Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Native american artwork influenced by europeans
Native american artwork influenced by europeans
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Art of Featherwork in Mexico, a book, focuses on the influence how the European settlers influenced the featherwork art of the indigenous people in Mexico. One of the specific paintings that had been created by the indigenous and influenced by the Europeans was the Mass of Saint Gregory (Misa de San Gregorio). The picture was created to show the Mystery of the Eucharist while incorporating various symbols associated with the Passion of Christ. The image is said to have been influenced by previous works of art including Flemish engraving created by two artists from Amsterdam in 1520. According to the text, the image of Christ in the scene was the typical representation of him in the sixteenth century. The image contains a lot of symbolism …show more content…
This is another Christian belief that was presented to the indigenous people and incorporated into their featherwork art. The featherwork includes many Christian symbols including wings on humans (angels), an older man in the sky (God), and a crown depicting on the woman to distinguish her as the Virgin Mary. The Assumption has been seen in Christian artwork since the 13th century and has found its influence on the indigenous people, especially in the Asunción de la Virgen. This provides evidence of the influence of the Europeans on the artwork of the indigenous. Instead of creating feather head dresses and designs depicting Indian lifestyle, the artwork was created for the purpose of placing these pieces of work within the Christian churches and giving them as gifts to higher …show more content…
The greatest influence came from the religion, Christianity, brought by the Spaniards to the Indians. During their evangelization by the Spaniards, the native people used their artistic featherwork skills to created pictures of Christian proverbs to be hung in the churches and given as gifts. Many of the works contain hybridity of the two cultures and can be seen in the skin tone of some of the people in the Christian pictures. As in Salvador del Mundo, Christ has more of an olive skin tone than the typical Spanish settler would have had. The author includes many examples of evidence within the book to show the influence of the
The Ghent Altarpiece painted in completeness by Jan and Hubert van Eyck in 1432. This altarpiece is filled with symbolism. One of the most important pieces of the altar is the Deity Enthroned, which represents the Lord in Christianity. The painting covered with symbols and words. The artists portrays many signs with different meanings from the deity’s clothes to the background.
The central focus on the table, in the painting, is what it appears to look like a book of Sor Juana. Sor Juana Inés de la Cruz, is a huge Mexican, feminist icon. During the seventeenth century, while the Spanish still occupied mexican territory, The catholic church had a significant amount of power. Sor Juana challenged the church by being a controversial figure at the time by her being a well-educated woman, nun, and poet/writer, during a time where men were
I found the photography piece “From the Road to Tepeyac,” by Alinka Echeverria intriguing. This photography piece was a man kneeling down with a sculpture tied to his back. The woman in the statue had a green flag with multiple stars draped around her. This woman appeared to be the Virgin Mary. Underneath the Virgin Mary was an angel with green, white and red wings. The colors on the flag around the Virgin Mary and the angel’s wings represent Mexico. Also, the stars on the flag present the repetition constructed in this photography piece. There is no physical line for the foreground; however, this piece directs the eye from one point to another by implication. When I first saw this photography piece, I questioned why the statue of the Virgin Mary and an angel were on the man’s back. I realized the Virgin Mary and ...
Sandro Botticelli, The annunciation 1485 represents the angel Gabriel and the Virgin Mary looked at the images of each other, but separated them through the center rows of pillars, which unified composition by the ray of light reflected in the back of Angel Gabriel in the linear perspective carrying god’s message in the heaven. By contrast, Hans Memling, the Annunciation 1475 presents an image of Han Memling through the use of bright colors, it represents the left wing of triptych, by the tall, narrow shape and the diagonal thrust of composition, the stain glass window, the crown in the top of Han Memling represented the peace, the shape are all equal and all the shape of buildings are equally designed, the building s are symmetry, moreover, the repetition of colors makes the painting more stand out. The variety, pattern used all over the painting, such as the row of building are the same color. The
The architectural details of the Indian dwellings, their methods of hunting and food procurement, the way they used absolute cooperation and trust of each other as a weapon against the deadly climate - these are all made clear in the movie. It also becomes clear that the Indians had their own religious and belief systems already in place, and that none of them had much use for Jesus and the other gifts of Christianity. The most pathetic character in the movie is a "converted" Indian, whose crucifix around his neck represents not a leap of faith, but an accommodation of convenience with those who could give him what he wanted.
The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a
By most accounts, the year 1500 was in the midst of the height of the Italian Renaissance. In that year, Flemmish artist Jean Hey, known as the “Master of Moulins,” painted “The Annunciation” to adorn a section of an alter piece for his royal French patrons. The painting tells the story of the angel Gabriel’s visit to the Virgin Mary to deliver the news that she will give birth to the son of God. As the story goes, Mary, an unwed woman, was initially terrified about the prospects of pregnancy, but eventually accepts her fate as God’s servant. “The Annunciation” is an oil painting on a modest canvas, three feet tall and half as wide. The setting of the painting is a study, Mary sitting at a desk in the bottom right hand corner reading, and the angel Gabriel behind her holding a golden scepter, perhaps floating and slightly off the canvas’s center to the left. Both figures are making distinct hand gestures, and a single white dove, in a glowing sphere of gold, floats directly above Mary’s head. The rest of the study is artistic but uncluttered: a tiled floor, a bed with red sheets, and Italian-style architecture. “The Annunciation” was painted at a momentous time, at what is now considered the end of the Early Renaissance (the majority of the 15th Century) and the beginning of the High Renaissance (roughly, 1495 – 1520). Because of its appropriate placement in the Renaissance’s timeline and its distinctly High Renaissance characteristics, Jean Hey’s “Annunciation” represents the culmination of the transition from the trial-and-error process of the Early Renaissance, to the technical perfection that embodied the High Renaissance. Specifically, “Annunciation” demonstrates technical advancements in the portrayal of the huma...
Finally, when it came down to the types of ceremonies and views both civilizations had, they were on two different pages. The Natives believed happiness was the key to good fortune. So, in order to get that fortune, they’d do sacrifices, and rituals to please the “mighty ones”. Then, as stated in the book “A History of Latin America”, it says, “Jews publicly converted to Christianity to avoid the torture…”, In which, this showed how religion and the spiritual views were forced upon people in the Spanish civilization.
...ic meanings that still are puzzling art historians today. Some of the key symbols that Stokstad points out in the text is the dove, representing the Holy Spirit; the white lilies as a symbol of the Virgin Mary. She also points out, two rather unknown symbols to the sacrilegious, the date of the Annunciation in signs of the zodiac on the floor, as well as the lone stained glass window that is symbolizing God rising above the three windows that are placed in the background behind Mary. These three windows represent the Father, Son, and Holy Spirit.
The introduction of of European materials, tools, and techniques transformed Native American art aesthetically as well as it’s role within Native culture. European technology produced goods that made Native American art easier to create and allowed Native American art to become more elaborate and detailed. However, the distinctive styles of each unique tribes’ art was diluted as the tribes obtained the same European materials rather than what was native to the land they lived on. in many cases European encounter caused Native American artwork to become less culturally significant; For instance, many crafts that held religious ceremonial roles, or served spiritual symbolism, became available to anyone, as a greater emphasis on its economic
Throughout the worlds history, many forms of folk art have been established. One easily identifiable is that of the Mexican folk art. Mexican folk art has great range and variety. This is primarily because the difference in available materials spread throughout the land. There are over a hundred types of clay, different woods and metals, and even a vast array of vegetable fibers used in textile work that let to a drastic amount of recognizable differences in the art. Artists used a large variety of animal, mineral, and vegetable products to dye and paint their pieces. There is also a very different stylization based on geographic locations and split of communities. This is due to the settling of invading Mesoamerican culture mixed with the Spanish and Arabic cultures. Although there is a vast amount of traditional folk art products from Mexico, pottery, wood burning, glass blowing, and paper mache are staples of the Mexican folk art culture. When Mexico ...
The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people had a consistent view of religious matters. Art during this time was largely iconic, meant to inspire the awe of God in the viewer. Along with various versions of the crucifix, one of the most popular images of the Byzantine style was The Pantokrator, an image of Jesus Christ as shown from above. An example of one of these pieces was done in the twelfth century in the abbey church of Monreale in the city of Palermo. Jesus is a monumental figure that takes up much of the space across the apse of the Church. One of his hands forms a mudra as the other holds the scripture. His fully frontal and direct stance along with the glimmering gold background serves to strike awe and fear into the viewer. Clearly this piece was done with the intent to impress the value and mightiness of religion first and attention to the detail and technique of the art second.
The first Catholic priests came to South America with the conquistadors and through social and political force superimposed 16th century Catholicism upon conquered peoples and in subsequent generations upon slaves arriving in the New World. Catholicism has, likewise, frequently absorbed, rather than confronted, popular folk religious beliefs. The resulting religion is often overtly Catholic but covertly pagan. Behind the Catholic facade, the foundations and building structure reflect varying folk religious traditions. (2)
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
Located in a hallway nestled between the Art of Europe and Art of Ancient Worlds wings at the Museum of Fine Arts, Boston is the Italian Renaissance Gallery (Gallery 206). Here, Donatello’s Madonna of the Clouds and Luca della Robbia’s Virgin and child with lilies face one another, vying for museum-goers’ attention from alternate sides of the narrow gallery. Both pieces indulge ingenious techniques, original at the time of conception, to create a completely new visual experience of a very traditional biblical scene, the Virgin Mary with her child, Jesus Christ. This paper will employ close visual analysis of two 15th-century Renaissance reliefs from Florence depicting the Virgin Mary and Jesus Chris in order to show how these artists used innovative