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Media's impact on racism
How does music relate to racism
African Americans and music
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The issue of race is something the world faces in almost every element of life. In todays society there are issues of racism in politics, crime and media. One form of media that can be looked into specifically is music. Kembrew addresses this in lecture by stating, “Music and culture flow across racial, socioeconomic, and geographic boundaries” (McLeod Week One). Recently a particular Brad Paisley song featuring LL Cool J has sparked some controversy for acknowledging racism in a country song. The song is titled “Accidental Racist” and is featured on Brad Paisley’s new album Wheelhouse. The song brings up racism in a genre that tends to avoid controversy and typical does not discuss race. The way this song is being viewed brings up many interesting cultural questions about todays country music and the history of the genre.
The song “Accidental Racist” uses many cultural symbols that tend to create controversy in todays society. For example one of the main symbols mentioned in the song is the confederate flag. The context of the symbol in the song, is that the white man walking into Starbucks does not want people to miss understand his shirt which features the flag. He would like people to know that the flag is only featured due to its connection with Skynyrd and him being a fan (McKay 2). The reason a confederate flag can be related to a Skynyrd shirt, dips into the genres audience and the history of country music.
Country music is typically associated with or discusses the conservative south. This is because country music of today and yesterday discusses rural southern living in its lyrics. Audiences also associate country music with the south because they believe all country artists are from the south. The cause of this logi...
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...and Steve Waksman. Rockin' Out. 6th ed. Massachusetts: Pearson, 2013.
41-436. Print.
Geoff Mann (2008) Why does country music sound white? Race and the voice of nostalgia, Ethnic and Racial Studies, 31:1, 73-100, DOI: 10.1080/01419870701538893
McKay, Hollie. "Brad Paisley and LL Cool J's 'Accidental Racist' ignites controversy."
Fox News . (2013): 1-3. Web. 28 Feb. 2014. Web.
McLeod, Kembrew. “Media, Music and Culture Week One.” Media Music and Culture.
Phillips Hall, Iowa City. 22 January. 2014. Lecture.
McLeod, Kembrew. “Media, Music and Culture Week Three.” Media Music and Culture.
Phillips Hall, Iowa City. 5 February. 2014. Lecture.
Smith, RJ. "Race and Country Music Then and Now." NPR: the record. (2013): 3. Web.
28 Feb. 2014. Web.
Willman, Chris. Rednecks and Bluenecks: The Politics of Country Music. 1st ed. .
New York: The New Press, 2005. 8. Print.
Times have changed, and along with the times so has country music. American country music lovers have went from Loretta Lynn and Waylon Jennings, just two of the many classic oldies, to Carrie Underwood and Luke Bryan, two very appealing country music artists. However, it is not only the tune of the music that has changed, it is the image, the appeal, and overall the type of icons the media is portraying these modern music stars as. Icons such as Lynn and Jennings had identifiable features within their music as well as their appearance that spoke sweet southern belle and rugged twang. Whereas Underwood’s and Bryan’s appeal now is much more sexualized than it was during the oldies. These changes affect the way modern day singers are marketed compared to former country music stars, instead of focusing on talent it is now looks.
For almost 90 years, The Grand Ole Opry has withstood the test of time to become one of the tried and true traditions in country music. From the show's humble beginnings as an obscure radio program, to it's renowned place today as one of the premiere stages for music, The Grand Ole Opry has had an extremely colorful and interesting existence. Over the 88 years that have passed since the show's inception, The Grand Ole Opry has featured many talented performers. Those performers, along with social changes and economics, have all contributed to the growth and success of The Grand Ole Opry.
Werner, Craig Hansen. 2006. A change is gonna come: music, race & the soul of America. Ann Arbor: University of Michigan Press.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be
Pecknold, Diane. 2007. The Selling Sound: The Rise of the Country Music Industry. Durham: Duke University Press.
Sadly, this violent attack provides a perfect example of the racism symbolically presented by the Confederate flag. However, some southerners would argue that the initial meaning of the Confederate flag had little association to anything (Prince, n.d.). The flag initially was viewed by many southern natives as a symbol of southern heritage and pride (World Book Student, 2016). As mentioned above, the flag was flown during the Civil War when southern states were attempting to secede from the northern states. For this reason, the flag is symbolic to southern natives because it symbolizes the beliefs of their ancestors; beliefs that many lost their lives for.
Country Music is everywhere. It may come blaring from a neighbor’s house, blasting the radio from a car or truck, or even playing quietly in a restaurant; but why exactly is Country Music so popular for people to listen to? When it comes to Country Music, the lyrics comes straight from the artist`s hearts where people can relate to them; the rhythm and beat are unique to the specific song, and the artist knows exactly how to tell a perfect story in the song.
Percival Everett’s “The Appropriation of Cultures” (2004), demonstrates the power of a symbol and the meanings that it can carry. In the story, Daniel Barkley is a highly accomplished African American man who graduated from Brown and frequently plays guitar near the campus of The University of South Carolina. From the beginning of the story, Barkley exposes a distinct independent personality that isn’t afraid to break stereotypes or labels. The first scene describes an instance in a bar where white fraternity boys were challenging Barkley to play ‘Dixie’ for them. Instead of refusing, like most would have done, he instead begins to play and take ownership of the song. Later in the story, Barkley decides to purchase a truck with a giant confederate flag decal in the back. Despite the strange stares and confusion
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
The 'Standard' of the 11 November 2006 http://www.worldbookonline.com/wb/Article?id=ar525600>. Wells, Paul F. "Country music." World Book Online Reference Center. 2006.
Thus, there is a dual message that entices listeners to be “woke” and that proudly portrays their southern heritage that, during the 90’s and early 2000’s, was just beginning to be
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
The song “Accidental Racism:” by Brad Paisley describes what society thinks about one another and racism. The man comes into a coffee shop wearing a rebel flag shirt. He explains, how he is not racists only proud of his heritage, and homeland. The t-shirt to him represents his grandfathers and fathers before him of the sacrifices they made. The shirt does not represent the belief of racism. The writer precedes to explain how his belief is not the same as his forefathers, however he is proud of them for standing for their beliefs.