Mental Institution In One Flew Over The Cuckoo's Nest

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Ken Kesey’s One Flew Over The Cuckoo’s Nest uses a mental institution to contrive a daunting metaphor for society; epic power struggles, inequity, and inhumanity seep through the pages, painting a dismal image of society as a game that cannot be won. The novel is host to many, arguably crucial, conflicts; however, perhaps the most important conflict is one that, oddly enough, the character was not ever truly aware of until the end. Nurse Ratched, the head honcho on the ward, manipulates her patients’ psyches, eroding their self-worth, in an effort to accommodate her reign. From the moment Randle McMurphy, a new patient, arrives, he, unwittingly so, enacts an integral role on the ward, bearing the burden of undoing the ruinous effects of Nurse Ratched’s tyranny. …show more content…

He is coming from a work farm, and even says that “[he] requested a transfer [to the ward]....to get [him] out of those damned pea fields” (12-13). Disregarding his woeful ignorance of his circumstance, McMurphy’s very attitude toward what he expects of the mental home is “inspiring” somewhat; it is in stark contrast to the despondent residents and the bleak undercurrent of the ward. This is McMurphy’s first act of chipping away at the damage done to the patients at the hands of the Big Nurse, however, the true extent of that damage is harrowing: it manifests itself in Harding’s revelation regarding what meagre esteem he and the patients hold themselves with. “[they’re] rabbits,” he says, “[they’re all rabbits,” and perhaps most disturbingly, “[they’re] happy [being rabbits]” (64-65). Harding latently enlists McMurphy’s assistance in pulling them up from the depths of their own low self-worth by declaring him a “wolf,” not unlike the Nurse, insinuating that they already perceive McMurphy to be on par with Big Nurse, essentially her only

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