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Introduction of christopher marlowe essay
Introduction of christopher marlowe essay
Introduction of christopher marlowe essay
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Raymond Chandler’s well known detective, Philip Marlowe, is classically synonymous with the subgenre of hard-boiled fiction. Marlowe is an independent private investigator hired to “snoop” for wealthy clients such as the Sternwood family in The Big Sleep. Chandler explores more of the psychological side of mystery, often leaving the active details out, to let the reader in as Marlowe walks through a case he is presented. In The Big Sleep, General Sternwood hires Marlowe to settle gambling debts accrued by his daughter, Carmen, but the General’s older daughter, Vivian, suspects her father truly hired Marlowe to find Sean “Rusty” Reagan, an ex-bootlegger the General took under his wing, after he mysteriously disappeared a month before the novel …show more content…
The Big Sleep captures the elaborate essence of hard-boiled fiction, featuring graphic violence, “slangy dialogue”, and intimate references throughout the book. These intimate references are quite prevalent from the start of the novel, including Sternwood’s daughter Vivian’s first encounter with Mr. Marlowe. “She was stretched out on a modernistic chaise-lounge with her slippers off, so I stared at her legs in the sheerest silk stockings. They seemed to be arranged to stare at” (Chandler ch. 3). Although Marlowe goes into detail about how Mrs. Reagan seems to present herself, he maintains his cold presence in his responses to her approaches. Marlowe continues to present himself as a hard-boiled detective by simply answering any questions she has about his being there. His clever avoidance reveals one of his inspirations to solve these outlandish crimes. Throughout the novel, Marlowe successfully looks at the Sternwood case from multiple angles and perspectives, while being approached by multiple women, including both Sternwood …show more content…
Marlowe is a memorable character, and he is often paired with a drink that can be seen as his “crutch”, just as James Bond is known for his high-tech gadgets. “I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be” (Chandler ch. 1). Chandler opens the novel with Marlowe confidently describing his appearance, and this begins the adventure in the reader’s mind with a confident, slightly arrogant private detective beginning a new case. Marlowe continues to describe himself throughout the novel, never letting the reader forget his dominating presence. As Marlowe works through the case, he is presented with multiple mysteries intertwined, with multiple characters making their presence known. As stated before, the novel ends with the discovery of Carmen Sternwood murdering her sister’s husband, Rusty. Carmen successfully embodies an outstanding opponent because as she ingratiates herself in his case, she veers the attention away from her crime. Her clever tactic was not enough to stump Marlowe for good, but it was enough to lead him away on multiple occasions throughout the story. Although the
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Carmen Sternwood is described with profoundness but in a different (less sexual) sense than her sister is. Marlowe encounters her on many occasions and is thorough in describing her--from her first flirtations to her continuous irritations. In t...
Raymond Chandler’s novel, The Big Sleep, is well-versed in descriptive language and makes one feel as though they are experiencing the occurred events firsthand. Through Philip Marlowe’s perspective the novel progresses in a manner that answers some questions of the mystery; however, as the truth unravels one realizes that not everything will be completely resolved. Through the usage of imagery, euphemism, and symbolism Chandler crafts an ending that solves the mystery, but creates a whole new one.
How can I humble myself? I can write about Raymond Chandler's style. I am amazed that someone can write with a style that appears to be almost effortless. No, it seems completely effortless. Breezing through this book is very easy. There are no seams. Chandler's "no buts about it," "hard-boiled" style, characters and story are completely cohesive. All elements seem perfectly placed. The narrator and interesting use of figurative language contribute to the unity in the text.
Raymond Chandler and Howard Hawks both create incredible pieces of art with their individual representations of The Big Sleep. The differences between the works allow them to converse and argue with each other, thus creating a new interpretation on the themes of the story. Hawks' version seems to be about Marlowe's struggle with the unnatural world, Chandler's about a struggle with nature. The movie was well made, as the book was well written: both are sufficient to stand and to be appreciated alone.
On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and a one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere fee of $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters.
The Big Sleep has a plot saturated with blackmail, threats, and murder that stem from the sexual actions of Carmen. This sex is the main contributing factor to the darkness that Marlowe finds. However, it is not just sex alone that is the nightmare; but sex used as an instrumental good of exchange. Through comparing the characterizations of Vivian, Carmen, and Mona and the resolution of the plot for characters that engage in this darkness, we can see how using sex as a mode of exchange is different than sex as an act of love for Marlowe. By creating this nightmare about sex as a means to gain wealth, Chandler is playing into his society’s fears of oversexualization of women.
Marlowe is a private investigator in 1930s Los Angeles, who is hired for a job by a retired millionaire, General Sternwood. As the story begins here, it is eluded to, or rather outright answered as to how
In “The Big Sleep”, Marlowe told Sternwood that he “refused payment for an unsatisfactory job” (Chandler, 210). Marlowe refusing a payment, gives the impression that he felt he did not do a good enough job or finished the job for Sternwood. Since his motivation was more about satisfaction, this gave Marlowe the characteristic that he would work hard for his client and find the truth no matter what it took. For example, Marlowe was in many situations where weapons were present. Marlowe would get information that he needed or go find more if necessary to make his job be
Marino was at her office on a Thursday evening all alone finishing paper work when her office door open and it was Ramona Millicent Hunnicut who is a wealthy business woman who came to seek for Marino’s legal help. “The two-piece lamb’s wool suit smelled new and expensive” (473). Here is noticeable how detective Marino noticed her future client wealth by the lamb suit she was wearing. The way Ramona carries herself, with confidence, and smell nice, gives Marino a sense of expensiveness. On the other hand, Angie Marino is in debt by living a glamour life relying only in her credit line. Meanwhile Marino’s client Ramona is a married woman to whom Marino seem to be attractive since the minute Ramona walked into Marino’s law office. Marino implies that Ramona is attractive to
is able to do this without regret is a hint into Marlow's personal life. He
Boyle, Ted E. "Marlow's 'Lie' in 'Heart of Darkness.'" Studies in Short Fiction 1 (1964): 159-163.
Mystery and Suspense Writers: The Literature of Crime, Detection, and Espionage. 2 vols. Edited by Robin W. Winks. Charles Scribner's Sons, 1998.
Mrs Callaghan discourages and harnesses Isobel’s creativity by saying things such as “you are not to take grown-up books without permission”. Although this may seem like an act of a responsible parent, this is the masked version of the cold-hearted torment Isobel deals with and a complete front put on for the dinner guest. Witting’s intention is to demonstrate Mrs Callaghan’s manipulation on Isobel and how she twists ‘the rules’ constantly. Witting ironically features that the very book Mrs Callaghan is rebuking Isobel for is ‘Sherlock Holmes: The Case of Identity’. The significance of this feature is that the book is a literary allusion and clearly symbolises Isobel’s identity and her mother is interrupting her from revealing its true form. Mrs Callaghan's wicked manipulation continues throughout I for Isobel, Isobel sees a fireball but her mother quickly remarks ‘thought you saw’ and adds ‘you don't know whether you’re telling the truth’, distinctively labelling Isobel as a liar. Isobel begins to believe Mrs Callaghan and accepts herself as ‘a hopeless born liar’. Witting intends to show a clear division of when Isobel begins to lose trust for herself, this being paired with her already existing distrust for others, all this caused by her mother’s callous mistreatment. Isobel protects herself from her mother’s manipulative words by adopting a state of