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Maurice Ravel The Romantic Period of Classical music denotes an era where composers instilled a high amount of emotion and intense feeling into their works. This style of composition had never before been heard and marked a shift in the culture of fine arts. This is the world in which Maurice Ravel was born into. The famous French impressionist came to grace the world with his musical mind through a collection of works that conveyed acute passion and love for music as well as the world around him. Thanks to his fervent musical spirit, Ravel is remembered through history as an influential composer during the Romantic Era. Joseph-Maurice Ravel was born in the small town of Cibourne, France on March 7th, 1875. Both of his parents were Catholics, …show more content…
Just a few years earlier Alexander Graham Bell patents the telephone, and Thomas Edison shows the world his incandescent bulb. Many inventions are patented during this industrialization period while there is a relatively small amount of fighting and war around the world. Railroads built in the United States divide the country into time zones, and a few years before Orville and Wilbur Wright fly the world's first aircraft, Heinrich Hertz discovers radio waves and declares them “of no use whatsoever” (Fincher). Through the next several decades of musical history, it would become apparent that this observation could not be farther from the …show more content…
Entering with different musical compositions a total of five times, Ravel was continually unable to win the scholarship. This was always a disappointment for Ravel in his life because he, and many others, believed that he could have won. The last time he attempted to win and did not caused so much controversy that there was a complete reorganization of the administrators who voted on the prize at the Paris Conservatory. In the year 1900 Maurice joined a group who called themselves The Apaches. The organization was a gathering of talented young artists and musicians who met to discuss and share their latest works. Ravel remained a member of this group up until World War I when they disbanded. While a member he composed some of his most famous masterpieces and shared his work with contemporaries such as Igor Stravinsky. It was also during this time where he became friends (and later rivals) with the most famous of his peers, Claude
Radio waves were first discovered in 1887, but radio itself was initially invented by Italian Guglielmo Marconi in 1895 (1). His biggest mentioned success was in 1901, when he managed to broadcast the letter “S” across the Atlantic Ocean (1). However, he focused primarily on point-to-point transmissions, not large scale broadcasts from one point (F). As such, three American inventors - Lee De Forest, Edwin Howard Armstrong, and David Sarnoff - took credit for making radio as it is today a success (F). De Forest was born and raised in Alabama and he thought of everything in terms of patents and eventually held more than 300, but many claimed that he simply stole the inventions of others (2). In 1900, he patented a device to enhance weak signals and in 1902, he formed the De Forest Wireless Telegraph Company (1). In the same year. Reginald Fessenden, a Canadian, invented the “electrolytic detector”, which later became the spade detector that brought De Forest so much fame (F). In 1904, John Fleming invented the oscillation valve, which later became De Forest’s audion, and De Forest won the gold medal at the St. Louis World’s Fair for his “spade detector” (F). De Forest gained quite a bit of fame by broadcasting music live from the Eiffel Tower and from the Metropolitan Opera; however, many believed that this was a scam and that he had actually had the device broadcasting the signal only a few blocks away (F). In 1906, he envisioned bringing music and voices to all American households, but as it turns out Canadian inventor Fessenden had already broadcasted a Christmas greeting and music to the crew of a ship off the coast of Canada on Christmas Eve a year earlier (F). In 1912, Armstrong became prominent by inventing regeneration, wh...
His astonishing understanding of musical rudiments was further cemented at age seven by his first teacher Otto Friedrich Willibald Cossel, with piano literature ranging from Bach to Schubert to Clementi (Musgrave 10). The young gifted talent quickly matured, with his compositions being sedulously characterized in craft similar to the seasoned taste of aged liquor. Following in the wake of Beethoven, his style of romanticism seemed restrained, and viewed as being confined to classical forms. With his preference towards absolute music, his works demonstrated “as [Ian] McEwan/ [Clive] Linley would have it, at the intersection of emotion and reason” and of “powerful intellect and of passionate expressivity” (Platt and Smith 4). However, being the headstrong romantic that he is, he manipulated the limiting factor into an area of expanse, in which he developed his music into seriously emotional, imaginative works of art.... ...
New technology in the 1920s attributed to the change. Inventions such as the radio helped improve communication. Court trials, conventions, and meetings were broadcasted. Electrical appliances improved homes. In 1922, Sinclair Lewis wrote, "These standard advertised wares- toothpastes, socks, tires, cameras, instantaneous hot-water heaters were his symbols and proofs of excellence, at first the signs, then the substitutes, for joy and passion and wisdom" (Document A.) The invention of the motion picture was also very significant. The invention of the airplane was influential as well. Charles Lindbergh's nonstop, 33-hour flight from New York to Paris helped increase interest in planes. Afterwards, Lindbergh became almost a world hero. Mary B. Mullett stated in The American Magazine, "When, because of what we believe him to be, we gave Lindbergh the greatest ovation in history, we convicted ourselves of having told a lie about ourselves. For we proved that the "things of good report" are the same today as they were nineteen hundred years ago . . . to have shown us this truth about ourselves is the biggest thing that Lindbergh has done" (Document F.) Within two years, William E. Boeing had created the first commercial airplane and was flying people from San Francisco to Chicago in it. The automobile was the biggest invention of its time. The automobile helped the tourist industry, and created some new businesses, such as gas...
Romantic music was the favored genre of the nineteenth century. There were a variety of elements that influenced romantic compositions during this time - some factors were nationalism, pride, money and social constraints. There was also an introduction of newer, move varied orchestration. also, one characteristic that implied a work of music was romantic was that there was a tension in the climax rather than a release. One composer that stood out during this period was Johannes Brahms, a traditionalist who wanted to honor German musical customs while creating innovative romantic symphonies. Brahms continued the eighteenth century classical traditions of Beethoven in the four symphonies he composed in the nineteenth century by making them classical in structure but romantic in tone. Composed in 1883, Brahms' Third symphony in F major, stands out as one of his significant pieces, composed at a time when he was growing into musical maturity. The first movement of this piece had a special place within 19th century symphonic tradition. it opens with an uplifting theme, which recurs all the way up to the coda with careful restraint that is characteristic of Brahms' classical approach within romantic contexts.
The majority of the casualties of Dean Corll were young boys between the ages of 6 and 20. Dean Corll's first known casualty was a 18-year-old school rookie named Jeffrey Konen, who vanished on September 25, 1970, while catching a ride with another understudy from the College of Texas to his folks' home in Houston. Konen was dropped off alone at the edge of Westheimer Street and South Voss Street close to the Uptown Area of West Houston. At the time, Dean Corll was living in a condo on Yorktown Road close to the crossing point with Westheimer Street. Konen likely acknowledged an offer by Corll to take him to his folks' home in the Braeswood Put West College Put territory. Not at all like Konen, the lion's share of casualties were in their mid-adolescents and most had been stole from Houston Heights, which was then a low-salary neighborhood north west of downtown Houston. One of the casualties, 15-year-old Homer Garcia, met Henley at his driving school and was welcome to Corll's for "a party". Many were recorded by police as runaways regardless of the restless challenges of guardians who demanded that their young men would not flee from home. Frequently the casualties, alone or in sets, were welcome to Corll's gatherings. A few were companions of either Henley or Rivulets and two, Malley Winkle and Billy Baulch, who had really worked for Corll's candy
Since Beethoven was seen as such an influential composer, many sought to compose music similar to that of Beethoven and the other masters who had set the stage for classical music. Yet they could not be too similar to Beethoven and had to have uniqueness in their compositions. As Burkholder explains, composers that followed the musical canon, “...distinguished from their lesser contemporaries by their level of craftsmanship, by the strength of their musical personality, and by an ineffable quality of ‘inspiration,’ ‘beauty,’ or ‘truth’.(Burkholder 120). The craftsmanship can be interpreted as the way they created their compositions in a great way such as the main inspirers of these young composers did. The craftsmanship had to of course to make it an impact, like pieces in any museum, they have to show skill and express the quality of their design. Their strength in musical personality had to show their uniqueness and style they imposed when composing music, to the point where they could be distinguished through their compositions. This strength in personality had to pop out while still following and showing their inspiration, which was the most important quality, to that of the masters of classical music. The inspiration was a key factor that lead to the rise of the musical
(3) In the Romantic era the compositions were very expressive and inventive. The Romantic composers experimented with already existing forms, and dramatic expressiveness. This grew out of the improvement of instruments and the newly invented genres (Britannica). The limits in music composing were pushed with great contrast in the music. There were tempo changes in the music, difference in dynamics that ranged from pppp to ffff, either gradual or sudden, for a great emotional effect. Chromatic harmony was a popular, new way of making dissonance and unstable chords, prolonging the resolution of dissonance, using tones from the chromatic scale to create tension and unpredictability in the music (“OnMusic”). Other traits of the Romantic style of music were individualism and self-expression. Therefore it is possible to hear who the composer of the piece is (An Appreciation 257, 259). Compositions could be either absolute, which meant that the music was not based on a story or a text, or it could be program, which meant that the music was based on a story or a text. During the Romantic era, the composers mostly preferred program music. Nationalism and exoticism in the music was also common. The composers used dances and rhythms that were common...
Elie Wiesel was born September 30, 1928 in Transylvania. He grew up in a small Jewish
A seven-year-old boy name Francis Piol Bol was born to a happy family in southern Sudan. Francis mother sent him out sell peanuts and eggs at the market with the rest of the children. While doing what he was told, slave owners abducted him. Francis, a slave for 10 years, lived near cattle and goats, which he was responsible for. Francis and his family accepted Christ at a young age, he believed God would fix his problems and remembered what his mother taught him. She said “God will never leave you,” so he believed he could accomplish anything through God. At age 17, Francis escaped from slavery; he could get in the U.S because of Muslims who believed that slavery was wrong. While Francis trying to escape from slavery, he ended up in prison,
The Romantic period is chronologically defined by the 19th century. It was an era of great turmoil. With the French Revolution, the American Civil War, the Franco-Prussian War, the Crimean War, the Spanish-American War and various revolutions across Europe, a great sense of upheaval was felt by the bourgeoisie and upper class struggling to maintain their affluent lifestyle during this time period. The revolutionaries who were fighting for their rights and independence felt a great sense of freedom, pride and other intense emotions. These intense emotions helped identify the Romantic period. Characteristics of the Romantic period help define it as a whole, and allow for the overall appreciation for the music ...
The term romantic first appeared at sometime during the latter half of the 18th Century, meaning in quite literal English, "romance-like", usually referring to the character of mythical medieval romances. The first significant jump was in literature, where writing became far more reliant on imagination and the freedom of thought and expression, in around 1750. Subsequent movements then began to follow in Music and Art, where the same kind of imagination and expression began to appear. In this essay I shall be discussing the effect that this movement had on music, the way it developed, and the impact that it had on the future development of western music.
Romanticism was a reaction to the Enlightenment as a cultural movement, an aesthetic style, and an attitude of mind (210). Culturally, Romanticism freed people from the limitations and rules of the Enlightenment. The music of the Enlightenment was orderly and restrained, while the music of the Romantic period was emotional. As an aesthetic style, Romanticism was very imaginative while the art of the Enlightenment was realistic and ornate. The Romanticism as an attitude of mind was characterized by transcendental idealism, where experience was obtained through the gathering and processing of information. The idealism of the Enlightenment defined experience as something that was just gathered.
Romantic music was a different form of music that didn’t focus on religion, political or social tendencies. According to Lawrence Kramer the author of the book Why Classical Music Still Matters, “historically, the ideal of romantic love, tended to substitute for broader schemes of political, social, vocational, or religious meaning, as part of an increasing general tendency to rely on private rather that public schemes of fulfillment.” Meaning that romanticism had an impact on music in which religion, political and social meanings were substituted by a new form that rely on private situations instead of general public situations. This music form influenced the most in modern music because most of them are not based on
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).