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Culture and interpersonal relationships
Culture and interpersonal relationships
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Opiate of Love
Mian Mian’s novel Candy, takes a deeper look into China’s economic upbringing to the modern world. The book is entirely narrated by Hong – a fictitious character who levels with the exploding populous of drugs, prostitution, and new-age music through her early adult years. She meets a young musician named Saining who both fall hopelessly in love for each other. The binding relationship of Saining and Hong did not go un-aided, as the social repercussion of heroin and alcohol soon found its way into controlling their lives and eventually their future as a couple. When Saining found an entry to escape the world with heroin, he would inevitably leave Hong out. Consequently, if either of them was in absence of any substance, they fell out of each other’s “wavelength”. In turn, both would sequentially drop in and out of each other’s wavelength that proved fatal to their relationship. To maintain order of this relationship, indulgence of alcohol and heroin was their only answer, and eventually a self-botched religion.
When beginning to understand this dilemma of love vs. drug addiction and withdrawal, the answer lies back to when Saining first introduced heroin to Hong. When she tries heroin for herself, she believed that the drug was horrible and decided she disliked it. The first instance of this unbalanced wavelength level is noted when Saining decides to kick his heroin habit. “He took to spending long hours outside the balcony, sitting motionless and looking out. This solitude was more than I could stand, and I joined him and we watched it all together, the chaotic street below. The sunlight was always so full of poison. A drug that was a stranger to me had put up a wall between me and my closest friend. I couldn’t read his expressions, and I had lost the power to attract him … I was determined to get my lover back.” (Mian, 73)
With this, Hong slowly realizes they are losing trust in each other… and without trust, a key element; one cannot have a decent relationship. After Saining went into rehab, Hong soon found draining herself away with liquor rather heavily… and still drinking when Saining was released from rehab. There, the balance of the wavelength becomes uneven again between the two and Saining starts using heroin again. “Sometimes you really scare me, he said. How can I make love with someone I am afraid of?
I’m reading Gym Candy. It is a book about football. This book is about a young boy named Mick is and his dad was a pro football running back. Mick would always talk about his dad and brag about how good he was and how he stopped because he blew out his knee. Well the truth came out and his dad wasn’t taking it seriously. Well now Mick is in high school and is on varsity as a starting running back. The team had just got a new coach and is weight training in the off- season. Well Mick is not progressing and is wanting to go to a different gym. Well his dad is sponsoring a gym called Popeye's and can get him a membership. So now mick has been going there and isn’t progressing and his trainer told him about gym candy, and now he is progressing.
Feng Menglong continues to illustrate the concept of love in his short story or poem “Du Tenth Sinks the Jewel Box in Anger,” where money is given for exchange of a deep feeling for love. Money and the quantification of Human Relations in terms of silver coins in Feng Menglong's story, Chinese literature, is the profound work generated during the era of Yuan and Ming dynasties of creative narrative. In addition, throughout this spell, popularity of the vernacular narrative outstandingly cannot be overemphasized. As contrasted with the high degree of complex and conventional long-established fiction, vernacular narratives were build with a lot of flexibility and thus could well portray the amazing and sometimes sleazy literature of the Chinese life and cultural aspects of the ages, such as monetization of human relationships that came as a result of Ming dynasty's unparalleled success.
Additionally, although proclaiming his love for her, Lester becomes a negative influence on Kathy. Under the false sense of security he provides, Kathy, a recovering alcoholic, allows herself to start drinking again after an abstinence of three ye...
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chinese culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member of the Chinese society nor the poor, we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, an American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity; they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Although Mrs. Spring Fragrance has only lived in America for a short amount of time, her husband states “There are no more American words for her learning” (865). It is obvious through reading this statement that Mrs. Spring Fragrance has become quickly acquainted with not only the English language, but also with American customs and traditions. However, not every character in Mrs. Spring Fragrance adjusts to American culture as easily as Mrs. Spring Fragrance; some characters have a difficult time leaving their Chinese traditions of marriage and accepting that in America, love comes before marriage. Throughout Mrs. Spring Fragrance, Sui Sin Far describes the process that the Chinese characters experience as they slowly begin to alienate traditional Chinese culture and becoming Americanized through accepting American culture as their own.
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before they get lost. In this new age struggle for happiness within the Kao family, a cultural barrier is constructed between the modern youth and the traditional adults, with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself. While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons.
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
Drugs is one of the themes in this story that shows the impact of both the user and their loved ones. There is no doubt that heroin destroys lives and families, but it offers a momentary escape from the characters ' oppressive environment and serves as a coping mechanism to help deal with the human suffering that is all around him. Suffering is seen as a contributing factor of his drug addiction and the suffering is linked to the narrator’s daughter loss of Grace. The story opens with the narrator feeling ice in his veins when he read about Sonny’s arrest for possession of heroin. The two brothers are able to patch things up and knowing that his younger brother has an addiction. He still buys him an alcoholic drink at the end of the story because, he has accepted his brother for who he really is.
The fact that the fictional mothers and daughters of the story have unhappy marriages creates a common ground on which they can relate. However, marriage has different meanings for each generation in this book. In the mothers’ perspective, marriage is permanent and not always based on love. Especially with their marriages in China, which was a social necessity that they must secretly endure in order to be happ...
The Spirit Catches You and You Fall Down, written by Anne Fadiman, emulates on the ways in which cultural ignorance can have drastic effects on the lives of people caught in between two cultures. Published in 1997, the book chronicles the struggles of a Laos refugee family, and their experience with the health care system in Merced, California. This story centers on Lia Lee, a young Hmong child diagnosed with epilepsy. At three months old; Yer, Lia’s older sister, slams a door that triggers Lia’s first sensors. Her parents, Foua and Neo Kao, believe that this noise causes her soul to flee and diagnose her with qaug dab peg, “the spirt catches you and you fall down.” While the family is concerned with the health of her daughter they also see her sickness as something special. This is a beautifully written book- you feel for everyone in the story.
The thought of opium as a topic of conversation in China throughout the late eighteenth century and nineteenth century brought about discussions that varied from arguments for its legalization and praise of its distributors to the complete ban of the drug and punishment for all users and smugglers. For those who acted as proponents of the narcotic, they sincerely believed that this necessary evil was one of the only aspects of the economy that could effectively propel China into the same class as that of the world’s supreme powers (Janin 6). Those who condemned even the slightest interaction with opium or its derivatives opted for the more “honorable” route, in that, they pledged to rid their country of such horrible vices in order to follow a purer path throughout their daily lives (Mackay 124). It was from these arguments that made these debates rampantly widespread throughout the country, with neither side effectively telling the truth about the future of China and ultimately being left to the voice of those in charge of the economy, since they are the ones who control what is worth importing and exporting. If the use of opium were permitted, then the impact would have been generally positive, in that, there would be fewer smugglers to worry about breaking the law, and more profit actually being given to the Chinese government since they would actually be included. On the other hand, basing this drug trade on purely moral and some economic terms, then the people of China will constantly be in a state of intoxication because they will no longer be able to think and process clearly, while the economy of the Chinese government might also not be able to possess the buying power that they would have previously had when they unc...
“If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different language, and a different culture and there encounter a sensation that is one’s very own” (Hua 61). This quote said by Yu Hua speaks volumes about his feelings for reading and writing. There were many times in the novel that he suddenly remembered a feeling by writing it. There were also times when the reader experienced an emotion that was completely his or her own by reading the words he put on paper. Hua presents the reader with several stories from his early childhood in which he learned to read and write. From an early age he learned that words have meaning and the power to change a person’s life, for better or for worse, and although he did not have the best conditions to become a writer growing up, he still managed to make a name for himself with what he was dealt in life. Although Yu Hua had limited literature to read, he still managed to fall in love with reading.