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Shakespeare's sonnet 64 summary and analysis
Shakespeare's sonnet 64 summary and analysis
Analysis of sonnet 16
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The poems “Metaphors” by Sylvia Plath and “Sonnet 7” by William Shakespeare contrast one another and provide insight into how each author felt about the issue of having a child through their writing. According to the website dedicated to her, Sylviaplath.de, Sylvia Plath wrote poetry predominantly in the mid 20th century. Her views on pregnancy are reflected in her poem “Metaphors” and are drastically different from those of Shakespeare. The gap in time between each poem is somewhere around three hundred and fifty years. This gap explains a lot about the different views on having children, showing the predominant opinions of the population during their day and age. By analyzing these poems and contrasting different elements present in each of the works, the differing views of each generation on having children come to light. The poems “Metaphors” by Sylvia Plath and “Sonnet 7” by William Shakespeare show how views on having children have evolved over time through contrasting imagery, diction, and metaphors.
In the poem “Metaphors” by Sylvia Plath, imagery is present in every aspect of the poem. Many of the lines in this work depict at least one image through their descriptions, and many of the lines had several. Some of the most important images present in the poem are that of an elephant, a house and a melon. These images seem unrelated, but they are in fact connected by a central topic. Later on in the poem, the narrator states that she has “eaten a bag of green apples” (Plath). This particular image evokes a certain sense of unease, because green apples are sour. Another image in this poem is that of money and a purse. The illustration of “new-minted” money gives the reader both a sense of starting anew and a feeling of want ...
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...he reader, and the one emotion that Shakespeare seems to be conveying to the reader is grand desire to have a child. The use of metaphors also supports this view in “Sonnet 7,” highlighting that having a son is extremely important, while “Metaphors” expresses the fact that the author is not sure whether she really wants to have a child or not. In the analysis of each poem it is clear that Sylvia Plath is feeling a lot of emotions, and is regretful and unsure about having a child. On the contrary, Shakespeare is regretful for not having a son. These differences reflect the distinctive views on having a child in the 20th century vs the 17th century. The view of having a child has evolved over time, changing from the notion that bearing a son is essential to life in the 17th century, to the modern view of not necessarily needing a son, or any children at all, as much.
A good example of imagery can be found at the end of the story in the last paragraph. For this part of imagery, the main character Jackson Jackson has received his grandmother’s regalia from the pawn shop employee without having to pay the total of $999 he originally had to pay. (Alexie) “I took my grandmother’s regalia and walked outside. I knew that solitary yellow bead was part of me. I knew I was that yellow bead in part. Outside, I wrapped myself in my grandmother’s regalia and breathed her in. I stepped off the sidewalk and into the intersection. Pedestrians stopped. Cars stopped. The city stopped. They all watched me dance with my grandmother. I was my grandmother, dancing.” This statement made at the end of the story indicates a strong sense of imagery that details Jackson’s emotions towards getting his grandmother’s regalia from the pawn shop. The yellow bead he mentions was his strongest symbol of feeling toward his grandmother, feeling as if he were a part of that yellow bead, in this case, his grandmother. Jackson describes in more detail of how he felt more like his grandmother after he wrapped the regalia around him. The pedestrians, city, everything around him was watching him feel like his grandmother, like some sort of flashback he could be
Consider the first few lines, “I have nothing else to give you, so it is a pot full of yellow corn, to warm your belly in the winter” (Baca 8-10). The imagery here is clear. The author invokes the images of yellow delicious corn while stressing the importance of his poem in relation to food. The speaker cannot give the recipient food, so he gives the only thing he can, poetry. This imagery is strong in demonstrating the importance of the poem in comparison to food. Not only was imagery strong in this line it, it is also a metaphor: Thing A = Thing B. The author appears skilled in using both imagery and metaphors in this poem. Consider these lines, “It is a scarf for your head, to wear over your hair, to tie up around your face” (Baca 11-12). The author uses again both imagery and metaphors in this line. He is stating that his poem is as important to his love interest as a “Scarf for your head”, and that it should be valued. The imagery used within this stanza appears to be coordinating with Santiago’s message quite well. The second stanza invokes warm images of kindness, while the third stanza is more mysterious and
Some examples of metaphor within the piece are when it says “your laughter’s so melodic it’s a song” and “your creativity’s a compass that leads you to what you love”. An example of evocative language in the piece is “you don’t need any miracle cream to keep your passions smooth, hair free or diet pills to slim your kindness down.” These metaphors and instances of evocative language help emphasise the message that it doesn’t matter what you look like, the most important thing you can love about yourself is ____. Metaphors, evocative language, and repetition are also used to describe the expectations laid upon women by society. One particular phrase that uses both metaphor and evocative language “because the only place we'll ever truly feel safe is curled up inside skin we've been taught to hate by a society that shuns our awful confidence and feeds us our flaws”. Other examples of evocative language include “a reminder that the mirror is meant to be a curse so I confine her in my mind, but when he or she shouts ‘let me out!’ we're allowed to listen.” and “Don't you shatter the illusion you could ever be anything beyond paper fine flesh and flashy teeth and fingernails.” One instance of repetition includes “echoic accusations of not good enough, never good enough”. Another phrase that uses both evocative language and repetition
Imagery is a key part of any poem or literary piece and creates an illustration in the mind of the reader by using descriptive and vivid language. Olds creates a vibrant mental picture of the couple’s surroundings, “the red tiles glinting like bent plates of blood/ the
Two of the most popular poets of the 19th and 20th centuries are Emily Dickinson and Sylvia Plath, respectively. These women were born nearly one hundred years apart, but their writing is strikingly similar, especially through the use of the speaker. In fact, in Sylvia Plath’s poem “Daddy”, she writes about her father and compares him to domineering figures, such as Adolf Hitler, a teacher, and a vampire; and in Emily Dickinson’s poem “She dealt her pretty words like blades—“, she talks about bullies and how they affect a person’s life—another domineering figure. Despite being born in different centuries, Emily Dickinson and Sylvia Plath are parallel in a multitude of ways, such as their choice in story, their choice for themes, and their choice of and as a narrator.
Plath wrote many poems about motherhood. The poem you’re is about a baby in the mothers womb. She encounters many ‘for’s’ and ‘against’ about her unborn child. She uses many striking similes and metaphors. The poem is like a riddle, she never says the baby is unborn she just gives lots of hints. Plath’s positive and negative feelings about pregnancy are shown in the following quotes. A negative feeling, ‘gilled like a fish’ this shows that the baby can breathe in the mothers womb but if you think deeper it shows that the baby is a alien to the human race. A positive feeling is ‘jumpy as a Mexican bean’ this shows that the baby is joyful and full of energy.
During the early seventeenth century, poets were able to mourn the loss of a child publicly by writing elegies, or poems to lament the deceased. Katherine Philips and Ben Jonson were two poets who wrote the popular poems “On the Death of My Dearest Child, Hector Philips”, “On My First Son”, and “On My First Daughter” respectively. Although Philips and Jonson’s elegies contain obvious similarities, the differences between “On the Death of My Dearest Child” and “On My First Son” specifically are pronounced. The emotions displayed in the elegies are very distinct when considering the sex of the poet. The grief shown by a mother and father is a major theme when comparing the approach of mourning in the two elegies.
The first impression of Sylvia Plath’s “Daddy” is disturbing and it proves to have fearful twist. The poem’s theme is one of sadness and lack of a paternal bond with one’s parent. The daughter is finding her closure with her father through this poem. This particular theme is portrayed through the use of dark and depressing imagery. Plath is skillful with her use of detail and emotional pull. The imagery brings up personal feelings which makes it easy to visualize the meanings that Plath intends to portray in the poem “Daddy”.
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
"Sonnet 73" by William Shakespeare contains many metaphors to form a descriptive image. Shakespeare used conceits, which are "fanciful extended metaphors" (567), used in love poems of earlier centuries. Shakespeare used these beautifully in "Sonnet 73." A metaphor is a "brief, compressed comparison that talks about one thing as if it were another" (554). Shakespeare expresses three major metaphors in this sonnet. The first is about age, the second about death, and of course, love follows. These three metaphors create an enjoyable poem.
Imagery in literature provides the writer with an instrument for establishing a viewpoint or perspective. The author can use an unlimited amount of symbols, similes, and metaphors that produce an atmosphere for the reader to visualize the story effectively. In the poem "Daddy," written by Sylvia Plath, the author utilizes numerous clusters of images to represent the fury and wrath of a crazed woman haunted by her father's frightening and domineering disposition. Plath uses this imagery to depict the emotional chaos controlling fathers inflict on their offspring.
In both J.D Salinger’s The Catcher in the Rye and The Bell Jar by Sylvia Plath, symbolism is used through the employment of imagery and metaphors. These are utilized to convey universal themes, such as alienation, pressures of conventional expectations, and sexuality. Symbolism is also utilized to portray significant and meaningful messages to the audience.
To her, the child’s eye is the storage of beauty, and he wish is to be at the same place as beauty. Beauty and happiness is compared to childhood mother’s inability to do much for her child. This gives us the aspect of how she lacked happiness in her life and also lacked to see any positive outcomes. This was one of the last poems that Plath wrote before her death.
A brief introduction to psychoanalysis is necessary before we can begin to interpret Plaths poems. Art is the expression of unconscious infantile desires and the strongest of these desires is the wish to “do away with his father and…to take his mother to wife” (Freud, “Introductory Lectures on Psycho-Analysis 411).This is what Freud called the Oedipal conflict. For women the desire is of course reversed to killing the mother and marrying the father and is called the Electra complex. Children resolve this conflict by identifying with their same sex parent. Loss of a parent can prevent the normal resolution of the Oedipal conflict and result in a fixation or obsession with the lost object (object is the term used to define the internal representations of others). The desire to have the lost object back is also the desire for what Freud called primary narcissism. ...
One of Philip’s greatest tactics in this piece, to convey her intense grief and desolation, is her use of promising phrases about her son’s future, and her sheer joy about what it holds for him. In doing this she is able to build an emotional connection between herself and the reader, “Seaven years Childless Marriage past/ A Son, A Son is born at last…”(5,6), “As a long life promised,” (9), and “Full of good Spirits, Meen, and Aier,” (8). The emotional feelings that are withdrawn from these phrases all resonate with the reader, and allow us to become much more sensitive to not only her and what she is going through, but also her son and his lack of life. The repetition of “Son” is very effective in showing how elated she was, and actually makes the depressing realization that follows even darker and more troublesome.