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Essays on becoming an actor
A personal narrative on becoming an actor
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Michael Ball: Acting Career Michael Ashley Ball is an English actor and singer. Michael is best known for his work in musical theater. Starting in 1984, he began his career in theater and has performed in countless productions. Ball’s acting career has won him various different awards for his work and talent up on stage. Aside from acting, he’s become a world renown singer and has toured all over the UK and the US. Ball has produced 21 solo albums and continues his work to further his career. His career in theater and on stage is incredibly impressive and something most aspiring actors and actresses should look up to whether due to his acting style, philosophy on acting itself, or how he’s carried himself through his performances over the
One of the more interesting methods he uses is actually his sense of smell. “The actor chooses a signature scent for each of his roles, from bay rum for the vengeful barber Sweeney Todd to his mum’s favorite Madame Rochas for Hairspray’s Edna Turnblad” (Jays). Using smell to immerse yourself into a role is actually a very popular method for many actors/actresses. This method that Ball uses seems to be more personal, as it obviously has no impact on anyone really besides himself. The purpose of it is to get him more in tune with his character to make him feel closer to the part. Through another interview he did with Imelda Staunton, he describes another way he finds best for getting immersed into a character. Michael says “To not arrive with preconceptions either. There are other people who have obviously played the roles before and there are so many different ways it could go” (Ticketmaster UK). Basically what he’s saying by this is to not go into a role set on how you’re going to work it out. Just because it’s been done well before doesn’t mean you have do it in the same style. Take what you get from other performances and give it your interpretation without getting stuck, or blocked by feeling you have to do it the way others before you have. His acting style is another important part and he has talked about how it changes to suit the need for the role/part. Even in
Michael has taken the lead role in many different theatrical performances, released numerous albums of his work, and changed the face of theater all in the process. He’s established his own thoughts on what acting is and what makes an actor successful and lived by these beliefs throughout his career. Through his hard work and dedication to his love for theater and music, he’s made an example for others wishing to pursue a career in theater to follow.
Works Cited
“Michael Ball (Singer).” Wikipedia, en.wikipedia.org/wiki/Michael_Ball_(singer).
Jays, David. “The Spray's the Thing: How Actors Use Perfumes to Get into Character.” The
Guardian, Guardian News and Media, 20 Nov. 2017, www.theguardian.com/stage/2017/nov/20/how-actors-use-perfumes-to-get-into character.
06s091. “Michael Ball Interview - Jonathan Ross 2006.” YouTube, YouTube, 31 Dec.
Instead of becoming like all of the rest of people he knows from where he grew up. Michael took a better path instead of taking a path that would ruin his life.
This quote from Michael shows how the events of his life have had an influence on him and how the Blind Side reaches its intended point.
Since a small age, Michael had hated everything around himself. He was always ignored in the silent family. Everyone at school thought he was a loser due to his quietness. He needed freedom, real freedom. He also needed a true friend, a friend who could understand his world. After several intense auditions amongst all kinds of things in Michael’s mind, David received this honor of being Michael’s friend with her great personality and innocence.
Listening, I could hear them, the persistent sound of chatter and laughter. The roar of ambient joy rang from the house and into the ears of everyone behind the scene. You never know what to expect when you're standing backstage; you never know what's going to happen. Thousands of thoughts and worries are bouncing around your head. What if I mess up my life? What if I miss my cue? What if I forget how to speak? It isn't until that very precise moment when the audience's voices have hushed to a whisper and directly before the curtain has opened that your mind becomes clear. You forget all about the hundreds of people that came to see your show. You forget all about the friends you have in the audience just waiting for that moment when you have to do some embarrassing stunt on stage to capture it on film. You even forget all about who you are and all your worries. In that moment, you are an actor.
One solution is to approach an actor at the beginning of their training, and see where knowledge of "commedia dell'arte" and its performance can expand a performer's range. The contemporary young actor's most familiar performance role model is that of televisi...
As a child, Michael Jackson was a performing musical prodigy. As front-?kid,? Michael could ?sing any song, with the passion of well trained performers? (Carrigan 1). At ...
Until now, only my family and those who have had the experience of calling my house in the midst of one of my renditions of the confrontation scene between Javert and Valjean from Les Misérables knew about my passion for musical theater. For years I have endured ridicule from my sisters and their friends who have overheard me belting out the lyrics to "Sunrise, Sunset" from Fiddler on the Roof while in the shower. Ever since my first musical, Jesus Christ Superstar, seven years ago, I have been obsessed with the telling of stories through melody and verse. My heart leaps when I see that Phantom of the Opera is coming to the local theater, or when Guys and Dolls is appearing on television at one in the morning.
However, what attributed to Michael Jackson’s success was not because he got lucky, it is simply because he practiced hours and hours at his craft and essentially where he was born and raised. Michael wasn’t just blessed with an impressive dance skill set, behind those flashy dance moves was hard work and dedication. At the early age of 5, Michael Jackson studied and was inspired by the late great icon James Brown. Jackson studied the musicians legendary singing, dancing, and even his mannerisms while he was performing on stage. While Michael was studying the late singer, he had a hunch that he wanted to achieve major stardom in the same fashion as James Brown. In Malcolm Gladwell’s book, The Outliers, he addressed the 10,000 hour rule. He indicated that it takes roughly ten thousand hours of practice to achieve full mastery in a field. It’s easy to assume that Michael simply just had a natural ability to sing and dance, but we tend to overlook the endless amount of hours this man has put forth to become so successful. The most compelling evidence that contributed to his success was his ability to have room for error and think of new ideas. Michael was constantly searching and constructing new dance moves/routines to perform to his audience. In addition, he always eager to
The first significant event that leads to Michael’s transformation was the attempted assassination of his father. After his dinner with Kay, Michael visits his father in the hospital. As Michael realizes that his father is alone, and he predicts that w...
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At the age of sixteen, I had been doing community theater for a couple of years at The Quincy Music Theater. In this particular season, there was one show I wanted to do with all of my heart, Crazy For You by George and Ira Gershwin. The female lead in this musical is Polly Baker and she would sing some of my favorite songs such as “Someone to Watch Over Me” and “Embraceable You”. The problem was I was sixteen and would be competing with college students for this role. This, however, didn’t scare me it only strengthened my resolve to fully prepare and bring my best to this audition.
His advice to aspiring actors, who were auditioning was to, "Walk in the audition room as the character you are portraying. You should study the script really well because you're an actor and no one is looking for anyone, but the character in you." His advice to young filmmakers is to study the business of filmmaking if you want to generate any income from
Recently, I attended a performance of The Northwest Whitfield High School Theatre Company’s production of High School Musical. Being a fellow alumni of Northwest Whitfield High School, I was aware of the company’s productions; I knew of the success and acclimations awarded to the program. In addition, I knew about the hard work and dedication the musical director Josh Reuben puts into his musicals, and the actors strive for perpetual success in their performances. Therefore, I found it obligatory to check out this musical. All in all, I was enthralled by the performance, and the students did a phenomenal job.
All actors should be aware of how pivotal casting directors are to getting work in the theatre, film, and television business. Casting directors are your first friend when an actor is looking for work, the casting directors are scouting for fresh new talent that they could possibly cast in their upcoming projects that they are casting at the time. Usually casting directors are hired by television studios, networks, production companies, and producers of Broadway shows to provide actors for considering parts. Daniel Pruksarnukul the artistic associate and casting director for Arena Stage in Washington, D.C. for nine seasons shared with me his journey of working in the business and how he worked his way up to different positions, such as the artistic director at Arena Stage which had him responsible for casting all of the 8 mainstage shows along with dozens of play reading and workshops and also as the artistic associate Dan was in charge of season planning and scouting both locally in D.C. and nationally around the country for shows to
Winter of sophomore year, the school began teeming with flyers for the musical Fame. One blustery Saturday afternoon, I ventured to the auditorium of my high school to see what our performing arts department had to offer. I sat, enamored, and told myself that next year at that time, I would be the one on stage. The one belting out notes, the one shimmering under the limelight.