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Metaphors in shakespeare
Shakespeare metaphores
Similes portrayed in Shakespeare books
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In the first scene of Shakespeare’s Coriolanus, Menenius tells a short story about how a human body degenerated. He begins with the “members” (organs of the body, excluding the stomach) protesting about how the “belly” (the stomach) does no work, while the members do all of the work. Menenius continues by saying that the members felt like slaves obligated to provide for all of the belly’s wants. The members decided to stop doing what they felt was “all the work,” and let the belly starve. Consequently, the entire body began to starve and eventually perish, and the members realized the work of the belly after it was too late. Menenius extracts this anecdote and compares it to the predicament he is currently faced with. The citizens of Rome …show more content…
He convinces the public that the senate is concerned not only with themselves, but with the entire population. However, an analogy, by definition, can not portray the two compared subjects in an exact manner because it is a mere comparison between two different subjects on the basis of their similar structures. The similarities are used to explain the subject which is unclear. Since a comparison is not a definition, loopholes can be found in every analogy, and the analogy’s intended purpose can always be distorted and disproved by using the loopholes against …show more content…
In the realm of the organism, since birth, and even before birth, the “members” are carrying out specific functions within the body. As the body ages, the members age; however, the members’ original functions do not change in the slightest. Back in the political sphere, the citizens’ functions change immensely as they age. For instance, a child’s function is to suckle its mother’s breast. At this stage, the child has virtually no importance in the socio-political sphere. As that child ages and becomes a student, its functions become more important as it learns subjects and grasps different views of the life it once knew. As we fast-forward to when the child is an adult, its influence is maximized in the political sphere, depending on the role it chose to pursue for its own life, and its function is being performed maximally. The concept I refer to in disputing the fact that Menenius has left out the aspect of growth and development in his comparison of the social or political body with a living organism lies within another of Shakespeare’s writings: As You Like It, Act 2, scene 7, 11. 140-166. Shakespeare explicates my argument in the realm of the social body, proceeding from the infant to the school-boy to the lover to the soldier to the justice to the pantaloon, to the second childishness and mere oblivion. Although Shakespeare does not provide us with an
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Livy’s The Rise of Rome serves as the ultimate catalogue of Roman history, elaborating on the accomplishments of each king and set of consuls through the ages of its vast empire. In the first five books, Livy lays the groundwork for the history of Rome and sets forth a model for all of Rome to follow. For him, the “special and salutary benefit of the study of history is to behold evidence of every sort of behaviour set forth as on a splendid memorial; from it you may select for yourself and for your country what to emulate, from it what to avoid, whether basely begun or basely concluded.” (Livy 4). Livy, however, denies the general populace the right to make the same sort of conclusions that he made in constructing his histories. His biased representation of Romulus and Tarquin Superbus, two icons of Roman history, give the readers a definite model of what a Roman should be, instead of allowing them to come to their own conclusion.
Antony Kamm ~ The Romans: An Introduction Second Edition, Published in 2008, pages 47, 93
On that first fateful day, when Romulus struck down his own brother Remus, the cauldron of Rome was forged in blood and betrayal. The seeds on the Palatine hill cultured one of the most potent and stretching empires of human history. Though this civilization seemingly wielded the bolts of Zeus, they were infested with violence, vanity, and deception. Yet, one man—or seemingly “un”-man—outshone and out-graced his surroundings and everyone within it. He brought Rome several victories and rescued his beloved country from an early exodus, thus providing her a second beginning. This man was Marcus Furius Camillus, and against a logical and emotional mind, he was oft less than loved and celebrated. At times he was disregarded, insulted and even exiled—irrevocably an unwarranted method to reward Rome’s “Second Founder.” This contrast of character between hero and people was perhaps too drastic and too grand. The people were not yet ready to see Marcus Furius Camillus as a model of behavior to be emulated—to be reproduced. Hence, much of Livy’s Book 5 provides a foundation for the Roman people to imitate and assimilate a contrasting, honest, and strong behavior and temperament
Livius, Titus. The Early History of Rome. Trans. Aubrey De Sélincourt. London: Penguin Group, 2002. N. pag. Print.
The river tore through the earth like a hungry worm, ripping its way to the ocean. Along the shore of the river stood an army’s camp, the war tents and gathering tents stood well-kept, but empty. Not a soul could be found in the camp, even the lowly camp followers had left. The men who inhabited the camp stood on a small hill nearby, they encircled the base of the hill as a man on top read a letter. “The Senate and People of Rome address you, Gaius Julius, and the men under your service.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
... Austin: University of Texas Press, 1997. Hopkins, Keith. A. A. Death and Renewal: Sociological Studies in Roman History. Cambridge: Cambridge University Press, 1983 Johnston, Harold Whetstone. The Private Life of the Romans.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Annotated Bibliography Headlam Wells, Robin. Shakespeare on Masculinity. Cambridge, GB: Cambridge University Press, 2000. ebrary. Web.
Marks, Anthony, and Graham Tingay. The Romans. Tulsa, OK, USA: Published in the USA by EDC Pub., 1990. Print.
Through comedy and tragedy Shakespeare reveals the vast expanses and profound depths of the character of life. For him they are not separate worlds of drama and romance, but poles of a continuum. The distinction between tragedy and comedy is called in question when we turn to Shakespeare. Though the characters differ in stature and power, and the events vary in weight and significance, the movements of life in all Shakespeare's plays are governed by the same universal principles which move events in our own lives. Through myriad images Shakespeare portrays not only the character of man and society but the character of life itself.
Citizens. The will, the will! we will hear Caesar`s will. Bibliography = ==
The Romeo and Juliet play explores not only teenager’s romantic love but social interactions and stratifications as well. Shakespeare’s writing demonstrates the importance of the social classes held in the Renaissance society and how one’s quality of life and influence are depended on his or her position. In Shakespeare’s work, the higher class consists of the educated, elegant, and secure people, while the lower class consists of the poor and the uneducated ones. Nonetheless, the author emphasizes that human relations do not depend on the social differences between the people, and even the most socially distant individuals can share the strongest friendship, while the equal ones – the pure and blind hatred. The main focus of Shakespeare's
There are two opposing views of the natural. One sees the natural as that which is corrupted by man while the other regards it as that which is defective in itself and must be corrected by nurture. Montaigne's essay, Of Cannibals, is an undisputed source of the novel which supports the former view. Montaigne believed that a society without the civilised 'additives' of law, custom and artificial restraints would be a happy one. Gonzalo's talk of his "commonwealth" mirrors this opinion in the play. Shakespeare agrees more with the latter view which is propounded by Aristotle in the following lines, "men...who are as much inferior to others as the body is to the soul...are slaves by nature, and it is advantageous for them always to be under government" and Caliban is Shakespeare's example of this.