagrees with the fact that the sun controls what the lovers do. It is also important to note that Donne uses a capital when addressing the ‘Sun’ as if it is personified and highlighting its importance in the poem. He continues to address the sun’s actions and is most reprimanding when he states ‘Go tell court-huntsmen that the king will ride’, suggesting that the sun should not disturb the couple as it is per...
For those who disagree, it also appears to be about a lover who perceives the world through love which he finds in sunlight.
And “make our visit” indicates that he is on his way to social occasions. All of these settings and details in the second stanza does not seem to make any sense individually, but as a whole, they actually convey the narrator’s depression and loneliness toward his boring surroundings. In addition, in the next stanza, the speaker of the poem says, “the room the women come and go. Talking of Michelangelo.” At this plot, the narrator of the poem just skims over the communications among upper-class women. However, when to compare his preference toward the upper-class women who are trying to pose themselves as lovers of culture with the shantytown mentioned above, an obvious strong contrast is formed invisibly. Similarly, in the fourth stanza, the speaker of the poem asserts,,“The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes”, the setting here indicates the speaker’s extremely empty and boring emotions, when the dusk comes. In conclusion, The Love Song of J. Alfred Prufrock is a love song without love. It’s more like a realism of plain folks who live in the oppressive and depressing modern industrialized
Robert Browning's poem "Meeting at Night" is essentially a narrative of a man who is journeying to meet his lover. The man recounts his journey as he undertakes it, mentioning or observing different portions of the trip, each in turn. One by one, he briefly describes his surroundings as he passes by them, merely noting them as if they bear only fleeting significance to him. However, although his descriptions are unpretentious and abruptly forgotten as he continues onward toward his goal, each line of the poem contains striking imagery. In fact, it should be noted that this poem consists entirely of imagery. Every line depicts a scene of the landscape that Browning's narrator encounters; that is, at least, until he finally reaches his destination, when his focus is diverted to his lover. Throughout the entire poem he offers no personal insight or reflection on his situation, and he instead is content to merely report his perceptions and observations as they come and go. Although each of these little vignettes is of seemingly small consequence in itself, these individual images are each portrayed with remarkable style and feeling, and Browning skillfully strings these images together to elicit specific feelings and reactions from his readers. His masterful application of imagery, mood, and dynamic movement serve to shape the poem's emotion in such a way that the reader can tap into a plentiful well of information pertaining to the state of the speaker and his emotions -- information that initially goes unnoticed from a strictly literal observation.