Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Racism in the past and present
Masculinity in Shakespeare's time
The masculinization of Shakespeare characters
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Racism in the past and present
Annotated Bibliography
Headlam Wells, Robin. Shakespeare on Masculinity. Cambridge, GB: Cambridge University Press, 2000. ebrary. Web. 3 Nov. 2016. In this ebook, the author expresses that Othello wasn't only hurt because his wife Desdemona was cheating on him but also because he felt his masculinity and his pride were ripped away from him. The author explains that Othello didn't know another way to get his masculinity and pride back other than to cause her death. He talks about how the men where acting like Neanderthals and it resulted of him killing his own wife. He explained that Othello is a king, who is honor and respected by all his men. He has a high reputation to maintain and he couldn't let a women ruin his imagine
…show more content…
She goes on to say that most of the eras had their own fair share of racism, but the Shakespearean era stands out the most. She then goes and finds textual evidence to show that in the first scene there is already racism where it shows how 2 men look and describe Othello poorly. She then points out how Shakespeare showed his dislike for interracial marriage by displaying the rejection they received. She finishes by expressing how it is sad to see that people can have so much hate to a specific race and not care to disrespect them by writing a …show more content…
It is a ‘ domestic tragedy’ without the political and dynastic implications of Hamlet, Lear, and Macbeth.” (Rees 185)
Rush, David. Building Your Play : Theory and Practice for the Beginning Playwright. ebrary. 2010. Web. 3 Nov. 2016. In this article, the author is focusing on the thought process that Shakespeare uses to forms his plays. He talks about the fundamentals in the play where the events of Othello play out leading up to the killing of Desdemona. He then moves on to analyzing the way he put them together, for example using a complex plot in Othello. He talks about the manny different mini-scenes that all correlate with Lagos manipulating Othello to not trust Desdemona and Casio. He finalizes by enchasing on some tricks Shakespeare uses to give a unique touch in each of his writings. “Othello realizes what an idiot he’s been and kills himself. Plays that have both these moments at work, Aristotle calls complex plots” (Rush 55)
Unnamed. ”Othello's Jealousy”. Daily Times. Print. 9 June 2014. 3 Nov.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
The tone of the story is tragic and serious. Meanwhile, there isn't any point of view because this is a play and a play doesn't normally have a narrator. Shakespeare lets the reader make up his/her own imagination with the characters' words and behavior. Since Othello is the protagonist, he is explained in more detail. Although Othello is a brave warrior, he is a jealous person; his jealousy also prevails over his good sense. The whole play depicts the fact that jealousy causes corruption. There are many conflicts found in Othello, and person vs. person is one of them. An example is when Iago seeks revenge against Othello and Cassio because of his anger and jealousy. Person vs. society appears when Desdemona's father Brabantio, disapproves her marriage to Othello because he is several years older than Desdemona, from a different class, and a different race. An internal conflict of person vs. himself is found when Othello is in a dilemma about whether or not should he believe that Desdemona is being unfaithful to him. Othello loves and trusts Desdemona until his jealousy is aroused by the cruel manipulations of Iago. Iago's intention was to persuade Othello to believe that Desdemona is having an affair with Cassio. As Iago succeeds in convincing Othello that Desdemona is guilty of adultery, it leads to the climax of the play. And so Othello must face emotions he can't deal with. His jealousy drives him insane, and his judgment is replaced with anger and hate. At this time, the reader notices that the death of Desdemona is inevitable. Othello smothers her, and he eventually kills himself when he knows that Iago falsely accused Desdemona. This also represents the tragedy of the play.
Proud, noble, and brave warrior Othello is well respected and his military skills and adventures are widely known. He is charismatic, charming, self-reliant and well traveled. These personality traits made Desdemona fall in love with him, and by these, he measures his honorability. His measures his self-worth by the way he is perceived by others. That is the main reason why he perceives Desdemona’s alleged infidelity as ruining his honor. It makes him look like a fool and he feels that he has been taken advantage of because he is unwise and unfamiliar with the devious sexual practices of Venice women.
...kespeare's Othello is a play of multiple themes. The human psyche itself is on display as well. The dualities of relationships is also prevalent. For example the relationships between Othello and Desdemona and between Iago and Emilia. The concept of illusion, of the difference between what is perceived in a person and what is real, is explored through the perceptions of key characters of one another in spite of overwhelmingly different realities. Finally, the theme of character reversal is also explored through the violent contrast between Othello as he was before and Othello as he is now; the complete reversal of character being summed up in Othello’s last, stirring soliloquy. In accordance with the central idea of duality and opposites inherent in the play, Shakespeare has encoded three of the play’s key themes through such contrasts of character and language.
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare. The story is about Othello, who is a general in the Venetian army and is convinced by his trusted ensign, Iago that his wife is cheating on him. Eventually, Othello kills his wife and when he finds out the truth, he then kills himself. Most of the conflict in the play stems from Othello’s assumption that women are not equal to men, which leads to dramatic and valuable irony. Othello’s relationship with Desdemona, his trust in Iago and Othello’s jealousy indicate Othello’s belief that women are not equal to men.
Othello’s anger grew through the play and he had trust issues that developed in his marriage. He wanted to ask Desdemona about trust and if she was cheating on him but did not
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heart break, and sympathy. This paper will focus on what Shakespeare actually intended regarding “Othello” and its Aristotelian influences.
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play. Aristotle, the famous philosopher, outlined several requirements in which a play or piece of drama is to follow.
However, his statements seem to suggest that he was motivated by his own insecurity and revengefulness more than by his love for his wife. Othello’s inflated sense of self pride and need for power ultimately caused him to act irrationally and lose what he most desired, his
This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy, which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself. At the beginning of the play, we see Othello as a strong character.
This tragedy is brought about by a simple manipulation of Iago, the villain of the play. The jealousy led Othello to a path of constant questioning of his wife, and his friend Cassio. Throughout the play, he sinks deeper and deeper into his doubt and eventually that causes him to kill not only the love of his life, but also himself. In her work, “This that you call Love”: Sexual and Social Tragedy in Othello, Gayle Greene (2004) argues that the tragedy occurs from adherence to patriarchal rules and stereotypes (Greene 655-659). According to Gary Greene, the tragedy is caused by “men’s misunderstandings of women and women’s inability to protect themselves from society’s conception of them” (666).
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
Othello is one who believes in justice and fairness and will make no exception, even for the love of his life. Ultimately, he murders her because he is, “One that loved not wisely but too well.” (V, ii, 398) This, above all, gives the play its powerful end. Othello’s true flaw is not vile, destructive jealousy, but rather pure and prevailing love.
In conclusion, Shakespeare uses a variety of techniques to present the development of Othello’s character in the play Othello. In particular the dramatic devices, those that are visual and the use of language that chart the downfall of Othello’s character from a respected.
7. Kahn, Coppe`lia. Man's Estate: Masculinity Identity in Shakespeare. Berkeley, Los Angeles: University of California Press. 1981.