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Metaphors in Sonnet 73 "Sonnet 73" by William Shakespeare contains many metaphors to form a descriptive image. Shakespeare used conceits, which are "fanciful extended metaphors" (567), used in love poems of earlier centuries. Shakespeare used these beautifully in "Sonnet 73." A metaphor is a "brief, compressed comparison that talks about one thing as if it were another" (554). Shakespeare expresses three major metaphors in this sonnet. The first is about age, the second about death, and of course, love follows. These three metaphors create an enjoyable poem. The first metahphor that Shakespeare uses is that of a tree in the fall. He compares himself to the tree by saying 'That time of year thou mayst in me behold when yellow leaves, or none, or few, do hang upon those boughs which shake against the cold". Shakespeare compares his aging self to the aging tree. Just as the tree is losing its' leaves, Shakespeare could be losing his hair. Just as the tree is getting brittle, Shakespears bones are getting old and feeble. Most importantly, Shakespeare doesn't say that he is actually going through this downfall, but that his lover percieves it in him. Another metaphor in this sonnet is the comparison of death to nightfall, "In me thou seest the twilight of such day" (568). He continues, "Which by and by black night doth take away, death's second self, that seals up all rest" (568). Shakespeare perfectly describes death as the fading of a bright day to a dark black night. The third, and final, metaphor is when Shakespeare is comparing himself to the fire. Shakespeare beautifully states, "In me thou seest the glowing of such fire that on the ashes of his youth lie, as the deathbed whereon it must expire, consumed with that which it was nourished by" (568). . As the fire is dying so is Shakespeare. In conclusion, Shakespeare combines these three ideas in a two line follow-up, "This thou perceivest, which makes thy love more strong, to love that well which thou must leave ere long" (568). In this he relates all three objects, aging, death, and love, to each other. He is saying that one must enjoy love when he has it because it soon grows old and must die. He is also making the point that his lover is a good person for staying with him in his old age.
As people grow in life, they mature and change. In the novel , To Kill a Mockingbird ,by Harper Lee, Scout, the main character, matures as the book continues. Slowly but surely, Scout learns to control her explosive temper, to refrain from fistfights, and to respect Calpurnia, their maid, and to really learn her value to the family. Scout simply changes because she matures, and she also changes because Atticus, her father, asks her to.
Jem was the brother of Scout he was very brave and adventurous and loved to try new things. Jem was four years older than Scout and was drifting away from her he didn’t want to play her little games anymore. Jem and Scout had over the summer made a best friend nick named Dill his real name was Charles Baker Harris. Dill becomes very attracted to Scout and promises her he’s going to marry her. The three children over the summer spent most of everyday with each other acting out things they have read. They were the best of friends and whenever they were bored Dill would come up with something crazy for them to do. Later in the summe...
Throughout the story, Jem and Scout experience different people, and grow up in the process, differentiating from the good and the bad. A major character in the lives of the children was Tom Robinson, who was found guilty for no apparent reason. Mrs. Dubose acted very intolerant towards the children, but in the end Jem learned some things very valuable from her. Boo Radley, our “mockingbird”, is revealed to be one of the good guys, like a silent savior. The children learn their lessons, as it can be seen when Scout acts like a lady when Jem is being a teenager, when Dill loses his innocence, and when Jem hits adolescence.
The thoughts of young Hamlet contain specific diction that exemplify his fragile state. Overall the diction remains elevated; an attempt of Shakespeare to stay consistent with Hamlet’s aristocratic upbringing. Shakespeare repeatedly pairs particular words together to provide additional contrast to this life versus death debate. Choice words such as “suffer” and “fortune” as well as “coil” and “respect” demonstrate the opposing forces of life and death. This contrasting diction also builds tension as throughout the soliloquy the word choice becomes increasingly more negative.
In the story there is an unusual resident of Maycomb County, he goes by the name of Boo Radley. The Finch children have heard many different stories about him. Boo never comes outside, if he has no one has ever seen him. Throughout the chapters’ the kids devise a plan to catch a glimpse of Boo. Scout wanted to go with them, but when she started thinking about how dangerous the plan could be, Jem quickly put a halt to her thoughts. “Scout, I'm tellin’ you for the last time, shut your trap or go home-I declare to the Lord you’re getting more like a girl every day!...With that, I had no option but to join them” (Lee, 51-52). The boys had created more than one plan to lure Mr. Radley out of the house. Because she is adventurous, Scout made herself a part the action, even if her brother did not wish for her to. Also, Jem, Dill and Scout were all talking in the yard when Scout had an idea. “I ran to the backyard and pulled an old car tire from under the house. I slapped it up to the front yard. “I’m first,” I said” (Lee, 37). Because she was so eager to do something daring, she gained some respect from Dill and her older
Hamlet is left so distraught by his father 's death and his mother’s quick remarriage of his father’s brother that he wishes to die. Hamlet begins his soliloquy with a metaphor that shows his desire for death: “Oh, that this too, too sullied flesh would melt, / Thaw,
Shakespeare's Sonnet #73, published in 1609, is written in the Shakespearean or English sonnet style. It consists of three quatrains and one couplet at the end, written in iambic pentameters. Each quatrain has its own rhyme scheme, rhyming in alternating lines. The couplet summarizes the preceding twelve lines. Sonnet 73 appears to contain multiple parallels to death and the person speaking in the poem gives the impression that he is near death and reflecting back upon life.
“Remember it's a sin to kill a mockingbird…I asked Miss Maudie about it. ‘Your father's right,' she said. 'Mockingbirds don't do one thing but make music for us to enjoy. They don't eat up people's gardens, don't nest in corncribs, they don't do one thing but sing their hearts out for us. That's why it's a sin to kill a mockingbird'” (Lee 119).
This is an enjoyable sonnet that uses nature imagery, found extensively in Petrarca, that Shakespeare uses to get his point across. Not much explication is needed, aside the sustained images of nature, to fully understand its intent, but I would like to point out a peculiar allusion. When reading line 3, "the violet past prime" has made me think of Venus and Adonis. In the end, Adonis melts into the earth and a violet sprouts where his body was, which Venus then places in her heart, signifying the love she has for him. Reading this into the poem makes the few following lines more significant. Having Adonis portrayed as the handsome youth, Shakespeare is alluding to the death of youth (in general and to the young man) through the sonnet. In the next line, it is not certain if "sable" is an adjective or a noun and if "curls" is a noun, referring to hair (which is plausible) or a verb modifying "sable." Invoking the allusion to Adonis here, Shakespeare portends that if Adonis did live longer, he too would have greying hair; thus, Shakespeare sees ["behold"] an Adonis figure, the young man, past his youth.
William Shakespeare 's 'Sonnet 73 ' highlights the continuous anxiety; of speaker the due to the inevitability of old age. Through various poetic techniques Shakespeare underlines that the deterioration of time is arbitrary; and it therefore naturally decays beauty and life. However there is a sense that he expresses love as a stronger force which overcomes the constant decline of youth and time. This is strongly represented by the use of seasonal imagery. Similarly, John Donne utilizes formal aspects in 'A Valediction Forbidding Mourning ' to convey the same view of the strong force of love. Unlike, Shakespeare 's constant reflection on deterioration; Donne presents arguments to reassure his lover that their love can overcome all aspects.
...derstanding of time passed and time that remains allows one to become comfortable with such circumstances and express a love that must soon retire.The metaphors that represent the theme throughout the poem are similar in the way they all show the devastating and destructive factors of time. Further more, they provide a discourse surrounding the issue of mortality. With anticipation increasing from beginning to end, Shakespeare is able to demonstrate a level of comfort surrounding the inevitable. The continual imposition of death on life is a universal experience. Autumn turning into winter, day turning into night, and a flame diminishing entirely all illustrate this. The increase in intensity of associated color with metaphors mimics the intensity of the ending. As the end draws increasingly near, it becomes undeniable and provides the catalyst for the lesson of love.
Shakespeare uses a variety of metaphors and descriptive words to describe Hamlet’s emotional state. Hamlet is saying here that he wishes that his flesh would melt away and dissolve. He goes on to say that he wishes that God had not made suicide wrong. Terms like weary, stale, and fl...
Sonnet 71 is one of 154 sonnets written by William Shakespeare, and although it may rank fairly low on the popularity scale, it clearly demonstrates a pessimistic and morbid tone. With the use of metaphors, personification, and imagery this sonnet focuses on the poet’s feelings about his death and how the young should mourn him after he has died. Throughout the sonnet, there appears to be a continual movement of mourning, and with a profound beauty that can only come from Shakespeare. Shakespeare appeals to our emotional sense of “feeling” with imagery words like vile, dead, be forgot, and decay, and we gain a better understanding of the message and feelings dictated by the speaker.
Shakespeare's Sonnet 73 well fills and fits the three quatrains and single couplet of the Elizabethan sonnet. We can be sure there is no doubt to believe that some of Shakespeare's sonnets, like Sonnet 73, were well known and he was surely placed at the head of the dramatists and high among the non-dramatic poets. As Bender and Squier claimed (75), in the sixteenth century, Shakespeare is England's greatest playwright and the best of the Elizabethan sonneteers.
Scout and her big brother, Jem, run wild and play games and have a great time while their father is busy with the trial. One of their friends is a strange boy called Dill. Actually Dill isn't really so strange once you get to know him. He says things like "I'm little but I'm old," which is funny but also pretty sad, because some of the time Dill acts more like a little old man than a seven–year–old boy.