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The Spirit Catches You and You Fall Down, written by Anne Fadiman, emulates on the ways in which cultural ignorance can have drastic effects on the lives of people caught in between two cultures. Published in 1997, the book chronicles the struggles of a Laos refugee family, and their experience with the health care system in Merced, California. This story centers on Lia Lee, a young Hmong child diagnosed with epilepsy. At three months old; Yer, Lia’s older sister, slams a door that triggers Lia’s first sensors. Her parents, Foua and Neo Kao, believe that this noise causes her soul to flee and diagnose her with qaug dab peg, “the spirt catches you and you fall down.” While the family is concerned with the health of her daughter they also see her sickness as something special. This is a beautifully written book- you feel for everyone in the story. …show more content…
Fadiman recounts the story of two different cultural realities: Western rationalism and Hmong animism, as they continuously collide into one another.
For Lia, this collision ends fatal as she relied on them both for her survival and wellbeing. These realities failed to help this girl because of their mutual ignorance and prejudice for one another. In many ways this is a failure of cultural pathology and not biological pathology. As Fadiman explains: “I have come to believe that her life was not ruined by septic shock or noncompliant parents but by cross-cultural misunderstanding” (262). This kind of cultural ignorance takes on faces of conflicting languages, religions, and cultural
prejudice. Lia’s parents did not speak English, nor did the hospital they attended have Hmong translators or even bilingual employees. The inability for the doctors and the patient’s parents to communicate well put both groups of people in a difficult position. In the book, Fasiman describes the situation: “Doctors on the late shift in the emergency room has no way of taking a patient’s medical history, or of asking such questions as, where do you hurt?” (25). Because of this lack of communication there was no way for Lia’s parents to tell the doctors about her seizures. This led to the misdiagnoses of a bronchial infection and for her seizures to be untreated for several months. Once Lia was diagnosed correctly, due to the language barrier, her parents were unable to fully understand what this diagnoses meant. The language issues also made it impossible for them to provide her with the correct medications. This irregular drug routine caused harm to her already fragile brain. The conflicting religious frameworks of the rationalist doctors and the spiritual, animist Lees also had a profound impact on how Lia was treated. The Lees believed that sickness was caused by malevolent spirit that torments and steals a person’s soul. The lost can only then be returned to the body by rituals performed by their shaman. People with epilepsy are often made shaman. Shamans are also very expensive and these treatments burnt through the Lees small income. The Lees believed that a little of both methods was what was best for their daughter. However, the doctors did not, they believed that the problem was strictly biological. Lia’s doctors were unable to translate their methods into a framework that her parents could understand. In the end, if the doctors had tried to work alongside and understand the religious views of the Lees, Lia may have been better off. Lia’s mother was right when see said: “With Lia is was food to do a little medicine and a little neeb” (100). Both the doctors and the Lees had cultural prejudices. Neither the doctors nor the Lees realized that their view was not the only one. The doctors thought their rationalistic, medical worldview was the only legitimate way to approach the situation. They assumed their authority would be respected and followed. They were dumbfounded by things the Lees found to be taboos. The Lees thought that animist, traditional Hmong was the only legitimate way to approach life. They continued to practice traditional Hmong values and religion. Just as the doctors were baffled by the Lees, the Lees were baffled by the doctors. This class in cultures led to different views and understanding of pathology. These different understandings ultimately hurt Lia. The Spirit Catches You and You Fall Down, offers wonderful insight into how people can misunderstand one another due to differences in culture. I feel deeply for both parties involved in this tragic story. The frustration the doctors’ must have been feeling with the Lees. And I fully appreciate everything the Lees did. They did not want to sacrifice their culture and beliefs. They were doing the best that they knew how to do for their sweet little girl. This book is definitely a wakeup call for not only the medical community but for all societies. To truly understand a person you have to understand their culture. It’s just a shame that this wakeup call came at the cost of Lia.
She heard about the Hmong through a friend, and so she spent 4 years living in Merced, California and another 5 writing this book. She attempts to stay fairly neutral in her writing, though through her time with the Lees, she confesses that her writing may appear biased toward the Hmong culture rather than toward the Americans. However, in the end she could not blame one side or the other for the unfortunate tragedy of Lia, who got hit in the cross-fire between these two cultures. Her theoretical view is a type of cultural relativism. Neither the Hmong nor the Americans could emerge as the better culture. She does not address any questions about direct unethical practices. The Hmong did not practice human sacrifices, and the animals they did sacrifice were theirs. She does seem to believe that every culture has its weak and strong
1. Anne Fadiman, The spirit catches you and you fall down, (New York, Farrar 1997)
I learned about the diverse cultures present in today’s society. It is very easy to ignore the beliefs that do not perfectly align with our own. This book addresses that issue very well. I would not blame anyone for Lia’s tragedy. I believe that she was just a victim of her circumstances. Although it could have been handled in a better fashion, it is not anyone’s fault that there were language and cultural barriers. Anne Fadiman seemed unbiased and probably feels the same way about this
Anthropological studies on language and communication would be directly related to Lia’s case for a few reasons: Lia and her family were Hmong, her parents could not read or write, they didn’t give her enough medication. Also, Lia was taken away from her parents because of language and communication barriers that led to her parents not administering her medication at all, as well as interpreters not being clear about what to give her.
Union between two quarrelsome objects can be the most amazing creation in certain situations, take for instance, water. Originally, water was just hydroxide and hydrogen ions, but together these two molecules formed a crucial source of survival for most walks of life. That is how marriage can feel, it is the start of a union that without this union the world would not be the same. A Hmong mother, Foua took it upon herself to perform a marriage ceremony for the author of “The Spirit Catches You and You Fall Down”, Anne Fadiman. In this miniscule event, two cultures with completely conflicting ideas came together to form a union. In this union, an American was celebrating an event in a Hmong way, truly a collision of two cultures.
The Vietnam War caused great destruction in Laos, and so the Lee family migrated to America, after spending a short time in refugee camps in Thailand. After settling in America, Foua gives birth to Lia, who unbeknownst to them will suffer from epilepsy soon after she is born. For four years, little Lia is admitted to hospital seventeen times, after suffering both grand and petit mal seizures. Through miscommunication and a failure to understand each other’s cultural differences, both the parents of Lia, and her American doctors, are ultimately at fault for Lia’s tragic fate, when she is left in a vegetative state.
This book addresses one of the common characteristics, and challenges, of health care today: the need to achieve a working knowledge of as many cultures as possible in health care. The Hmong population of Merced, California addresses the collision between Western medicine and holistic healing traditions of the Hmong immigrants, which plays out a common dilemma in western medical centers: the need to integrate modern western medicinal remedies with aspects of cultural that are good for the well-being of the patient, and the belief of the patient’s ability to recuperate. What we see is a clash, or lack of integration in the example of the story thereof. Lia, a Hmong child with a rare form of epilepsy, must enter the western hospital instead of the Laotian forest. In the forest she would seek out herbs to remedy the problems that beset her, but in the west she is forced to enter the western medical hospital without access to those remedies, which provided not only physical but spiritual comfort to those members of the Hmong culture. The herbs that are supposed to fix her spirit in the forest are not available in the western hospital. The Merced County hospital system clashes with Hmong animist traditions.
Family became an important aspect in Mah’s life. In the Chinese culture family is typically a vital part of the way of life. Mah may have been ashamed the way her first marriage ended and did not want the same with this man she met named Leon. Leon is a Chinese immigrant and family is his priority. Mah and Leon marry and have two girls, Ona and Nina. They form a family like connection more than ever before. Leon was a fairly stable man and loved his family. Mah and Leon were b...
In “The Spirit Catches You and You Fall Down” by Anne Fadiman, the whole story revolves around Lia, the thirteenth child of Lee family. Lee family was a refugee family in USA and Lia was their first child to be born in US. At the time of time of birth, she was declared as a healthy child but at the age of three it was founded that she is suffering from epilepsy. In the words of western or scientific world the term epilepsy mean mental disorder of a person and in Hmong culture, epilepsy is referred to as qaug dab peg (translated in English, "the spirit catches you and you fall down"), in which epileptic attacks are perceived as evidence of the epileptic's ability to enter and journey momentarily into the spirit realm (Wikipedia, 2014)
Gish Jen’s “Who’s Irish” tells the story of a sixty-eight-year-old Chinese immigrant and her struggle to accept other cultures different from her own. The protagonist has been living in the United States for a while but she is still critical of other cultures and ethnicities, such as her son-in-law’s Irish family and the American values in which her daughter insists on applying while raising the protagonist’s granddaughter. The main character finds it very hard to accept the American way of disciplining and decides to implement her own measures when babysitting her granddaughter Sophie. When the main character’s daughter finds out that she has been spanking Sophie she asks her mother to move out of the house and breaks any further contact between them by not taking Sophie to visit her grandmother in her new place. The central idea of the story is that being an outsider depends on one’s perspective and that perspective determines how one’s life will be.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
Allie was emotionally devastated and cried herself to sleep for a month until eventually she moved on with her life and found happiness again. Noah and Allie are both from different social backgrounds, a higher class style of life and a lower class style, yet they both seem to be able to adapt to one another’s social gatherings without a problem. Noah knows the possibilities of cultural conflicts could arise with the different cultural lifestyles perceiving things in different ways
The Spirit Catches You and You Fall Down is a ethnography written by Anne Fadiman. The first chapter of the book introduces readers to the cultural conflict between American doctors and Hmong by describing in detail the aspects of birth in both cultures. Heavy emphasis is placed on how the Hmong deal with placentas and their baby naming ceremony. Many details behind the Hmong culture rise and naturally this leads to conflict. Baby Lia begins to develop epilepsy and her parents take this as a symbol of divinity while the doctors at the nearby hospital, MERCED, only look at it as a disease. As doctors continue to try and prescribe medicine to reduce the amount of seizures the parents continued to reject it. They believed the
Cheng writes that racial grief is then translated into social ideals by the racialized. The feelings of melancholy and being ostracized become naturalized and racial ideals that were imposed become the ideals to live up to. For example, Asians feel the need to be mathematically inclined, and tend to be apologetic if not. The single story of the smart Asian, the Asian that studies all day, thus becomes the Asian’s identity that is internalized and pursued. There is a gradual acceptance of the impossibility of attaining ‘whiteness’ – the paragon of race.